Virtue Collection (page 5)

Virtue, bas relief by Agostino di Duccio for the San Bernardino Oratory, Perugia Perugia San Bernardino Oratory Low Relief, Basrelief Early Renaissance, Renaissance

The hope, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

The presbytery and the tomb of Robert of Anjou, also called Robert the Wise, in the church of Santa Chiara, Naples Naples Church of Santa Chiara, presbytery Tomb Middle Ages, Europe

Christian virtue and vice; sculpted work by Giambologna preserved in the Muse de Cluny, Paris France Paris, Cluny Museum Statue Mannerism, Renaissance-Baroque styles and periods, Europe

Feminine Allegory. Detail from the Sepulcher by Ruggero Sanseverino made by Andrea da Firenze and conserved in the Cappella di Santa Monica in Naples Naples Chapel of Santa Monica Statue Early

Detail of the sculptural monument to Ladislaus, the king of Naples, in the church of San Giovanni a Carbonara, Naples Naples Church of San Giovanni a Carbonara Commemorative Equestrian Monument Late

Faith; high-relief by Agostino di Duccio in a pillar of the Chapel of St.Sigismondo in the Malatestian Temple, Rimini Rimini Malatestian Temple, Chapel of San Sigismondo High Relief High Renaissance

Hope; high-relief by Agostino di Duccio in a pillar of the Chapel of St.Sigismondo in the Malatestian temple, Rimini Rimini Malatestian Temple, Chapel of San Sigismondo High Relief High Renaissance

Fortress, high-relief by Agostino di Duccio situated in the Chapel of St.Sigismondo of the Malatestian Temple, Rimini Rimini Malatestian Temple, Chapel of San Sigismondo High Relief High Renaissance

The sepulcher of the Count Diego I Cavaniglia, work by Jacopo della Pila located in the church convent of San Francesco a Folloni near Montella Montella San Francesco a Folloni

Tomb of Robert I of Anjou, known as Robert the Wise, bottom, marble, Giovanni and Pacio Bertini (both active in the mid-fourteenth century), Church of Santa Chiara, Naples Naples Church of S

Tomb of Robert I of Anjou, known as Robert the Wise, upper part, marble, Giovanni and Pacio Bertini (both active in the mid-fourteenth century), Church of Santa Chiara, Naples Naples Church of S

Theology, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

Rhetoric, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

Perspective, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca)
Perspective, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

Music, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

Grammar, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

Geometry, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

Philosophy, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca)
Philosophy, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

Dialectic, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

Astrology, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

Arithmetic, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca)
Arithmetic, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

Back of the Sarcophagus of St.Augustine in the Church of St.Peter in Ciel d'Oro in Pavia Pavia Church of St. Peter in Ciel d'Oro Ark Gothic, Middle Ages, Europe

The monument to the Doge Francesco Foscari in the Church of Santa Maria dei Frari in Venice Venice Church of Santa Maria dei Frari Funerary Monument Early Renaissance, Renaissance

Candelabrum for the Easter candle; its base is formed by personifications of the Virtues. It is preserved in the church of San Domenico Maggiore in Naples Naples Church of San Domenico Maggiore

Diamond-shaped panel depicting Charity, formerly located on Giotto's bell tower, now in the Museo dell'Opera di Santa Maria del Fiore, Florence Florence Low Relief, Basrelief, Tile Gothic

Candelabras with figures of virtue of the facade of the Certosa di Pavia. Certosa di Pavia Church Column Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Side of the Sarcophagus of St. Augustine in the Church of St. Pietro in Ciel d'Oro in Pavia Pavia Church of St. Pietro in Ciel d'Oro Ark Gothic, Middle Ages, Europe

Interior of the Church of San Giovanni a Carbonara with the tomb of king Ladislaus, Naples Naples Church of S. Giovanni a Carbonara Commemorative Equestrian Monument Late Gothic, Gothic, Middle Ages

The tomb of Mary of Durres and to Robert I of Anjou in the church of Santa Chiara in Naples Naples Santa Chiara church Tomb Middle Ages, Europe, First and Second Millennium A.D

Hope, by Santi Buglioni, detail of the frieze depicting the Seven Works of Mercy, located above the loggia of the Ospedale del Ceppo, in Pistoia Pistoia High Relief, Frieze High Renaissance

