Vinci Collection

Head of a Bear, c1480 (1945). Artist: Leonardo da Vinci
Head of a Bear, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Helicopter design by Leonardo Da Vinci

Portrait of Cecilia Gallerani, Lady with an Ermine, c1490. Artist: Leonardo da Vinci
Portrait of Cecilia Gallerani, Lady with an Ermine, c1490. Cecilia Gallerani was an influential mistress of the ruler of Milan, Ludovico Sforza

The Last Supper, 1800. Creators: Raphael Morghen, Teodoro Matteini
The Last Supper, 1800

Leonardo Helicopter
LEONARDO DA VINCI Sketch of a flying machine which seems in some respects to anticipate the helicopter, though the technology is not clear

LEONARDO DA VINCI (1452-1519). Anatomic studio. Drawing

Emma de Burgh, tattooed lady, 1897
Emma de Burgh, tattooed lady. The work on her back depicts the Last Supper, by Da Vinci, and was regarded at the time to be one of the finest piece of tattooing produced in America

Leonardo Sketches
LEONARDO DA VINCI A page of sketches of flying machines

Leonardo Machine
LEONARDO DA VINCI Sketch of a flying machine, driven by a standing man using his arms to flap the wings

Da Vinci Quote Simplicity
Fadil Roze

Three Studies of Horses, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of Horses, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

First Page of The Armenian Letters, 1928. Artist: Leonardo da Vinci
First Page of The Armenian Letters, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Study of a Rearing Horse, c1480 (1945). Artist: Leonardo da Vinci
Study of a Rearing Horse, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Horseman, c1480 (1945). Artist: Leonardo da Vinci
A Horseman, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegories of Pleasure and Pain and of Envy, c1480 (1945). Artist: Leonardo da Vinci
Allegories of Pleasure and Pain and of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of hands, 15th century (1930). Artist: Leonardo da Vinci
Study of hands, 15th century (1930). Found in the Windsor collection. From Apollo magazine, volume XII, no 71 (November 1930)

Leonardo da Vinci (1452-1519). Italian polymath. La Belle Fe
Leonardo da Vinci (1452-1519). Italian polymath, painter, sculptor, architedt. Renaissance. La belle Ferronniere, 1490-95. Museum of Louvre. Paris. France

LEONARDO DA VINCI (1452-1519). The Mona Lisa or La Gioconda. ca. 1503-1506. Renaissance art. Cinquecento. Oil on wood. FRANCE. Paris. Louvre Museum. Proc: ITALY. Florence

The Virgin and Child with St Anne and St John the Baptist, 1499-1500, (1943). Creator
The Virgin and Child with St Anne and St John the Baptist, (The Burlington House Cartoon), 1499-1500, (1943). The Virgin Mary sits on the lap of her mother

A Condottiere, 1480, (1932). Artist: Leonardo da Vinci
A Condottiere, 1480, (1932). From the collection of the British Museum, London. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Mona Lisa, c1505, (1912). Artist: Leonardo da Vinci
Mona Lisa, c1505, (1912). A colour print of Leonardos famous painting of Mona Lisa or La Gioconda from Famous Paintings with an Introduction by Gilbert Chesterton, Cassell and Company, (London)

Drawing of human venous system (Leonardo da Vinci)
Venous system. Drawing of a " venous figure" by Leonardo da Vinci, taken from his Anatomical note- books. This standing figure with its expressive sad face shows the blood circulation

Da Vinci / P Journal 1913
LEONARDO DA VINCI Italian artist shows his famous Mona Lisa painting to Francois I, who buys it: years later it is stolen, but then returned

A Horseman Trampling on a Fallen Foe, c1480 (1945). Artist: Leonardo da Vinci
A Horseman Trampling on a Fallen Foe, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Horses and of Horses Heads, c1480 (1945). Artist: Leonardo da Vinci
Studies of Horses and of Horses Heads, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Madonna of the Rocks (detail), 1482-1486. Artist: Leonardo da Vinci
Madonna of the Rocks (detail), 1482-1486. From the collection of the Louvre, Paris, France

Leonardesque model. Trench-digging machine. Model. Technolog
Leonardesque model. Trench-digging machine. Drawing of a digger for excavating trenches or channels. Manuscript L, sheet 76v, 1497-1502. Model. The science and Technology Museum Leonardo da Vinci

