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Weaving Collection (page 17)

Weaving, an ancient art form that transcends time and cultures, has been a source of fascination for centuries

Background imageWeaving Collection: Womans Waistcoat, England, 1701 / 25. Creator: Unknown

Womans Waistcoat, England, 1701 / 25. Creator: Unknown
Womans Waistcoat, England, 1701/25

Background imageWeaving Collection: Panel, England, 1830 / 35. Creator: Unknown

Panel, England, 1830 / 35. Creator: Unknown
Panel, England, 1830/35

Background imageWeaving Collection: Bedcover, England, c. 1720 / 40. Creator: Unknown

Bedcover, England, c. 1720 / 40. Creator: Unknown
Bedcover, England, c. 1720/40

Background imageWeaving Collection: Panel, England, 1840 / 50. Creator: Unknown

Panel, England, 1840 / 50. Creator: Unknown
Panel, England, 1840/50

Background imageWeaving Collection: Bedcover, England, c. 1720. Creator: Unknown

Bedcover, England, c. 1720. Creator: Unknown
Bedcover, England, c. 1720

Background imageWeaving Collection: Basket Insert, England, 1662. Creator: Unknown

Basket Insert, England, 1662. Creator: Unknown
Basket Insert, England, 1662

Background imageWeaving Collection: Bedcover in the Arts and Crafts Style, England, Early 20th century (based on 17th-century

Bedcover in the Arts and Crafts Style, England, Early 20th century (based on 17th-century English designs)

Background imageWeaving Collection: Bedcover, England, c. 1710. Creator: Unknown

Bedcover, England, c. 1710. Creator: Unknown
Bedcover, England, c. 1710

Background imageWeaving Collection: Panel (Pillar Design), England, 1820s / 30s. Creator: Unknown

Panel (Pillar Design), England, 1820s / 30s. Creator: Unknown
Panel (Pillar Design), England, 1820s/30s

Background imageWeaving Collection: Fragment, England, 17th century. Creator: Unknown

Fragment, England, 17th century. Creator: Unknown
Fragment, England, 17th century

Background imageWeaving Collection: Panel, England, 1890s. Creator: Unknown

Panel, England, 1890s. Creator: Unknown
Panel, England, 1890s

Background imageWeaving Collection: Panel, England, 1750 / 1800. Creator: Unknown

Panel, England, 1750 / 1800. Creator: Unknown
Panel, England, 1750/1800

Background imageWeaving Collection: Apron, England, 1760s. Creator: Unknown

Apron, England, 1760s. Creator: Unknown
Apron, England, 1760s

Background imageWeaving Collection: Panel, England, 1795 / 1800. Creator: Unknown

Panel, England, 1795 / 1800. Creator: Unknown
Panel, England, 1795/1800

Background imageWeaving Collection: Stomacher, England, 17th century. Creator: Unknown

Stomacher, England, 17th century. Creator: Unknown
Stomacher, England, 17th century

Background imageWeaving Collection: Panel of Uncut 'Slip'Designs, England, 1625 / 75. Creator: Unknown

Panel of Uncut "Slip"Designs, England, 1625 / 75. Creator: Unknown
Panel of Uncut " Slip" Designs, England, 1625/75

Background imageWeaving Collection: Panel, England, 1801 / 25. Creator: Unknown

Panel, England, 1801 / 25. Creator: Unknown
Panel, England, 1801/25. Floral print with birds and insects

Background imageWeaving Collection: Coronation Ribbon, England, 1761. Creator: Unknown

Coronation Ribbon, England, 1761. Creator: Unknown
Coronation Ribbon, England, 1761

Background imageWeaving Collection: Fragment, England, 1775 / 1800. Creator: Unknown

Fragment, England, 1775 / 1800. Creator: Unknown
Fragment, England, 1775/1800

Background imageWeaving Collection: Fragment from an Orphrey Band Showing St. Barbara and St. James, England, 1350 / 1400

Fragment from an Orphrey Band Showing St. Barbara and St. James, England, 1350 / 1400
Fragment from an Orphrey Band Showing St. Barbara and St. James, England, 1350/1400. An orphrey is a woven or embroidered band, used on priests albs and knights robes

