Tsarina Of Russia Collection

Portrait of Empress Catherine II (1729-1796). Creator: Roslin, Alexander (1718-1793)
Portrait of Empress Catherine II (1729-1796). Found in the Collection of the Sinebrychoffin Taidemuseo, Helsinki.

Portrait of Empress Elizabeth Alexeievna, Princess Louise of Baden (1779-1826), ca 1792. Private Collection

The Allegory of the Peace of Europe, 1814. Artist: Cardelli, Salvatore (active 1800s)
The Allegory of the Peace of Europe, 1814. Found in the collection of State Hermitage, St. Petersburg

Interiors of the Winter Palace. The Study of Empress Maria Alexandrovna, 1869. Found in the collection of the State Hermitage, St. Petersburg

Interiors of the Winter Palace. The Bedchamber of Empress Maria Alexandrovna, 1859. Found in the collection of the State Hermitage, St. Petersburg

Interiors of the Winter Palace. The Dressing Room of Empress Maria Alexandrovna, 1857. Found in the collection of the State Hermitage, St. Petersburg

Portrait of Maria Alexandrovna (1824-1880), Empress of Russia. Artist: Makarov, Ivan Kosmich (1822-1897)
Portrait of Maria Alexandrovna (1824-1880), Empress of Russia. Found in the collection of the State Art Museum of the Dagestan Republic, Makhatchkala

Interiors of the Winter Palace. The Raspberry Study of Empress Maria Alexandrovna, 1860s. Found in the collection of the State Hermitage, St. Petersburg

Interiors of the Winter Palace. The Fifth Reserved Apartment. The Drawing-Room of Grand Princess Maria Alexandrovna, 1874. Found in the collection of the State Hermitage, St. Petersburg

Interiors of the Winter Palace. The Boudoir of Empress Maria Alexandrovna, 1861. Artist: Hau, Eduard (1807-1887)
Interiors of the Winter Palace. The Boudoir of Empress Maria Alexandrovna, 1861. Found in the collection of the State Hermitage, St. Petersburg

Interiors of the Winter Palace. The Bathroom of Empress Maria Alexandrovna, 1850s. Artist: Hau, Eduard (1807-1887)
Interiors of the Winter Palace. The Bathroom of Empress Maria Alexandrovna, 1850s. Found in the collection of the State Hermitage, St. Petersburg

Portrait of Grand Duchess Elizabeth Alexeievna (1779-1826), 1795. Artist: Borovikovsky, Vladimir Lukich (1757-1825)
Portrait of Grand Duchess Elizabeth Alexeievna (1779-1826), 1795. Found in the collection of the State Open-air Museum Palace Gatchina, St. Petersburg

Portrait of Empress Elizabeth Alexeievna (1779-1826) in Mourning Dress, 1831. Found in the collection of the State Hermitage, St. Petersburg

Portrait of Empress Elizabeth Alexeievna, Princess Louise of Baden (1779-1826), 1802. Found in the collection of the State Tretyakov Gallery, Moscow

Composition to the celebration of the silver wedding of Emperor Alexander II, 1866. Artist: Zichy, Mihaly (1827-1906)
Composition to the celebration of the silver wedding of Emperor Alexander II, 1866. From a private collection

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"The Tsarina of Russia: A Glimpse into the Lavish Life of Empress Maria Alexandrovna" Step into the opulent world of Empress Maria Alexandrovna, a woman whose elegance and influence left an indelible mark on Russian history. Through exquisite artworks and grand interiors, we catch a glimpse of her regal presence within the Winter Palace. In "The Allegory of the Peace of Europe, " painted by Salvatore Cardelli in 1814, we see Maria's role as a symbol of peace during turbulent times. Her grace and diplomacy helped shape Europe's future. Enter the Study, where Ludwig Premazzi captures Maria's intellectual pursuits in 1869. This room served as her sanctuary for contemplation and decision-making, reflecting her strong character and astute judgment. Move to her Bedchamber, also captured by Premazzi in 1859. Here lies a haven fit for royalty - adorned with luxurious fabrics and intricate details that embody both comfort and majesty. Next is the Dressing Room from 1857; another masterpiece by Premazzi showcasing Maria's impeccable taste in fashion. It was here that she prepared herself to face courtly affairs with poise and sophistication. Ivan Kosmich Makarov immortalizes Empress Maria Alexandrovna's beauty in his portrait from unknown date range. Her captivating gaze speaks volumes about her charisma as she gazes upon us through time. Eduard Hau transports us to the Raspberry Study in the 1860s – a space filled with warmth and intimacy where Maria indulged in leisurely activities such as reading or conversing with close confidantes. Witness Grand Princess Maria Alexandrovna’s Drawing-Room through Eduard Hau’s brushstrokes from 1874 – an elegant space designed for social gatherings befitting royalty. The room exudes grandeur while still maintaining an air of intimacy. Hau also captures Maria's personal sanctuary in the Boudoir from 1861.