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Vecellio Collection

Vecellio, also known as Titian, was an Italian Renaissance painter who left a lasting impact on the art world

Background imageVecellio Collection: Venus of Urbino, 1538. Artist: Titian

Venus of Urbino, 1538. Artist: Titian
Venus of Urbino, 1538. Titian (1488-1576). Found in the collection of the Galleria degli Uffizi, Florence

Background imageVecellio Collection: Noli Me Tangere, c1514. Artist: Titian

Noli Me Tangere, c1514. Artist: Titian
Noli Me Tangere, c1514. Saint Mary Magdalene encounters Christ after his resurrection. From the National Gallery, London

Background imageVecellio Collection: Christ Carrying the Cross, 1560s. Artist: Titian

Christ Carrying the Cross, 1560s. Artist: Titian
Christ Carrying the Cross, 1560s. Titian (1488-1576). Found in the collection of the State Hermitage, St. Petersburg

Background imageVecellio Collection: Women of Venice dying their hair using a solana

Women of Venice dying their hair using a solana (a wide brim hat with a hole in the centre), one with a sponge A, and one with comb in front of a mirror after Cesare Vecellio B, and wooden comb C

Background imageVecellio Collection: Group of naked men engaged in battle in a wooded landscape

Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left. 1517

Background imageVecellio Collection: Venus and the Lute Player, ca. 1565-70. Creator: Titian

Venus and the Lute Player, ca. 1565-70. Creator: Titian
Venus and the Lute Player, ca. 1565-70

Background imageVecellio Collection: Titian, (c1488-1576), 1830. Creator: Unknown

Titian, (c1488-1576), 1830. Creator: Unknown
Titian, (c1488-1576), 1830. Tiziano Vecelli (c1488-1576) Italian Renaissance painter of the Venetian school sought after by patrons notably the Habsburgs and papacy

Background imageVecellio Collection: We Named Lucrezia Crivelli and Titians Lady, c1910. Artist: Harry Clarke

We Named Lucrezia Crivelli and Titians Lady, c1910. Artist: Harry Clarke
We Named Lucrezia Crivelli and Titians Lady, c1910. One of the Queens? Panels designed for the library of Laurence Waldrons library in Marino, Ballybrack, Killiney, Co. Dublin

Background imageVecellio Collection: Venus and Adonis, 1553. Artist: Titian

Venus and Adonis, 1553. Artist: Titian
Venus and Adonis, 1553. From the Museo del Prado, Madrid, Spain

Background imageVecellio Collection: The Holy Family with a Shepherd, c1510. Artist: Titian

The Holy Family with a Shepherd, c1510. Artist: Titian
The Holy Family with a Shepherd, c1510. From the National Gallery, London

Background imageVecellio Collection: Titian, Italian Renaissance painter, 1827 (lithograph)

Titian, Italian Renaissance painter, 1827 (lithograph)
5912835 Titian, Italian Renaissance painter, 1827 (lithograph) by Titian (Tiziano Vecellio) (c.1488-1576) (after); (add.info.: Tiziano Vecelli, Vecellio or Titian, Italian Renaissance painter)

Background imageVecellio Collection: Tiziano Vecelli or Tiziano Vecellio, from Living Biographies of Great Painters

Tiziano Vecelli or Tiziano Vecellio, from Living Biographies of Great Painters
3960933 Tiziano Vecelli or Tiziano Vecellio, from Living Biographies of Great Painters by Ross, Gordon (1872-1946); (add.info.: Tiziano Vecelli or Tiziano Vecellio, c.1488/1490-1576, aka Titian)

Background imageVecellio Collection: English noble, 16th century

English noble, 16th century
5855264 English noble, 16th century by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: English noble, 16th century, from a woodcut by Cesare Vecellio)

Background imageVecellio Collection: Marchand de Florence, au XVIe siecle; d apres Vecellio (engraving)

Marchand de Florence, au XVIe siecle; d apres Vecellio (engraving)
6022379 Marchand de Florence, au XVIe siecle; d apres Vecellio (engraving) by French School, (19th century); Private Collection; (add.info.: Marchand de Florence, au XVIe siecle; d apres Vecellio)

Background imageVecellio Collection: Parmigianino, Italian Mannerist painter

Parmigianino, Italian Mannerist painter
Girolamo Francesco Maria Mazzola, Francesco Mazzola or Parmigianino, Italian Mannerist painter, 1503-1540. From the picture in the Florence Gallery