Background imageWeaving Collection: Bag, England, 17th century. Creator: Unknown

Bag, England, 17th century. Creator: Unknown
Bag, England, 17th century

Background imageWeaving Collection: Fragment, England, c. 1815. Creator: Unknown

Fragment, England, c. 1815. Creator: Unknown
Fragment, England, c. 1815

Background imageWeaving Collection: Needlework (Depicting the Four Seasons), England, c. 1660. Creator: Unknown

Needlework (Depicting the Four Seasons), England, c. 1660. Creator: Unknown
Needlework (Depicting the Four Seasons), England, c. 1660

Background imageWeaving Collection: Mans Cap (Unassembled), England, 1601 / 25. Creator: Unknown

Mans Cap (Unassembled), England, 1601 / 25. Creator: Unknown
Mans Cap (Unassembled), England, 1601/25

Background imageWeaving Collection: Panel, England, c. 1725. Creator: Unknown

Panel, England, c. 1725. Creator: Unknown
Panel, England, c. 1725

Background imageWeaving Collection: Portion from a Valance, England, 1701 / 25. Creator: Unknown

Portion from a Valance, England, 1701 / 25. Creator: Unknown
Portion from a Valance, England, 1701/25

Background imageWeaving Collection: Panel, England, c. 1740. Creator: Unknown

Panel, England, c. 1740. Creator: Unknown
Panel, England, c. 1740

Background imageWeaving Collection: Dressing Box Depicting the Finding of Moses and Scenes from Abraham and Hagar, c. 1668

Dressing Box Depicting the Finding of Moses and Scenes from Abraham and Hagar, c. 1668
Dressing Box Depicting the Finding of Moses and Scenes from Abraham and Hagar, England, c. 1668

Background imageWeaving Collection: Fragment, England, 19th century. Creator: Unknown

Fragment, England, 19th century. Creator: Unknown
Fragment, England, 19th century

Background imageWeaving Collection: Picture (Depicting the Creation), England, 17th century. Creator: Unknown

Picture (Depicting the Creation), England, 17th century. Creator: Unknown
Picture (Depicting the Creation), England, 17th century. Adam and Eve with the serpent and the Tree of Knowledge, animals, and the word God in gold thread

Background imageWeaving Collection: Panel, England, Queen Anne period (1702-1714), 1700 / 25. Creator: Unknown

Panel, England, Queen Anne period (1702-1714), 1700 / 25. Creator: Unknown
Panel, England, Queen Anne period (1702-1714), 1700/25

Background imageWeaving Collection: Panel (Possibly a Shawl or bedspread?), England, 19th century. Creator: Unknown

Panel (Possibly a Shawl or bedspread?), England, 19th century. Creator: Unknown
Panel (Possibly a Shawl or bedspread?), England, 19th century

Background imageWeaving Collection: Picture (Susannah and the Elders), England, Queen Anne period, c. 1700 / 10

Picture (Susannah and the Elders), England, Queen Anne period, c. 1700 / 10
Picture (Susannah and the Elders), England, Queen Anne period, c. 1700/10

Background imageWeaving Collection: Panel, England, c. 1850. Creator: Unknown

Panel, England, c. 1850. Creator: Unknown
Panel, England, c. 1850

Background imageWeaving Collection: Panel, England, 17th century. Creator: Unknown

Panel, England, 17th century. Creator: Unknown
Panel, England, 17th century. A mother and her children in a garden with animals and birds

Background imageWeaving Collection: Coif, England, 1601 / 25. Creator: Unknown

Coif, England, 1601 / 25. Creator: Unknown
Coif, England, 1601/25

Background imageWeaving Collection: Book Cover for Book of Psalms, Prayers, and Hymns, England, 17th century

Book Cover for Book of Psalms, Prayers, and Hymns, England, 17th century

Background imageWeaving Collection: Religious picture, England, 17th century. Creator: Unknown

Religious picture, England, 17th century. Creator: Unknown
Religious picture, England, 17th century. Saint praying

Background imageWeaving Collection: Religious picture, England, 1634. Creator: Unknown

Religious picture, England, 1634. Creator: Unknown
Religious picture, England, 1634. Pelican feeding her young with her own blood, Virgin and Child, Adam digging and Eve spinning, angel, animals and flowers

Background imageWeaving Collection: Panel (Formerly a Furnishing Textile), England, c. 1895 / 1900

Panel (Formerly a Furnishing Textile), England, c. 1895 / 1900
Panel (Formerly a Furnishing Textile), England, c. 1895/1900. Designed by Sidney Mawson. Probably produced by Turnbull & Stockdale

