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Prints and Wall Art since 2004
sales@mediastorehouse.com.au
Tel: (08) 6102 8352

Tryst Gallery

Available as Prints and Gift Items

Choose from 108 pictures in our Tryst collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Daphnis and Chloe. Artist: Gerard, Francois Pascal Simon (1770-1837)
Daphnis and Chloe. Artist: Gerard, Francois Pascal Simon (1770-1837)
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Waiting, 1854 (oil on panel)
Waiting, 1854 (oil on panel)
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A Sunset or Landscape with Argus Guarding Io (oil on canvas)
A Sunset or Landscape with Argus Guarding Io (oil on canvas)
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Trysting Time is Kissing Time by Wilton Williams
Trysting Time is Kissing Time by Wilton Williams
Mary Evans Prints Online

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The Vampire II, 1895-1900. Artist: Munch, Edvard (1863-1944)
The Vampire II, 1895-1900. Artist: Munch, Edvard (1863-1944)
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A tryst at the spring, 1890s
A tryst at the spring, 1890s
Mary Evans Prints Online

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Romance by Arthur Watts
Romance by Arthur Watts
Mary Evans Prints Online

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Paris, France - Passage Colbert
Paris, France - Passage Colbert
Mary Evans Prints Online

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The Progress of Love: The Meeting, 1771-72 (oil on canvas)
The Progress of Love: The Meeting, 1771-72 (oil on canvas)
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Harlequin and a Lady, 1912 (w/c & gouache on cardboard)
Harlequin and a Lady, 1912 (w/c & gouache on cardboard)
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Welcome Footsteps, 1883 (oil on panel) (see also 198373)
Welcome Footsteps, 1883 (oil on panel) (see also 198373)
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Paolo and Francesca (oil on canvas)
Paolo and Francesca (oil on canvas)
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The Progress of Love: The Meeting, 1771-72 (oil on canvas) Featured Image

The Progress of Love: The Meeting, 1771-72 (oil on canvas)

3526140 The Progress of Love: The Meeting, 1771-72 (oil on canvas) by Fragonard, Jean-Honore (1732-1806); 318x244 cm; Frick Collection, New York, USA; (add.info.: Second? of 4 tableaux on aspects of love commissioned by Madame Du Barry for her pavilion at Louveciennes.
Also called Storming the Citadel or The Surprise
The statue of Venus is rough and menacing knocking Cupid from the cloud as she disarms him and takes his arrows
); French, out of copyright

© Bridgeman Images

A Stolen Interview, 1888 (oil on canvas)
A Stolen Interview, 1888 (oil on canvas)
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Page from Tales of a Parrot (Tuti-nama): Seventh night: The parrot addresses Khujasta at
Page from Tales of a Parrot (Tuti-nama): Seventh night: The parrot addresses Khujasta at
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Couple in a Chinese garden, from Ornaments of China
Couple in a Chinese garden, from Ornaments of China
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A romantic meeting, illustration from a traditional Chinese novel (w/c on paper)
A romantic meeting, illustration from a traditional Chinese novel (w/c on paper)
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Ms Fr 118 fol. 219v page from The quest for the Holy Grail and Arthur'
Ms Fr 118 fol. 219v page from The quest for the Holy Grail and Arthur'
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The Alarm or La Gouvernante Fidele, 1730 (lithograph)
The Alarm or La Gouvernante Fidele, 1730 (lithograph)
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Rinaldo and Armida (pen & brown ink, brown and pink wash over black chalk on paper)
Rinaldo and Armida (pen & brown ink, brown and pink wash over black chalk on paper)
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Lovers (pastel on paper)
Lovers (pastel on paper)
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A lady comes to her lover's house in a rainstorm, c
A lady comes to her lover's house in a rainstorm, c
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Plaque depicting Venus and Adonis, Birmingham, c.1755-60 (ceramic)
Plaque depicting Venus and Adonis, Birmingham, c.1755-60 (ceramic)
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The Meeting of Dante (1265-1321) and Beatrice (vellum)
The Meeting of Dante (1265-1321) and Beatrice (vellum)
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Romeo and Juliet Kissing Passionately on a Balcony, 1926 (colour litho)
Romeo and Juliet Kissing Passionately on a Balcony, 1926 (colour litho)
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Page from Tales of a Parrot (Tuti-nama): Seventh night: The parrot addresses Khujasta at Featured Image

Page from Tales of a Parrot (Tuti-nama): Seventh night: The parrot addresses Khujasta at