Background imageVecellio Collection: Marchand anglais de la fin du XVIe siecle; d apres Vecellio (engraving)

Marchand anglais de la fin du XVIe siecle; d apres Vecellio (engraving)
6022378 Marchand anglais de la fin du XVIe siecle; d apres Vecellio (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageVecellio Collection: Saint Sebastian, (oil on canvas)

Saint Sebastian, (oil on canvas)
659393 Saint Sebastian, (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 190x96.5 cm; Private Collection; (add.info.: Saint Sebastian. Tiziano Vecelli, called Titian (c.1488-1576)

Background imageVecellio Collection: The Doge and the Signory in Council (engraving)

The Doge and the Signory in Council (engraving)
5995225 The Doge and the Signory in Council (engraving) by European School, (19th century); Private Collection; (add.info.: The Doge and the Signory in Council)

Background imageVecellio Collection: Venus and Adonis, 1554 (oil on canvas)

Venus and Adonis, 1554 (oil on canvas)
827852 Venus and Adonis, 1554 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 177.5x200 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageVecellio Collection: Marchand venitien en Syrie au XVIe siecle; d apres Vecellio (engraving)

Marchand venitien en Syrie au XVIe siecle; d apres Vecellio (engraving)
6022373 Marchand venitien en Syrie au XVIe siecle; d apres Vecellio (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageVecellio Collection: Portrait of King Philip II of Spain, three-quarter length

Portrait of King Philip II of Spain, three-quarter length
990425 Portrait of King Philip II of Spain, three-quarter length, wearing Half Armour and the Badge of the Order of the Golden Fleece

Background imageVecellio Collection: The Feast of the Gods, 1514 / 1529. Creator: Giovanni Bellini

The Feast of the Gods, 1514 / 1529. Creator: Giovanni Bellini
The Feast of the Gods, 1514/1529

Background imageVecellio Collection: Venus with a Mirror, c. 1555. Creator: Titian

Venus with a Mirror, c. 1555. Creator: Titian
Venus with a Mirror, c. 1555

Background imageVecellio Collection: Pietro Aretino, 1640. Creator: Wenceslaus Hollar

Pietro Aretino, 1640. Creator: Wenceslaus Hollar
Pietro Aretino, 1640

Background imageVecellio Collection: Pietro Aretino, 1649. Creator: Wenceslaus Hollar

Pietro Aretino, 1649. Creator: Wenceslaus Hollar
Pietro Aretino, 1649

Background imageVecellio Collection: Pietro Aretino, 1647. Creator: Wenceslaus Hollar

Pietro Aretino, 1647. Creator: Wenceslaus Hollar
Pietro Aretino, 1647

Background imageVecellio Collection: La Vierge adorent l Enfant Jesus. Creator: Jean Morin

La Vierge adorent l Enfant Jesus. Creator: Jean Morin
La Vierge adorent l Enfant Jesus

Background imageVecellio Collection: Philippe II, roi d Espagne. Creator: Jean Morin

Philippe II, roi d Espagne. Creator: Jean Morin
Philippe II, roi d Espagne

Background imageVecellio Collection: Landscape with a Horseman and His Groom, ca. 1552-61. Creator: Battista Franco Veneziano

Landscape with a Horseman and His Groom, ca. 1552-61. Creator: Battista Franco Veneziano
Landscape with a Horseman and His Groom, ca. 1552-61. Formerly attributed to Titian

Background imageVecellio Collection: Section H: Saint Christopher carrying the Christ Child, from The Triumph of Christ, 1836

Section H: Saint Christopher carrying the Christ Child, from The Triumph of Christ, 1836

Background imageVecellio Collection: Section B: Isaac, Noah and other figures, from The Triumph of Christ, 1836

Section B: Isaac, Noah and other figures, from The Triumph of Christ, 1836

Background imageVecellio Collection: Section A: an angel holding a cross at upper left, Adam and Eve below

Section A: an angel holding a cross at upper left, Adam and Eve below, from The Triumph of Christ, 1836

Background imageVecellio Collection: Section F: Saints holding crosses, books, and weapons, from The Triumph of Christ, 1836

Section F: Saints holding crosses, books, and weapons, from The Triumph of Christ, 1836

Background imageVecellio Collection: Section C: female martyrs and saints holding banners, from The Triumph of Christ, 1836

Section C: female martyrs and saints holding banners, from The Triumph of Christ, 1836

Background imageVecellio Collection: Section D: angels sounding trumpets etc, from The Triumph of Christ, 1836