Background imageWeaving Collection: Skirt Panel, England, 1749. Creator: Daniel Vautier

Skirt Panel, England, 1749. Creator: Daniel Vautier
Skirt Panel, England, 1749. Designed by Anna Maria Garthwaite, woven by Daniel Vautier in Spitalfields

Background imageWeaving Collection: Panel (Commemorative), England, c. 1883. Creator: Barlow & Jones

Panel (Commemorative), England, c. 1883. Creator: Barlow & Jones
Panel (Commemorative), England, c. 1883. Printed cotton with image of the Niederwalddenkmal monument depicting Germania, the personification of Germany

Background imageWeaving Collection: Chasuble Front with Orphrey Cross, Florence, Chasuble: 15th century; Orphrey Cross

Chasuble Front with Orphrey Cross, Florence, Chasuble: 15th century; Orphrey Cross: 1401/50

Background imageWeaving Collection: Chasuble with Orphrey Band, Spain, Chasuble: Late 15th cent; Band

Chasuble with Orphrey Band, Spain, Chasuble: Late 15th cent; Band
Chasuble with Orphrey Band, Spain, Chasuble: Late 15th century; Orphrey Band: Late 15th/early 16th century

Background imageWeaving Collection: The Dance and The Departure Illustrations from The Deserted Village, England, 1790 / 1800

The Dance and The Departure Illustrations from The Deserted Village, England, 1790 / 1800
The Dance and The Departure Illustrations from The Deserted Village, England, 1790/1800. Scene inspired by a poem by Oliver Goldsmith, after engraving by John Keyse Sherwin

Background imageWeaving Collection: Panel, England, 1901 / 25, Reproductions (Originals 1894 / 95). Creator: Unknown

Panel, England, 1901 / 25, Reproductions (Originals 1894 / 95). Creator: Unknown
Panel, England, 1901/25, Reproductions (Originals 1894/95). Cotton fabric, after designs by Aubrey Beardsley: The Peacock Skirt; The Black Cape; Isolde; A Suggested Reform in Ballet Costume; Mrs

Background imageWeaving Collection: Handkerchief, England, 1794. Creators: Unknown, John Slack

Handkerchief, England, 1794. Creators: Unknown, John Slack
Handkerchief, England, 1794. The Memorable Naval Engagement on the 1st of June 1794, when the British Channel Fleet under the command of Lord Howe took

Background imageWeaving Collection: Chair Seat, England, c. 1888. Creator: Hencroft Dye Works

Chair Seat, England, c. 1888. Creator: Hencroft Dye Works
Chair Seat, England, c. 1888. Fabric designed by Thomas Wardle



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Weaving, an ancient art form that transcends time and cultures, has been a source of fascination for centuries. From the ethereal paintings of John William Waterhouse to the bustling cotton weaving sheds in Lancashire, the beauty and complexity of this craft never cease to amaze. In "I am half sick of shadows, " Waterhouse captures a moment frozen in time, where a woman delicately weaves her dreams into reality. Her nimble fingers dance across the loom, creating intricate patterns that mirror her inner thoughts. On the shores of Lough Neagh in Co. Antrim, basket weaving takes center stage. Skilled artisans expertly intertwine natural materials to fashion functional yet stunning pieces. Each basket tells a story - a testament to human ingenuity and creativity. Traveling across continents, we find ourselves in Ghana's Ashanti Region, specifically Kumasi. Here, vibrant colors and bold designs dominate as skilled weavers bring traditional Kente cloth to life. The rhythmic clatter of looms echoes through the air as history is woven thread by thread. Closer to home in Preston, Lancashire, cotton weaving sheds hum with activity. The steady rhythm of machinery blends with the skillful hands of workers at their looms. A symphony composed by industry and craftsmanship fills every corner. Venturing further westward brings us to Navajo Indian country in the USA. Witnessing firsthand how Navajo rugs are made is like stepping into another world altogether - one where tradition meets innovation seamlessly on wooden frames called vertical looms. Back again in Lancashire but this time transported back in time during the Victorian period stands a majestic spinning mill - an emblematic symbol of industrial revolution prowess. Cotton weavers tirelessly work at their looms amidst towering machines that spin tales both literal and metaphorical. Mahatma Gandhi's journey from Boulogne to Folkestone may seem unrelated at first glance; however it is during this voyage that he weaves the threads of his destiny.