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Virgin Collection (page 8)

"The Virgin: A Timeless Symbol of Beauty, Grace, and Devotion" Throughout history

Background imageVirgin Collection: Triptych of the Adoration by Jan van Dornicke

Triptych of the Adoration by Jan van Dornicke
Jan van Dornicke. First half of 16th century. Triptych of the Adoration. Detail. Lazaro Galdiano Museum. Madrid. Spain

Background imageVirgin Collection: Virgin of Mercy. Second third of the 17th century

Virgin of Mercy. Second third of the 17th century
Francisco de Zurbaran (1598-1664). Spanish painter. Virgin of Mercy. Second third of the 17th century. Lazaro Galdiano Museum. Madrid. Spain

Background imageVirgin Collection: Triptych of Virgin and Child with Musician Angels

Triptych of Virgin and Child with Musician Angels
Juan Hispalense (active 1400-1430). Triptych of Virgin and Child with Musician Angels. Castilian School, circa 1400-1410. Lazaro Galdiano Museum. Madrid. Spain

Background imageVirgin Collection: The Virgin Of The Harbour

The Virgin Of The Harbour
A portrait painting of a woman, wearing a red shirt, looking down intimately to her child, who is strewn on her lap, she is sat by the waters edge, on a harbour. Date: circa 1915

Background imageVirgin Collection: Mantegna, Virgin and Child

Mantegna, Virgin and Child
Documenting the purchase of an Andrea Mantagna painting ??the virgin and child, St Joseph and another saint?, bought by M Kleinberger of Paris for £29, 5000

Background imageVirgin Collection: St Mary the Virgin Church, Stoke-by-Wayland, Suffolk

St Mary the Virgin Church, Stoke-by-Wayland, Suffolk Date: 1895

Background imageVirgin Collection: Visitation of the Virgin Mary to Saint Elizabeth

Visitation of the Virgin Mary to Saint Elizabeth. Carved polychrome wood. First half of 17th century. On loan, Santiago Cathedral. Museum of Pilgrimage and Santiago

Background imageVirgin Collection: Immaculate Conception, ca. 1828, by Rafael Tegeo (1798-1856)

Immaculate Conception, ca. 1828, by Rafael Tegeo (1798-1856)
Rafael Tegeo (1798-1856). Spanish painter. Immaculate Conception, ca.1828. Royal National Heritage Collections. Royal Palace of Aranjuez. Spain. Date: 2019

Background imageVirgin Collection: The Lady of Montserrat by Alonso Cano (1601-1667)

The Lady of Montserrat by Alonso Cano (1601-1667)
Alonso Cano (1601-1667) and Workshop. The Lady of Montserrat. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Background imageVirgin Collection: Pieta, ca. 1570, by Luis de Morales (1515-1586). Detail

Pieta, ca. 1570, by Luis de Morales (1515-1586). Detail
Luis de Morales (1515-1586). Spanish painter. Pieta, ca.1570. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Background imageVirgin Collection: Saint Augustine between Christ and Mary by Rubens

Saint Augustine between Christ and Mary by Rubens
Peter Paul Rubens (1577-1640). Flemish painter. Saint Augustine between Christ and Mary, ca.1615. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Background imageVirgin Collection: The Descent from the Cross, by Maarten de Vos (1532-1603)

The Descent from the Cross, by Maarten de Vos (1532-1603)
Maarten de Vos (1532-1603). Flemish painter. The Descent from the Cross. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Background imageVirgin Collection: Spinning Virgin, 1897, by Feliks Cichocki-Nalecz

Spinning Virgin, 1897, by Feliks Cichocki-Nalecz
Feliks Cichocki-Nalecz (1861-1921). Polish painter. Spinning Virgin, 1897. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland. Date: 2018

Background imageVirgin Collection: The Nativity

The Nativity
A woodcut showing a nativity scene, with the Virgin Mary looking down at her miracle child, overlooked by a cluster of angelic figures

Background imageVirgin Collection: Madonna and Child

Madonna and Child
A famous oil painting after Jan Van Eyck, portraying a virgin and child reading, now referred to as the Ince Hall Madonna

Background imageVirgin Collection: Short S. 25 Sandringham 4 VP-LVE

Short S. 25 Sandringham 4 VP-LVE
Short S.25 Sandringham 4 VP-LVE Southern Cross (msn SH.55c, ex JM715), of Antilles Air Boats, registered in British Virgin Isles. View from the cabin during take-off at Calshot, in October 1977