Section D: angels sounding trumpets etc, from The Triumph of Christ, 1836

Background imageVecellio Collection: Section E: Christ riding on a triumphal cart, from The Triumph of Christ, 1836

Section E: Christ riding on a triumphal cart, from The Triumph of Christ, 1836

Background imageVecellio Collection: The crossing of the red sea, Moses stands at the left pointing to the army being

The crossing of the red sea, Moses stands at the left pointing to the army being submerged, after Titian, 1589

Background imageVecellio Collection: The Pesaro Madonna, 1682 Creator: Valentin Lefebvre

The Pesaro Madonna, 1682 Creator: Valentin Lefebvre
The Pesaro Madonna, 1682

Background imageVecellio Collection: The Madonna embracing the sleeping Christ child, 1797. Creator: Raphael Morghen

The Madonna embracing the sleeping Christ child, 1797. Creator: Raphael Morghen
The Madonna embracing the sleeping Christ child, 1797

Background imageVecellio Collection: De gli habiti antichi et moderni di diversi parti del mondo, libri due... 1590

De gli habiti antichi et moderni di diversi parti del mondo, libri due... 1590. [Nobile Armeno - Armenian nobleman]

Background imageVecellio Collection: The Holy Family at right, with the infant Saint John the Baptist, Elizabeth, Zacharias

The Holy Family at right, with the infant Saint John the Baptist, Elizabeth, Zacharias, and an angel at left, 1631-37

Background imageVecellio Collection: Diana Discovering Callistos Pregnancy, 1566. Creator: Cornelis Cort

Diana Discovering Callistos Pregnancy, 1566. Creator: Cornelis Cort
Diana Discovering Callistos Pregnancy, 1566

Background imageVecellio Collection: Tityus Punished in Hell, 1566. Creator: Cornelis Cort

Tityus Punished in Hell, 1566. Creator: Cornelis Cort
Tityus Punished in Hell, 1566

Background imageVecellio Collection: The Holy Spirit as a bird descending with spread wings at top center

The Holy Spirit as a bird descending with spread wings at top center; the twelve Apostles standing below gesturing to it in front of an archway, 1518

Background imageVecellio Collection: Portrait of Pietro Aretino, ca. 1655-1660. Creator: Cornelis van Dalen II

Portrait of Pietro Aretino, ca. 1655-1660. Creator: Cornelis van Dalen II
Portrait of Pietro Aretino, ca. 1655-1660

Background imageVecellio Collection: The Adoration of the Trinity, 1566. Creator: Cornelis Cort

The Adoration of the Trinity, 1566. Creator: Cornelis Cort
The Adoration of the Trinity, 1566

Background imageVecellio Collection: Ruggiero Rescuing Angelica, 1565. Creator: Cornelis Cort

Ruggiero Rescuing Angelica, 1565. Creator: Cornelis Cort
Ruggiero Rescuing Angelica, 1565

Background imageVecellio Collection: Corona delle Nobili et Virtuose Donne: Libro I-IV, page 83 (recto), 1601

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 83 (recto), 1601



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Vecellio, also known as Titian, was an Italian Renaissance painter who left a lasting impact on the art world. His works are diverse and captivating, showcasing his immense talent and skill. One of his most famous paintings is the Venus of Urbino, created in 1538. This masterpiece portrays a reclining nude woman with a sensuous gaze, symbolizing love and beauty. Another notable work is Noli Me Tangere from around 1514, depicting Christ after resurrection warning Mary Magdalene not to touch him. In Christ Carrying the Cross from the 1560s, Titian captures the emotional weight of Jesus' journey to crucifixion. The painting's dramatic composition and use of color evoke empathy in viewers. Titian himself is depicted in a lithograph from 1827 that showcases his iconic appearance during the Italian Renaissance period. He exudes confidence and creativity through this portrayal. The artist's versatility shines through in various other works such as Venus and the Lute Player (ca. 1565-70), which combines classical mythology with musical themes, creating an enchanting scene. A portrait titled We Named Lucrezia Crivelli and Titians Lady (c1910) by Harry Clarke pays homage to both Titian's subjects and his artistic legacy. Venus and Adonis (1553) presents another mythological tale where love meets tragedy while The Holy Family with a Shepherd (c1510) depicts religious devotion within a pastoral setting. Titian's influence extended beyond Italy; he even painted Charles V, Holy Roman Emperor (1500-1558). This portrait captures Charles V's powerful presence amidst opulent surroundings.