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Tryst Collection (page 2)

"Tryst: A Captivating Journey through Art and Passion" Immerse yourself in the timeless tale of Daphnis and Chloe, as depicted by the talented artist Gerard

Background imageTryst Collection: A romantic meeting, illustration from a traditional Chinese novel (w / c on paper)

A romantic meeting, illustration from a traditional Chinese novel (w / c on paper)
CHT265550 A romantic meeting, illustration from a traditional Chinese novel (w/c on paper) by Chinese School (19th century); Private Collection; (add.info)

Background imageTryst Collection: Ms Fr 118 fol. 219v page from The quest for the Holy Grail and Arthur

Ms Fr 118 fol. 219v page from The quest for the Holy Grail and Arthur
REV253032 Ms Fr 118 fol. 219v page from The quest for the Holy Grail and Arthurs death, part of the manuscript Lancelot of the lake (vellum) by French School, (14th century); Bibliotheque Nationale

Background imageTryst Collection: The Alarm or La Gouvernante Fidele, 1730 (lithograph)

The Alarm or La Gouvernante Fidele, 1730 (lithograph)
468664 The Alarm or La Gouvernante Fidele, 1730 (lithograph) by Troy, Jean Francois de (1679-1752) (after); Private Collection; (add.info)

Background imageTryst Collection: A tryst at the spring, 1890s

A tryst at the spring, 1890s. Date: 1890s

Background imageTryst Collection: Rinaldo and Armida (pen & brown ink, brown and pink wash over black chalk on paper)

Rinaldo and Armida (pen & brown ink, brown and pink wash over black chalk on paper)
AGN271538 Rinaldo and Armida (pen & brown ink, brown and pink wash over black chalk on paper) by Boucher, Francois (1703-70); 20x31.2 cm; Private Collection; (add.info)

Background imageTryst Collection: Lovers (pastel on paper)

Lovers (pastel on paper)
425779 Lovers (pastel on paper) by Brill, Rosalie (fl.1920-40); 39.4x38.7 cm; Private Collection; (add.info.: Rosalie Brill was the wife of the artist Reginald Brill.); eLiss Fine Art; English

Background imageTryst Collection: Plaque depicting Venus and Adonis, Birmingham, c. 1755-60 (ceramic)

Plaque depicting Venus and Adonis, Birmingham, c. 1755-60 (ceramic)
BAL2829 Plaque depicting Venus and Adonis, Birmingham, c.1755-60 (ceramic) by English School, (18th century); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageTryst Collection: The Meeting of Dante (1265-1321) and Beatrice (vellum)

The Meeting of Dante (1265-1321) and Beatrice (vellum)
XIR155564 The Meeting of Dante (1265-1321) and Beatrice (vellum) by Italian School, (13th century); Biblioteca Nazionale Marciana, Venice, Italy; Italian, out of copyright

Background imageTryst Collection: Romeo and Juliet Kissing Passionately on a Balcony, 1926 (colour litho)

Romeo and Juliet Kissing Passionately on a Balcony, 1926 (colour litho)
2630016 Romeo and Juliet Kissing Passionately on a Balcony, 1926 (colour litho) by American School, (20th century); Private Collection; Photo eGraphicaArtis; American, out of copyright

Background imageTryst Collection: Laila visits Majnun in a palm grove, c. 1475 (opaque w / c & gold on paper)

Laila visits Majnun in a palm grove, c. 1475 (opaque w / c & gold on paper)
874223 Laila visits Majnun in a palm grove, c.1475 (opaque w/c & gold on paper) by Indian School, (15th century); 12.7 x10.4 cm; San Diego Museum of Art

Background imageTryst Collection: The Meeting, c. 1746 (oil on canvas)

The Meeting, c. 1746 (oil on canvas)
3613961 The Meeting, c.1746 (oil on canvas) by Longhi, Pietro (c.1701-85); 61x49.5 cm; Metropolitan Museum of Art, New York