5857398 Page from Tales of a Parrot (Tuti-nama): Seventh night: The parrot addresses Khujasta at the beginning of the seventh night, c.1560 (opaque w/c, ink and gold on paper) by Mughal School, (16th century); 20x14.3 cm; Cleveland Museum of Art, OH, USA; (add.info.: India, Mughal, Reign of Akbar, 16th century
Every night for 52 nights the sly domesticated parrot encourages his master's wife Khujasta to meet her lover under cover of darkness. Just before she leaves, the parrot mentions a topic from a tantalizing tale; she becomes so curious that she cannot go out before hearing the whole story. By the time the story ends, dawn breaks, and it is too late for her to go out unnoticed. The artist who painted this page was still firmly entrenched in the idioms of pre-Mughal painting.); Indian, out of copyright

© Bridgeman Images

Laila visits Majnun in a palm grove, c.1475 (opaque w/c & gold on paper)
Laila visits Majnun in a palm grove, c.1475 (opaque w/c & gold on paper)
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The Meeting, c.1746 (oil on canvas)
The Meeting, c.1746 (oil on canvas)
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The Queen of Sheba and Assad meet in secret (chromolitho)
The Queen of Sheba and Assad meet in secret (chromolitho)
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The Dawn of Love, 1888 (oil on canvas)
The Dawn of Love, 1888 (oil on canvas)
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The End of the Song, 1902 (oil on canvas)
The End of the Song, 1902 (oil on canvas)
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Figures on a Moonlit Terrace (oil on canvas)
Figures on a Moonlit Terrace (oil on canvas)
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The Meeting Place, 1915 (oil on canvas)
The Meeting Place, 1915 (oil on canvas)
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Highland Lovers (oil on canvas)
Highland Lovers (oil on canvas)
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Arleux-Palluel, The Bridge of Trysts, 1871-72 (oil on canvas)
Arleux-Palluel, The Bridge of Trysts, 1871-72 (oil on canvas)
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Lovers Discovery, 1861-62 (w/c)
Lovers Discovery, 1861-62 (w/c)
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The Trysting Place (oil on canvas laid on board)
The Trysting Place (oil on canvas laid on board)
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Waiting (oil on canvas)
Waiting (oil on canvas)
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The Meeting, c.1746 (oil on canvas) Featured Image

The Meeting, c.1746 (oil on canvas)

3613961 The Meeting, c.1746 (oil on canvas) by Longhi, Pietro (c.1701-85); 61x49.5 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Outside a fashionable cafA© in the arcade of the Procuratorie Nuove in St. Mark's Square during Venice Carnival, a lady has removed her veil and bauta (characteristic Venetian type of white mask) under her tricorn hat revealing her face to a gentleman who is approaching her. Behind them a fitta palchi (vendor of theater boxes) is presenting them with keys. The implication is that the two lovers will meet for an amorous encounter in a box.
Part of a series painted for the Gambardi family in Florence, see also 3618004, 3618005 and 3618008
); Italian, out of copyright

© Bridgeman Images

The Alarm or La Gouvernante Fidele, 1723 (oil on canvas)
The Alarm or La Gouvernante Fidele, 1723 (oil on canvas)
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An Amorous Advance (oil on canvas)
An Amorous Advance (oil on canvas)
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The Rendez-Vous, 1881 (oil on canvas)
The Rendez-Vous, 1881 (oil on canvas)
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Pointless Regrets, late 18th century (colour engraving)
Pointless Regrets, late 18th century (colour engraving)
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Henri IV (1553-1610), King of France and Gabrielle d'
Henri IV (1553-1610), King of France and Gabrielle d'
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Fatal Curiosity, pub. by Robert Sayer & J. Bennett, 1784 (mezzotint engraving)
Fatal Curiosity, pub. by Robert Sayer & J. Bennett, 1784 (mezzotint engraving)
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Welcome Footsteps, 1883 (oil on canvas) (see also 15132)
Welcome Footsteps, 1883 (oil on canvas) (see also 15132)
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Two Lovers in a starlit Garden, 1862 (pen and dark brown ink on laid paper)
Two Lovers in a starlit Garden, 1862 (pen and dark brown ink on laid paper)
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The Vampire (Love and Pain), 1894. Artist: Munch, Edvard (1863-1944)
The Vampire (Love and Pain), 1894. Artist: Munch, Edvard (1863-1944)
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Lovers reclining together in the dark (black ink and wash on paper)
Lovers reclining together in the dark (black ink and wash on paper)
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Embarkation for Cythera, 1717 (oil on canvas) (for detail see 65335)
Embarkation for Cythera, 1717 (oil on canvas) (for detail see 65335)
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Blanca and Abon Hamet in the Gardens of the Alhambra, from Le Dernier des Abencerages'
Blanca and Abon Hamet in the Gardens of the Alhambra, from Le Dernier des Abencerages'
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