Background imageVirgin Collection: SANCHEZ, Pedro. Spanish painter active in Seville in the sec

SANCHEZ, Pedro. Spanish painter active in Seville in the second half of the fifteenth century. THE BURIAL OF CHRIST. Painting on wood. Museum of Fine Arts. Budapest. Hungary

Background imageVirgin Collection: Liberale da Verona (1441-1526). Italian painter. Renaissance

Liberale da Verona (1441-1526). Italian painter. Renaissance. Lamentation of Christ. Alte Pinakothek. Munich. Germany

Background imageVirgin Collection: Fra Angelico (1395-1455). Italian painter. Entombment of Chr

Fra Angelico (1395-1455). Italian painter. Entombment of Chr
Fra Angelico (1395-1455). Italian Renaissance painter. Entombment of Christ. Abou 1438-1440. Alte Pinakothek. Munich. Germany

Background imageVirgin Collection: Republic of Macedonia. Gorno Nerezi. Church of St. Panteleim

Republic of Macedonia. Gorno Nerezi. Church of St. Panteleimon. 12th century Byzantine. Fresco. Pieta

Background imageVirgin Collection: 15th Century 1437 Altar Altarpiece Ancient Age

15th Century 1437 Altar Altarpiece Ancient Age
15th, century, 1437, altar, altarpiece, ancient, age, antiquity, Art, bed, Berlin, Bible, biblical, book, christian, christianism, christianity, corpse, death, Detail, Gemaldegalerie, german

Background imageVirgin Collection: Wurzach Altarpiece, 1437, by Hans Multscher (1400-1467)

Wurzach Altarpiece, 1437, by Hans Multscher (1400-1467)
Hans Multscher (1400-1467). German painter. Wurzach Altarpiece, 1437. Gemaldegalerie. Berlin. Germany

Background imageVirgin Collection: Death of VIrgin Mary by Joan Llimona Bruguera (1860-1926). B

Death of VIrgin Mary by Joan Llimona Bruguera (1860-1926). B
Joan Llimona Bruguera (1860-1926). Spanish artist. Death of Virgin Mary, 1912. Baldachin altar of the Church of Saint Mary's of Ripoll Monastery. Museum of Ripoll. Catalonia. Spain

Background imageVirgin Collection: Gregorio Fernandez (1576-1636). Pieta. National Sculpture Mu

Gregorio Fernandez (1576-1636). Pieta. National Sculpture Mu
Gregorio Fernandez (1576-1636). Spanish baroque sculptor. Pieta. National Sculpture Museum, Valladolid. Spain

Background imageVirgin Collection: Gothic Art. France. Paris. Notre Dame. Portal of the Virgin

Gothic Art. France. Paris. Notre Dame. Portal of the Virgin (c. 1220). Detail depicting the Death of the Virgin. Mary lies on her deathbed surrounded by Jesus and the Twelve Apostles

Background imageVirgin Collection: Byzantine Art. Mosaic. The Dormition of the Virgin. Nave of

Byzantine Art. Mosaic. The Dormition of the Virgin. Nave of
Byzantine Art. Mosaic. The Dormition of the Virgin, which lies in bed surrounded by the apostles. In the center, Jesus Christ with a child in his arms

Background imageVirgin Collection: MONTAGNANA, Jacopo da (1440-/43-1499). Italian painter. MADO

MONTAGNANA, Jacopo da (1440-/43-1499). Italian painter. MADONNA AND DEAD CHRIST. Tempera on wood. Museum of Fine Arts. Budapest. Hungary

Background imageVirgin Collection: Verdun Victims remains still in temporary Ossuary

Verdun Victims remains still in temporary Ossuary in 1927, awaiting definitive internment. See 10412369 for an earlier shot of the same location. Date: 1927

Background imageVirgin Collection: The grotto on the site where a group of children saw a vision of the Virgin Mary. Date: 1930s

The grotto on the site where a group of children saw a vision of the Virgin Mary. Date: 1930s

Background imageVirgin Collection: MANTEGNA, Andrea (1431-1506)

MANTEGNA, Andrea (1431-1506). Death of the Virgin. Scene with the Virgin surrounded by eleven Apostles. In the bcakgroung

