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Westernart Gallery

Available as Prints and Gift Items

Choose from 989 pictures in our Westernart collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Convent Thoughts, 1850-51 (oil on canvas)
Convent Thoughts, 1850-51 (oil on canvas)
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Study of a nude Man (red chalk on brownish paper)
Study of a nude Man (red chalk on brownish paper)
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Combe Martin, Devonshire, c.1824 (watercolour over graphite with pen and black ink)
Combe Martin, Devonshire, c.1824 (watercolour over graphite with pen and black ink)
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Ship's Screw on a Railway Truck (watercolour over graphite, on paper)
Ship's Screw on a Railway Truck (watercolour over graphite, on paper)
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View of Chepstow, Monmouthshire, c.1791-92 (watercolour touched with pen
View of Chepstow, Monmouthshire, c.1791-92 (watercolour touched with pen
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Design for a fan: The pea stakers, 1890 (gouache over black chalk on coarse brown paper)
Design for a fan: The pea stakers, 1890 (gouache over black chalk on coarse brown paper)
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Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723)
Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723)
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Ideal Head, c.1518-20 (red chalk on paper)
Ideal Head, c.1518-20 (red chalk on paper)
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The Triumph of Love, 1545 (engraving)
The Triumph of Love, 1545 (engraving)
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Studies for a Deposition (pen and brown ink on buff paper)
Studies for a Deposition (pen and brown ink on buff paper)
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Judith about to kill Holofernes (oil on canvas)
Judith about to kill Holofernes (oil on canvas)
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The Death of Adonis (pen and brown ink on off-white paper)
The Death of Adonis (pen and brown ink on off-white paper)
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Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723) Featured Image

Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723)

AMO138791 Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723) by Sickert, Walter Richard (1860-1942); Ashmolean Museum, University of Oxford, UK; (add.info.: Last of Sickert's four paintings on this theme; painted at 15 Fitzroy Street, Bloomsbury, London but inspired by a decayed room in a house on the corner of Granby Street and Mornington Square, Camden town, London; the model Hubby was an old school friend of Sickert; it was this version of Ennui which was the inspiration for Virginia Woolf's account of the painting published in her pamphlet on Sickert in 1934;); A© Ashmolean Museum ; English, out of copyright

© © Ashmolean Museum / Bridgeman Images

The Stages of Cruelty, 1890 (watercolour and bodycolour with pen and black ink)
The Stages of Cruelty, 1890 (watercolour and bodycolour with pen and black ink)
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The Flagellation (engraving)
The Flagellation (engraving)
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The Lamentation (pen and brown ink on white paper)
The Lamentation (pen and brown ink on white paper)
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The Proctor Basin and the Proctor Ewer, 1592-93 (silver-gilt)
The Proctor Basin and the Proctor Ewer, 1592-93 (silver-gilt)
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Bathers in the Sun, 1930 (watercolour and bodycolour on paper)
Bathers in the Sun, 1930 (watercolour and bodycolour on paper)
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Battle of Nude Men, c. 1470 - 1475 (engraving)
Battle of Nude Men, c. 1470 - 1475 (engraving)
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The Death of Meleager (pen & ink with gouache on paper)
The Death of Meleager (pen & ink with gouache on paper)
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The Wood on the Hill, 1912 (ink, chalk & w/c on paper)
The Wood on the Hill, 1912 (ink, chalk & w/c on paper)
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Recto: The Ruined Arch at Kew (red, black and white chalk on blue paper)
Recto: The Ruined Arch at Kew (red, black and white chalk on blue paper)
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Inkstand: Pan listening to Echo, 1530-1540 (bronze, silver)
Inkstand: Pan listening to Echo, 1530-1540 (bronze, silver)
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Interior of St Paul's Cathedral (oil on canvas laid on board)
Interior of St Paul's Cathedral (oil on canvas laid on board)
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Luca Carlevarijs, c.1724 (oil on canvas)
Luca Carlevarijs, c.1724 (oil on canvas)
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Inkstand: Pan listening to Echo, 1530-1540 (bronze, silver) Featured Image

Inkstand: Pan listening to Echo, 1530-1540 (bronze, silver)

1217380 Inkstand: Pan listening to Echo, 1530-1540 (bronze, silver) by Riccio, Andrea (or Briosco, Andrea) (1470-1532); Ashmolean Museum, University of Oxford, UK; (add.info.: Riccio (Andrea Briosco)
Desiderio da Firenze, probably, re-worked and cast by
height: 20.2 cm
length: 21.5 cm
length: 23.3 cm base
width: 14 cm base
width: 12.5 cm
height: 3.8 cm base
weight: including base 2505.9 g
Bronze, Silver; Hollow cast. The inkwell is integrally cast with the rest of the figure, as is the base. Because of the very thick patination which covers most of the surface, it is not possible to assess to what extent the bronze has been afterworked.); © Ashmolean Museum

