Virtue Collection (page 4)

Hope, bronze group by Giambologna and his assistants. Palazzo dell'Universit, Genoa. Genoa Palazzo dell'Universit Statue Mannerism, Renaissance-Baroque styles and periods, Europe

Justice, bronze group by Giambologna and his assistants. Palazzo dell'Universit, Genoa. Genoa Palazzo dell'Universit Statue Mannerism, Renaissance-Baroque styles and periods, Europe

Fortitude, bronze group by Giambologna and his assistants. Palazzo dell'Universit, Genoa. Genoa Palazzo dell'Universit Statue Mannerism, Renaissance-Baroque styles and periods, Europe

Faith, bronze group by Giambologna and his assistants. Palazzo dell'Universit, Genoa. Genoa Palazzo dell'Universit Statue Mannerism, Renaissance-Baroque styles and periods, Europe

Charity, bronze group by Giambologna and his assistants. Palazzo dell'Universit, Genoa. Genoa Palazzo dell'Universit Sculptural Group Mannerism, Renaissance-Baroque styles and periods

Baptismal font, by Andrea Sansovino, in the Baptistery of Volterra Volterra Baptistery, interior Baptismal Font High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Candelabrum for the Easter candle, with base decorated with personifications of the Virtues. Work preserved in the church of S.Domenico Maggiore in Naples. Naples Church of S

Sepulchre of Roberto I d'Angi by Giovanni and Pacio Berti inside the church of S. Chiara in Naples Naples Santa Chiara church Tomb Middle Ages, Europe, First and Second Millennium A.D

Elegant portal of the Cathedral of Como with the Flight to Egypt in the lunette, in the arch are the Theological Virtues and Cardinals on the piers of the statues of saints

The Chapel of the Holy Shroud by Guarino Guarini. Cathedral of Turin. Turin Cathedral Chapel Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Holy water font in the Church of Saint John Fuorcivitas in Pistoia: work attributed to the youthful work of Giovanni Pisano

Detailed image of the facade, in Venetian-gothic style, of the Loggia of the Merchants in Ancona. Work by Giorgio Orsini, adorned with the statues of the Theological Virtues

Relief of the Arch of Titus representing the imperial quadriga guided by a Virtus, carrying Titus accompanied by a Victory in the act of crowning him. Roman Forum, Rome

Monumental sepulchre of Cardinal de Vincenti. Work collocated in the Church of Santa Maria in Aracoeli, in Rome. Rome Church of Santa Maria in Aracoeli Funerary Monument. Date of Photograph:1890 ca

Prudence, marble, inside of the Palazzo Giugni or Da Firenzuola, Via degli Alfani, Florence Florence Palazzo Giugni or Da Firenzuola Statue Baroque, Renaissance-Baroque styles and periods, Europe

The cell with the sarcophagus and the statue of the lying King, detail of the Monument to the King Ladislao; sculptural works preserved in the Church of San Giovanni a Carbonara

Monument of the King of Naples Ladislao, work by Andrea and Marco from Florence, conserved in the Church of San Giovanni a Carbonara

Virtue, statuette in a niche of the Tomb of Pope Pius II in the Church of S. Andrea della Valle, Rome Rome Church of San Andrea della Valle Monumental Tomb Early Renaissance, Renaissance

Window with three lights in the Palace of Annunciation, Sulmona. Sulmona Window Late Gothic, Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca

View of the portal on the left side of the Cathedral of Santa Maria Maggiore in Como. Como Door High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Pulpit form the church of Santa Croce: detail with the staue of Faith. Florence Statue Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Frontal view of the pulpit from the church of Santa Croce in Florence. Florence Pulpit Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

The middle door, called of the Last Judgment, Cathedral of Notre-Dame, Paris France Paris, Notre-Dame Lunette Gothic, Middle Ages, Europe, First and Second Millennium A.D

Pulpit of the Basilica of Santa Croce in Florence; work by Benedetto da Maiano. Florence Basilica of Santa Croce Pulpit Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Frontal view of the pulpit of the Basilica of Santa Croce in Florence; work by Benedetto da Maiano. Florence Basilica of S

Detail of a jamb of the middle door of the Cathedral of Notre-Dame, Paris. Relief depicting the wise Virgins and statues of the Apostles France Paris Relief Gothic, Middle Ages, Europe

Detail of the right nave of the Basilica of Santa Croce in Florence with the cenotaph of Dante Alighieri, Pulpit by Benedetto da Maiano and monument to Vittorio Alfieri

Lateral view of the pulpit by Benedetto da Maiano decorated with Stories of St. Francis. Work preserved in the Basilica of S. Croce, Florence Florence Basilica of S

Charity, detail of the pulpit located in the Basilica of Santa Croce in Florence; work by Benedetto da Maiano. Florence Basilica of Santa Croce Statue Early Renaissance, Renaissance