Background imageVirgin Collection: The Deposition

The Deposition. Bassano, Jacopo (Jacopo da Ponte) (1510-1592), Oil on canvas, 154 x 225

Background imageVirgin Collection: SAINT PRISCA

SAINT PRISCA, a Roman virgin and martyr, may have been the wife of Aquila. Thrown to the lions, one licked her feet, and after her death her corpse was guarded by an eagle. Date: 3rd century

Background imageVirgin Collection: At Banneux, Belgium, where the Virgin Mary appeared to Mariette Beco in 1933

At Banneux, Belgium, where the Virgin Mary appeared to Mariette Beco in 1933, pilgrims stock up with water from the sacred spring which she caused to flow Date: 1990

Background imageVirgin Collection: POLAND/CZESTOCHOWA

POLAND/CZESTOCHOWA
The monastery of Czestochowa which houses the sacred shrine of the Virgin Mary. Date: 1863

Background imageVirgin Collection: Tapestry panel depicting St Barbara, the Virgin Mary, the Holy Trinity, St Joseph

Tapestry panel depicting St Barbara, the Virgin Mary, the Holy Trinity, St Joseph
3576084 Tapestry panel depicting St Barbara, the Virgin Mary, the Holy Trinity, St Joseph and St Catharine or Incarnation with Saints Barbara and Catherine, 1475 (wool) by Swiss School

Background imageVirgin Collection: Tapestry panel depicting the Death of the Virgin, from Middle Rhineland, possibly Trier

Tapestry panel depicting the Death of the Virgin, from Middle Rhineland, possibly Trier, mid 15th century (wool)
3576058 Tapestry panel depicting the Death of the Virgin, from Middle Rhineland, possibly Trier, mid 15th century (wool) by German School, (15th century); 81.2x156.2 cm; Burrell Collection, Glasgow

Background imageVirgin Collection: Tapestry antependium depicting St Anne, the Virgin and Christ, and four female saints

Tapestry antependium depicting St Anne, the Virgin and Christ, and four female saints, from Middle Rhineland
3576057 Tapestry antependium depicting St Anne, the Virgin and Christ, and four female saints, from Middle Rhineland, 1475-99 (wool, silk, gold & silver threads) by German School

Background imageVirgin Collection: Part of altar frontal tapestry depicting the Holy Trinity, the Virgin, St John and two Angels

Part of altar frontal tapestry depicting the Holy Trinity, the Virgin, St John and two Angels, from Nuremberg, c
3576051 Part of altar frontal tapestry depicting the Holy Trinity, the Virgin, St John and two Angels, from Nuremberg, c.1420 (wool & linen) by German School

Background imageVirgin Collection: The Trinity, Madonna and Child, Angels and Saints, c. 1505-08 (oil on panel)

The Trinity, Madonna and Child, Angels and Saints, c. 1505-08 (oil on panel)
SCP50007 The Trinity, Madonna and Child, Angels and Saints, c.1505-08 (oil on panel) by Signorelli, Luca (c.1450-1523); 272x180 cm; Galleria degli Uffizi, Florence, Tuscany

Background imageVirgin Collection: Tapestry fragment of mille fleurs depicting Saint Benedict presenting his heart to the Virgin

Tapestry fragment of mille fleurs depicting Saint Benedict presenting his heart to the Virgin Mary, 1500-25 (wool)
3576138 Tapestry fragment of mille fleurs depicting Saint Benedict presenting his heart to the Virgin Mary, 1500-25 (wool) by European School, (16th century); 81.2x187.9 cm; Burrell Collection

Background imageVirgin Collection: Tapestry panel depicting the Annunciation, from Upper Rhineland (wool, gold, linen & silk threads)

Tapestry panel depicting the Annunciation, from Upper Rhineland (wool, gold, linen & silk threads)
3576065 Tapestry panel depicting the Annunciation, from Upper Rhineland (wool, gold, linen & silk threads) by German School, (15th century); 76.2x68.5 cm; Burrell Collection, Glasgow

Background imageVirgin Collection: Tapestry depicting the Presentation in the Temple of the Virgin and her Education

Tapestry depicting the Presentation in the Temple of the Virgin and her Education, from Middle Germany, 1475-99 (wool)
3576054 Tapestry depicting the Presentation in the Temple of the Virgin and her Education, from Middle Germany, 1475-99 (wool) by German School, (15th century); 83.8x121.9 cm; Burrell Collection