Study of a Womans Head, c1480 (1945). Artist: Leonardo da Vinci
Study of a Womans Head, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Landscape, c1480 (1945). Artist: Leonardo da Vinci
Landscape, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Mona Lisa, c1503. Artist: Leonardo da Vinci
Mona Lisa, c1503. Portrait of Lisa Gherardini, wife of Francesco del Giocondo, known as the Mona Lisa, (c1503-1519). Painting held at the Louvre Museum, Paris

Sketch map of Armenia, c1472-c1519 (1883). Artist: Leonardo da Vinci
Sketch map of Armenia, c1472-c1519 (1883). From the Codex Atlanticus. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Allegory with wolf and eagle, c1516 (1954). Artist: Leonardo da Vinci
Allegory with wolf and eagle, c1516 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Study of the head of the Madonna, 15th century (1930). Artist: Leonardo da Vinci
Study of the head of the Madonna, 15th century (1930). Used for Litta Madonn. Found in the collection of the Louvre, Paris, France. From Apollo magazine, volume XII, no 69 (September 1930)

St George and the Dragon, c1506. Artist: Leonardo da Vinci
St George and the Dragon, c1506. From the collection of the Royal Library, Windsor Castle, Windsor, England

LEONARDO DA VINCI, school of (first half 16th)
" LEONARDO DA VINCI, school of (first half 16th). Bacchus. 1513 - 1516. Painted after Leonardos original " St John the Baptist Dionysus". Renaissance art. Cinquecento. Oil on canvas

Da Vinci / Self / London
LEONARDO DA VINCI Italian painter, sculptor, architect, engineer and scientist

Studies of Cats and of a Dragon, c1480 (1945). Artist: Leonardo da Vinci
Studies of Cats and of a Dragon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Drawings of the Heart, c1480 (1945). Artist: Leonardo da Vinci
Two Drawings of the Heart, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Madonna with the Laughing Child, 1928. Artist: Leonardo da Vinci
The Madonna with the Laughing Child, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). Artist: Leonardo da Vinci
Nude Man With Arms Stretched Out, Seen from the Front, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Legs of a Man Lunging to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Legs of a Man Lunging to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). Artist: Leonardo da Vinci
Head of the Virgin - Virgin and Child with St. Anne and Infant St. John, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Studies of the Paws of a Dog or Wolf, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of the Paws of a Dog or Wolf, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to Right, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

The Virgin of the Rocks (detail), c1491. Artist: Leonardo da Vinci
The Virgin of the Rocks (detail), c1491. This painting is part of the group of panels from the S. Francesco Altarpiece, Milan. Held at The National Gallery, London. From The Studio Volume 117

Anatomical drawing, c1472-c1519 (1883). Artist: Leonardo da Vinci
Anatomical drawing, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Giant crossbow, 1480-1485 (1954). Artist: Leonardo da Vinci
Giant crossbow, 1480-1485 (1954). Codex Atlanticus, 53v-b. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

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"Unveiling the Genius: Exploring the Diverse Works of Leonardo da Vinci" Step into the world of Leonardo da Vinci, a mastermind who transcended time with his extraordinary creations. From his iconic "Head of a Bear, c1480" to his visionary helicopter design, this Renaissance polymath left an indelible mark on art and innovation. In 1800, artists Raphael Morghen and Teodoro Matteini paid homage to da Vinci's masterpiece "The Last Supper, " showcasing its enduring influence. Another captivating portrait by da Vinci is "Lady with an Ermine, " where Cecilia Gallerani's allure is immortalized in delicate strokes. Da Vinci's fascination with flight led him to conceptualize a helicopter centuries before its realization. His sketches and designs for this groundbreaking invention continue to inspire modern aviation enthusiasts. Beyond artistry, da Vinci delved into anatomy as seen in his anatomical studio. This glimpse into his meticulous study reveals his dedication towards understanding the human body in intricate detail. Shifting gears to more contemporary works inspired by da Vinci's genius, we encounter Emma de Burgh, the tattooed lady from 1897 whose striking appearance pays tribute to Leonardo's unconventional spirit. His diverse range of sketches showcases not only artistic prowess but also scientific curiosity. Whether it be machines or Armenian letters captured on paper, each stroke reflects boundless creativity that knows no bounds. Among these remarkable pieces lies "A Condottiere, " painted around 1480 but rediscovered in 1932. Its revival reminds us of how timeless and influential da Vinci's work remains even after centuries have passed. Finally, we delve into one of his most intimate studies – hands. Da Vinci meticulously examined their form and function during the fifteenth century; a testament to both artistic expression and scientific exploration that defined him as an unparalleled genius. Leonardo da Vinci continues to captivate our imagination through these glimpses into his multifaceted brilliance.