Faith. Sculpture attributed to Francesco Queirolo conserved in the Museo della Certosa di San Martino in Naples Naples Museo della Certosa di San Martino Statue Eighteenth Century

The monument to the Doge Francesco Foscari, by Antonio and Paolo Bregno; in the upper part, the Cardinal Virtues can be seen next to the reclining figure of the deceased, and, in the lower part

Baptismal font in bronze, by Pietro Paolo and Tarquinio Jacometti conserved in the Baptistery of Osimo Osimo Baptismal Font Baroque, Renaissance-Baroque styles and periods, Europe

Detail of the facade of the Loggia dei Mercanti, Ancona Ancona Building - Facade Late Gothic, Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915 - 1920 ca

Virtue and Prophets, detail of the pulpit by Nicola Pisano in Siena Cathedral Siena Cathedral, interior High Relief, Capital Gothic, Middle Ages, Europe, First and Second Millennium A.D

Virtue and Evangelists, detail of the pulpit by Nicola Pisano preserved in Siena Cathedral Siena Cathedral, interior High Relief, Capital Gothic, Middle Ages, Europe

A Virtue, work by Bartolomeo Bon, work located in the Giorgio Franchetti Gallery, C d'Oro, Venice. Venice C d'Oro, Giorgio Franchetti Gallery Statue Renaissance

Monument to Sisto V, by Antonio Calcagni situated in front of the facade of the Sanctuary of the Santa Casa, Loreto Loreto Commemorative Equestrian Monument, Statue Late Renaissance, Renaissance

Chapel of the Holy Shroud in the Cathedral of Turin; Musei Reali Turin Musei Reali Chapel Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Rear part of the Pulpit by Giovanni Pisano, Cathedral, Pisa. Pisa Cathedral Pulpit Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca

Fortitude and Prudence. Detail of the sculpture of the group of the Five Theological Virtues originally belonging to the pulpit of Giovanni Pisano, work still located in the Cathedral of Pisa

Charity, detail of the monument to the Doge Francesco Venier, by Jacopo Sansovino, in the church of San Salvatore in Venice Venice Church of San Salvatore Sculpture High Renaissance, Renaissance

Allegory of Hope. Marble statue by Jacopo Della Quercia, preserved in Palazzo Pubblico in Siena Siena Palazzo Pubblico Statue Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

Virtue and Prophet, detail of the pulpit by Nicola Pisano preserved in Siena Cathedral Siena Cathedral, interior High Relief, Capital Gothic, Middle Ages, Europe, First and Second Millennium A.D

Baptismal font. Work by Andrea Sansovino preserved in the Baptistry of Volterra Volterra Baptistry, interior Baptismal Font High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Lunette of a side door of the Cathedral of Como. In the center is depicted the Flight Into Egypt and in the arch The Theologic and Cardinal Virtues Como Portal Early Renaissance, Renaissance

Faith, detail of the pulpit located in the Basilica of Santa Croce in Florence; work by Benedetto da Maiano. Florence Basilica of Santa Croce Statue Early Renaissance, Renaissance

Virtue, bas relief by Agostino di Duccio for the San Bernardino Oratory, Perugia Perugia San Bernardino Oratory Low Relief, Basrelief Early Renaissance, Renaissance

The hope, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

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"Virtue: A Timeless Quest for Moral Excellence" In the realm of chivalry, three noble knights embarked on a sacred mission. "The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival" depicts their unwavering dedication to virtue as they sought the ultimate symbol of purity. Across time and space, even Cincinnatus was called from his plough to exemplify virtuous leadership. His selflessness in leaving behind his humble farm reminds us that true virtue knows no boundaries. "The Annunciation" captures a moment when Mary's virtuous nature shone through her acceptance of divine destiny. Her humility and faith continue to inspire generations. Through "The Parable of the Talents, " we learn that virtue lies not only in our abilities but also in how we utilize them for the greater good. This timeless lesson urges us to cultivate our talents with purpose and integrity. "Hercules at the Crossroads" portrays a pivotal moment where Hercules faced temptation but chose moral rectitude instead. It serves as a reminder that true virtue requires strength and resilience against life's trials. From Danejohn Hill in Canterbury, Kent, James Baylis Allen immortalized an idyllic landscape where one can find solace amidst nature's beauty—a place where they can flourish undisturbed. John Rogers' masterpiece "The Genius of Poetry Finding Burns at the Plough" celebrates Robert Burns' ability to channel his creativity while laboring humbly. It teaches us that virtue is not confined by occupation or social status—it resides within each individual waiting to be discovered. Engraved within our hearts is Charity—the embodiment of selflessness and compassion towards others. Its depiction reminds us that acts driven by love are among the highest forms humanity can achieve. Lorenzo de Medici's fresco welcomes muses and virtues into Florence—an ode to their transformative power.