Background imageTryst Collection: The Queen of Sheba and Assad meet in secret (chromolitho)

The Queen of Sheba and Assad meet in secret (chromolitho)
735865 The Queen of Sheba and Assad meet in secret (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Queen of Sheba and Assad meet in secret)

Background imageTryst Collection: The Dawn of Love, 1888 (oil on canvas)

The Dawn of Love, 1888 (oil on canvas)
SAV329298 The Dawn of Love, 1888 (oil on canvas) by Parsons, John Featherstone (1850-98); 23x46 cm; Bristol Savages, Bristol, UK; English, out of copyright

Background imageTryst Collection: The End of the Song, 1902 (oil on canvas)

The End of the Song, 1902 (oil on canvas)
CH390484 The End of the Song, 1902 (oil on canvas) by Leighton, Edmund Blair (1853-1922); 128.5x147.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageTryst Collection: Figures on a Moonlit Terrace (oil on canvas)

Figures on a Moonlit Terrace (oil on canvas)
CH401620 Figures on a Moonlit Terrace (oil on canvas) by Danby, Francis (1793-1861); 37x60.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageTryst Collection: The Meeting Place, 1915 (oil on canvas)

The Meeting Place, 1915 (oil on canvas)
CH402440 The Meeting Place, 1915 (oil on canvas) by Strang, William (1859-1921); 71.1x61 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Background imageTryst Collection: Highland Lovers (oil on canvas)

Highland Lovers (oil on canvas)
FC28104 Highland Lovers (oil on canvas) by Haydon, Benjamin Robert (1786-1846); FORBES Magazine Collection, New York, USA; eForbes Magazine Collection; English, out of copyright

Background imageTryst Collection: Arleux-Palluel, The Bridge of Trysts, 1871-72 (oil on canvas)

Arleux-Palluel, The Bridge of Trysts, 1871-72 (oil on canvas)
5859056 Arleux-Palluel, The Bridge of Trysts, 1871A-72 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 60.8x73 cm; The Art Institute of Chicago, IL, USA; French, out of copyright

Background imageTryst Collection: Lovers Discovery, 1861-62 (w / c)

Lovers Discovery, 1861-62 (w / c)
6198954 Lovers Discovery, 1861-62 (w/c) by Millais, John Everett (1829-96); 14x17.8 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; English

Background imageTryst Collection: The Trysting Place (oil on canvas laid on board)

The Trysting Place (oil on canvas laid on board)
3744185 The Trysting Place (oil on canvas laid on board) by Pott, Laslett John (1837-98); 17.8x29.8 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageTryst Collection: Waiting (oil on canvas)

Waiting (oil on canvas)
1079932 Waiting (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); 55.9x78.8 cm; Private Collection; (add.info.: Also known as In the Shadows ); Photo eChristies Images; French

Background imageTryst Collection: The Alarm or La Gouvernante Fidele, 1723 (oil on canvas)

The Alarm or La Gouvernante Fidele, 1723 (oil on canvas)
SC14480 The Alarm or La Gouvernante Fidele, 1723 (oil on canvas) by Troy, Jean Francois de (1679-1752); 69.5x64 cm cm; Victoria & Albert Museum, London

Background imageTryst Collection: An Amorous Advance (oil on canvas)

An Amorous Advance (oil on canvas)
CH401396 An Amorous Advance (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); Private Collection; Photo eChristies Images; French, out of copyright

Background imageTryst Collection: The Rendez-Vous, 1881 (oil on canvas)

The Rendez-Vous, 1881 (oil on canvas)
CH401749 The Rendez-Vous, 1881 (oil on canvas) by Lidderdale, Charles Sillem (1831-95); 104x77.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageTryst Collection: Pointless Regrets, late 18th century (colour engraving)

Pointless Regrets, late 18th century (colour engraving)
CHT164024 Pointless Regrets, late 18th century (colour engraving) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; eArchives Charmet; French