© © Ashmolean Museum / Bridgeman Images

Study for Cicero and his Friends (black, white and brightly coloured chalks on greyish paper)
Study for Cicero and his Friends (black, white and brightly coloured chalks on greyish paper)
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The Rest on the Flight into Egypt, 17th century (oil on copper)
The Rest on the Flight into Egypt, 17th century (oil on copper)
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Cicero and his Friends, Atticus and Quintus, at his Villa at Arpinum, 18th century (oil on canvas)
Cicero and his Friends, Atticus and Quintus, at his Villa at Arpinum, 18th century (oil on canvas)
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Rome from the Villa Madama, during or post 1753 (oil on canvas)
Rome from the Villa Madama, during or post 1753 (oil on canvas)
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Portrait of an Arab, 1934 (black, white and red chalk on grey-buff board)
Portrait of an Arab, 1934 (black, white and red chalk on grey-buff board)
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The Lago di Agnano, c.1752 (oil on canvas)
The Lago di Agnano, c.1752 (oil on canvas)
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Chess board, 15th century (ivory)
Chess board, 15th century (ivory)
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Landscape with a River and Bridge, c. 1830 (oil on canvas)
Landscape with a River and Bridge, c. 1830 (oil on canvas)
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Games Board, 1426 - 1450 (bone, horn and wood)
Games Board, 1426 - 1450 (bone, horn and wood)
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Kit Violin by Henry Jay (school of), c.1760 (wood)
Kit Violin by Henry Jay (school of), c.1760 (wood)
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Judith feasted by Holofernes (oil on canvas)
Judith feasted by Holofernes (oil on canvas)
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An Angel (pen and brown ink with brown wash on off-white paper)
An Angel (pen and brown ink with brown wash on off-white paper)
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Judith feasted by Holofernes (oil on canvas) Featured Image

Judith feasted by Holofernes (oil on canvas)

1216852 Judith feasted by Holofernes (oil on canvas) by Veronese, (Paolo Caliari) (1528-88) (circle of); 27x57 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Paolo Caliari, called Veronese, formerly attributed to
); A© Ashmolean Museum ; Italian, out of copyright

© © Ashmolean Museum / Bridgeman Images

Banquet, Beverage, Biblical, Christianity, Dine, Dining, Dishes, Drink, Drinking, Eat, Eating, Entertainment, Feast, Feasted, Feasting, Food, Gold, Holofernes, Interior, Judith, Luxurious, Luxury, Meal, Mzpainting, Old Testament, Painting, Palace, Religion, Religious, Renaissance, Silver, Silverware, Tent, Treasure, Wealth, Westernart

Portrait of Marie-Amelie, Queen of France (watercolour and bodycolour on cream paper)
Portrait of Marie-Amelie, Queen of France (watercolour and bodycolour on cream paper)
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Landscape with a Horseman and a Bridge (pen and wash in brown ink with some black chalk
Landscape with a Horseman and a Bridge (pen and wash in brown ink with some black chalk
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Portrait of a Young Man, post 1560 (oil on panel)
Portrait of a Young Man, post 1560 (oil on panel)
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Scene on Otmoor, 1912 (oil on canvas)
Scene on Otmoor, 1912 (oil on canvas)
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Two Lovers, 1854 (pen and brown ink on off-white paper)
Two Lovers, 1854 (pen and brown ink on off-white paper)
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Evgenii Sergheevich Mikhailov, the Artist's Nephew, 1916 (oil on canvas)
Evgenii Sergheevich Mikhailov, the Artist's Nephew, 1916 (oil on canvas)
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Tile with Kingfisher with Beak through Fish, 1882-88 (red and white lustreware)
Tile with Kingfisher with Beak through Fish, 1882-88 (red and white lustreware)
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Tile with Dodo, 1882-1888 (red and white lustreware)
Tile with Dodo, 1882-1888 (red and white lustreware)
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MS catalogue of the wood engravings of Lucien Pissarro (wood engraving)
MS catalogue of the wood engravings of Lucien Pissarro (wood engraving)
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Verso: Studies of two pairs of legs (pen and brown ink over black chalk)
Verso: Studies of two pairs of legs (pen and brown ink over black chalk)
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Nelson sealing the Copenhagen letter, c. 1835 (oil on panel, mounted as a drawing)
Nelson sealing the Copenhagen letter, c. 1835 (oil on panel, mounted as a drawing)
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Studies for The Light of the World (braphite with pen
Studies for The Light of the World (braphite with pen
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