Pulpit of Giovanni Pisano, Cathedral, Pisa Pisa Cathedral Pulpit Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1302-1311

Detail of the wooden model of the pulpit of the Cathedral of Pisa, preserved in the National Museum of St. Matthew in Pisa. Pisa National Museum of St

Detail of the group of five statues, representing the Theological Virtues. Sculptural detail originally part of the pulpit of Giovanni Pisano

Detail of the Crucifixion. A scen from the Pulpit of Giovanni Pisano, preserved in Pisa Cathedral Pisa Cathedral Pulpit Gothic, Middle Ages, Europe, First and Second Millennium A.D

Tomb of Sixtus IV, detail, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St

Cardinal Virtues, glazed terracotta, Luca della Robbia (1400 ca.-1482), vault, Chapel of the Cardinal of Portugal, Church of San Miniato al Monte, Florence Florence Church of S

Postcard in praise of the traditional classic Normandy dish
CHT441007 Postcard in praise of the traditional classic Normandy dish Tripe a la Mode de Caen (litho) by French School, (19th century); Private Collection; (add.info)

Hope (Spes) from the series The Virtues, 1559-60. Creator: Philip Galle
Hope (Spes) from the series The Virtues, 1559-60

Prudence (Prudentia) from The Virtues, ca. 1559-60. Creator: Philip Galle
Prudence (Prudentia) from The Virtues, ca. 1559-60

Temperance (Temperancia), 1530. Creator: Lucas van Leyden
Temperance (Temperancia), 1530

The Battle of Carberry Hill, 1567, c1742, (1944). Creator: George Vertue
The Battle of Carberry Hill, 1567, c1742, (1944). The Battle-Array of Carberry-hill near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland

King Canute the Dane, 1732. Creator: George Vertue
King Canutethe Dane, 1732. Portrait of Cnut the Great in an oval frame surmounted by a coat of arms, with runes, flaming torches, swords, arrows and coins

Cupid Tempting Virtue, 1658-1661. Creator: Jurgen Ovens
Cupid Tempting Virtue, 1658-1661

La Vertu Dedaignant Les Presents De L'Amour
This illustration, translated as Virtue Disdaining Love's Gifts portrays an old man wearing a bath robe, closely inspecting a little green book

Dacia
A portrait sketch of Jamaica born actress, Dacia Deane, 1899-1989, known for playing roles in movies including Love, Life and Laughter, (1923) and Easy Virtue (1928). Date: 1921

Knight of the Order of Charles III. Chapter costume
Knight of the Order of Charles III, stablished by King Charles III of Spain on September 19, 1771, to decorate individuals for their merits and virtues. Chapter costume. Chromolithography

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"Virtue: A Timeless Quest for Moral Excellence" In the realm of chivalry, three noble knights embarked on a sacred mission. "The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival" depicts their unwavering dedication to virtue as they sought the ultimate symbol of purity. Across time and space, even Cincinnatus was called from his plough to exemplify virtuous leadership. His selflessness in leaving behind his humble farm reminds us that true virtue knows no boundaries. "The Annunciation" captures a moment when Mary's virtuous nature shone through her acceptance of divine destiny. Her humility and faith continue to inspire generations. Through "The Parable of the Talents, " we learn that virtue lies not only in our abilities but also in how we utilize them for the greater good. This timeless lesson urges us to cultivate our talents with purpose and integrity. "Hercules at the Crossroads" portrays a pivotal moment where Hercules faced temptation but chose moral rectitude instead. It serves as a reminder that true virtue requires strength and resilience against life's trials. From Danejohn Hill in Canterbury, Kent, James Baylis Allen immortalized an idyllic landscape where one can find solace amidst nature's beauty—a place where they can flourish undisturbed. John Rogers' masterpiece "The Genius of Poetry Finding Burns at the Plough" celebrates Robert Burns' ability to channel his creativity while laboring humbly. It teaches us that virtue is not confined by occupation or social status—it resides within each individual waiting to be discovered. Engraved within our hearts is Charity—the embodiment of selflessness and compassion towards others. Its depiction reminds us that acts driven by love are among the highest forms humanity can achieve. Lorenzo de Medici's fresco welcomes muses and virtues into Florence—an ode to their transformative power.