Background imageVirgin Collection: Tapestry fragment depicting the Virgin and Child with St James, 1450-75 (wool & linen)

Tapestry fragment depicting the Virgin and Child with St James, 1450-75 (wool & linen)
3576079 Tapestry fragment depicting the Virgin and Child with St James, 1450-75 (wool & linen) by Swiss School, (15th century); 88.9x71.1 cm; Burrell Collection, Glasgow

Background imageVirgin Collection: Tapestry antependium with Lamentation over the Dead Christ Pieta, from Strasbourg, c

Tapestry antependium with Lamentation over the Dead Christ Pieta, from Strasbourg, c
3576071 Tapestry antependium with Lamentation over the Dead Christ Pieta, from Strasbourg, c.1450-60 (wool, silk & possibly linen) by French School, (15th century); 91.4x147.3 cm; Burrell Collection

Background imageVirgin Collection: Tapestry antependium depicting the Coronation of the Virgin between three holy bishops

Tapestry antependium depicting the Coronation of the Virgin between three holy bishops and two saints
3576052 Tapestry antependium depicting the Coronation of the Virgin between three holy bishops and two saints, from Middle Germany, 1450-99 (wool, gold & silk) by German School

Background imageVirgin Collection: Tapestry antependium depicting the Death of the Virgin, from Nuremberg (wool)

Tapestry antependium depicting the Death of the Virgin, from Nuremberg (wool, yellow silk & gold thread)
3576046 Tapestry antependium depicting the Death of the Virgin, from Nuremberg (wool, yellow silk & gold thread) by German School, (15th century); 83.8x170.1 cm; Burrell Collection, Glasgow

Background imageVirgin Collection: Tapestry panel depicting the Visitation, c. 1500 (wool, silk, metal & gold)

Tapestry panel depicting the Visitation, c. 1500 (wool, silk, metal & gold)
3576082 Tapestry panel depicting the Visitation, c.1500 (wool, silk, metal & gold) by Swiss School, (16th century); 73.7x75.5 cm; Burrell Collection, Glasgow

Background imageVirgin Collection: Tapestry depicting the Flight into Egypt, probably made in the Convent of Gnadental, Basel

Tapestry depicting the Flight into Egypt, probably made in the Convent of Gnadental, Basel
3576074 Tapestry depicting the Flight into Egypt, probably made in the Convent of Gnadental, Basel, 1400-25 (wool & metal threads) by Swiss School, (15th century); 93.9x77.4 cm; Burrell Collection



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"The Virgin: A Timeless Symbol of Beauty, Grace, and Devotion" Throughout history, artists have sought to capture the ethereal essence of the Virgin Mary in their masterpieces. From Donatello's exquisite marble sculpture "The Pazzi Madonna (Virgin and Child)" to Antonello da Messina's captivating "Virgin Annunciate, " these works showcase the profound reverence for this iconic figure. Jan van Eyck and Hubert van Eyck's meticulous attention to detail is evident in their portrayal of the Virgin Mary, as seen in their paintings that exude a sense of divine serenity. Leonardo da Vinci, known for his mastery across various disciplines, also paid homage to the Virgin through his artistry. In a chromolithograph devotional card depicting The Virgin Mary, her gentle countenance invites viewers into a realm of spiritual contemplation. Bernadette Soubirous' encounters with Mary at Lourdes further solidify the enduring impact of this sacred figure on believers worldwide. Henry Ossawa Tanner's painting "The Annunciation" captures a moment frozen in time - an angelic visitation that forever altered human destiny. Giambattista Tiepolo's vibrant masterpiece "The Immaculate Conception of the Virgin" showcases her purity and grace against a celestial backdrop. Notre Dame De Lourdes stands as a testament to faith and devotion inspired by visions of the Blessed Mother. Paolo de Matteis' triumphant depiction titled "Triumph of the Immaculate" celebrates her victory over sin and darkness. Guido Reni's masterpiece "The Assumption of the Virgin Mary" portrays her ascent into heaven with radiant splendor. Finally, we encounter an ancient Russian icon painted at Constantinople - "The Virgin Of Vladimir, " which carries within it centuries-old veneration for this holy figure. Across cultures and eras, these artistic representations remind us that The Virgin remains an enduring symbol of beauty, grace, and devotion.