Background imageTryst Collection: Henri IV (1553-1610), King of France and Gabrielle d

Henri IV (1553-1610), King of France and Gabrielle d
CHT164594 Henri IV (1553-1610), King of France and Gabrielle d Estrees (1573-99) (engraving) (b/w photo) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageTryst Collection: Fatal Curiosity, pub. by Robert Sayer & J. Bennett, 1784 (mezzotint engraving)

Fatal Curiosity, pub. by Robert Sayer & J. Bennett, 1784 (mezzotint engraving)
NP125556 Fatal Curiosity, pub. by Robert Sayer & J. Bennett, 1784 (mezzotint engraving) by English School, (18th century); 33x24.8 cm; Private Collection; English, out of copyright

Background imageTryst Collection: Welcome Footsteps, 1883 (oil on canvas) (see also 15132)

Welcome Footsteps, 1883 (oil on canvas) (see also 15132)
Ma198373 Welcome Footsteps, 1883 (oil on canvas) (see also 15132) by Alma-Tadema, Lawrence (1836-1912); 41.9x54.8 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageTryst Collection: Two Lovers in a starlit Garden, 1862 (pen and dark brown ink on laid paper)

Two Lovers in a starlit Garden, 1862 (pen and dark brown ink on laid paper)
1217918 Two Lovers in a starlit Garden, 1862 (pen and dark brown ink on laid paper) by Paton, Joseph Noel (1821-1901); 17.1x9.7 cm; Ashmolean Museum, University of Oxford

Background imageTryst Collection: Couple with Matchmaker, c. 1750. Creator: Platzer, Johann Georg (1704-1761)

Couple with Matchmaker, c. 1750. Creator: Platzer, Johann Georg (1704-1761)
Couple with Matchmaker, c. 1750. Found in the collection of Art Museum Basel

Background imageTryst Collection: Le Baiser, 1868. Creator: Carolus-Duran, Charles Emile Auguste (1837-1917)

Le Baiser, 1868. Creator: Carolus-Duran, Charles Emile Auguste (1837-1917)
Le Baiser, 1868. Found in the collection of Musee des Beaux-Arts, Lille

Background imageTryst Collection: Viva La Madonna, 1817. 1817. Creator: Thomas Joseph Clerian

Viva La Madonna, 1817. 1817. Creator: Thomas Joseph Clerian
Viva La Madonna, 1817

Background imageTryst Collection: Pyramus and Thisbe, ca. 1580. Creator: Anon

Pyramus and Thisbe, ca. 1580. Creator: Anon
Pyramus and Thisbe, ca. 1580

Background imageTryst Collection: The Meeting, 1746. Creator: Pietro Longhi

The Meeting, 1746. Creator: Pietro Longhi
The Meeting, 1746

Background imageTryst Collection: The Lie (Le Mensonge), 1897. Creator: Vallotton, Felix Edouard (1865-1925)

The Lie (Le Mensonge), 1897. Creator: Vallotton, Felix Edouard (1865-1925)
The Lie (Le Mensonge), 1897. Found in the Collection of Baltimore Museum of Art

Background imageTryst Collection: L Amour frivole, c. 1780. Creator: Schall, Jean-Frederic (1752-1825)

L Amour frivole, c. 1780. Creator: Schall, Jean-Frederic (1752-1825)
L Amour frivole, c. 1780. Found in the Collection of Musee Cognacq-Jay, Paris

Background imageTryst Collection: Lovers reclining together in the dark (black ink and wash on paper)

Lovers reclining together in the dark (black ink and wash on paper)
XKH155140 Lovers reclining together in the dark (black ink and wash on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 22x13.4 cm; Hamburger Kunsthalle, Hamburg, Germany; Spanish

Background imageTryst Collection: Man and Woman (Embrace), 1917

Man and Woman (Embrace), 1917. Private Collection

Background imageTryst Collection: Fulfillment, 1912

Fulfillment, 1912. Private Collection

Background imageTryst Collection: Chloe, 1806

Chloe, 1806. Found in the Collection of Kunsthaus Zü rich

Background imageTryst Collection: The Shepherds Rest

The Shepherds Rest. Found in the Collection of Musee d Orsay, Paris

Background imageTryst Collection: The Embrace, ca. 1883

The Embrace, ca. 1883. Private Collection

Background imageTryst Collection: A Man Trying to embrace a Woman

A Man Trying to embrace a Woman. Found in the Collection of Nationalmuseum Stockholm

Background imageTryst Collection: Pagine d amore (The Love Letter), 1907

Pagine d amore (The Love Letter), 1907. Found in the Collection of Museo Villa Grimaldi Fassio, Genova

Background imageTryst Collection: Two lovers (Self Portrait With Wally), 1914-1915. Artist: Schiele, Egon (1890-1918)

Two lovers (Self Portrait With Wally), 1914-1915. Artist: Schiele, Egon (1890-1918)
Two lovers (Self Portrait With Wally), 1914-1915. Private Collection

Background imageTryst Collection: Lady with Her Maidservant Holding a Letter. Artist: Vermeer, Jan (Johannes) (1632-1675)

Lady with Her Maidservant Holding a Letter. Artist: Vermeer, Jan (Johannes) (1632-1675)
Lady with Her Maidservant Holding a Letter. Found in the collection of Frick Collection, New York

Background imageTryst Collection: A young Man kneeling before a Lady. Artist: Somov, Konstantin Andreyevich (1869-1939)

A young Man kneeling before a Lady. Artist: Somov, Konstantin Andreyevich (1869-1939)
A young Man kneeling before a Lady. Found in the collection of I. Brodski Museum, St. Petersburg

Background imageTryst Collection: Les Charmes de la vie champetre (Delights of country life). Artist: Boucher, Francois (1703-1770)

Les Charmes de la vie champetre (Delights of country life). Artist: Boucher, Francois (1703-1770)
Les Charmes de la vie champetre (Delights of country life). Found in the collection of Louvre, Paris



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"Tryst: A Captivating Journey through Art and Passion" Immerse yourself in the timeless tale of Daphnis and Chloe, as depicted by the talented artist Gerard. Their secret rendezvous amidst nature's embrace evokes a sense of forbidden love. Step into the haunting world of "The Vampire II" by Edvard Munch, where desire intertwines with pain. The ethereal beauty of this piece leaves us captivated, yearning for more. In "Waiting, " an oil painting from 1854, we witness a moment frozen in time. Two souls on the brink of connection, their eyes locked in anticipation, leaving us to wonder what lies ahead. Experience the enchanting allure of "A Sunset or Landscape with Argus Guarding Io. " This masterpiece transports us to a mythical realm where passion is guarded under watchful eyes. Ramon Novarro, the Mexican actor known for his charismatic presence on screen, embodies romance and intrigue. His magnetic charm invites us to indulge in fantasies that transcend time. Wilton Williams' artwork titled "Trysting Time is Kissing Time" captures stolen moments filled with tenderness and affection. It reminds us that love blossoms when two hearts unite against all odds. Silvio Allason's creation "The Kiss" takes our breath away as it immortalizes an intimate exchange between lovers. In this passionate embrace, we find solace and understanding beyond words. Edvard Munch returns with another masterpiece titled "The Vampire (Love and Pain). " Its dark undertones explore the complexities of desire entangled with suffering—a mesmerizing portrayal indeed. Witness Cupid and Psyche embracing each other—an eternal symbol of love overcoming adversity. Their union transcends mortal boundaries as they become one soul bound by passion's flame. "A Man leads his Lover from the Garden into the Bedroom, " painted on fabric exudes sensuality and seduction at its finest. This vibrant depiction ignites the imagination, leaving us craving more.