Westernart Collection

Ideal Head, c. 1518-20 (red chalk on paper)
AMO101461 Ideal Head, c.1518-20 (red chalk on paper) by Buonarroti, Michelangelo (1475-1564); 20.5x16.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Still Life of Asparagus, 1699 (oil on paper laid on panel)
1217487 Still Life of Asparagus, 1699 (oil on paper laid on panel) by Coorte, Adrian (c.1660-1707); 30x22.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch, out of copyright

Ships Screw on a Railway Truck (watercolour over graphite, on paper)
1217573 Ships Screw on a Railway Truck (watercolour over graphite, on paper) by Ravilious, Eric (1903-42); 42.7x54 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Convent Thoughts, 1850-51 (oil on canvas)
AMO98746 Convent Thoughts, 1850-51 (oil on canvas) by Collins, Charles Alston (1828-73); 84x59 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Design for a fan: The pea stakers, 1890 (gouache over black chalk on coarse brown paper)
1217679 Design for a fan: The pea stakers, 1890 (gouache over black chalk on coarse brown paper) by Pissarro, Camille (1830-1903); 40.7x64.1 cm; Ashmolean Museum, University of Oxford

Velvet Crab, 1870-1 (w / c over pencil on paper)
AMO156672 Velvet Crab, 1870-1 (w/c over pencil on paper) by Ruskin, John (1819-1900); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Study of Gneiss Rock, Glenfinlas, 1853-54 (pen, wash & gouache on paper)
AMO136294 Study of Gneiss Rock, Glenfinlas, 1853-54 (pen, wash & gouache on paper) by Ruskin, John (1819-1900); 47.6x45.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Study of a Nude Boy (red chalk on paper)
1064920 Study of a Nude Boy (red chalk on paper) by Carracci, Ludovico (1555-1619); 23.7x22.3 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

View of Chepstow, Monmouthshire, c. 1791-92 (watercolour touched with pen
1216834 View of Chepstow, Monmouthshire, c.1791-92 (watercolour touched with pen and black ink over indications in graphite) by Girtin, Thomas (1775-1802); 22.8x29.7 cm; Ashmolean Museum

Study of a nude Man (red chalk on brownish paper)
1216762 Study of a nude Man (red chalk on brownish paper) by Carracci, Annibale (1560-1609) (attr. to); 36.4x23.4 cm; Ashmolean Museum, University of Oxford

Elizabeth Woodville, Queen of Edward IV, c. 1500 (oil on panel)
1217367 Elizabeth Woodville, Queen of Edward IV, c.1500 (oil on panel) by British School, (16th century); 41x32 cm; Ashmolean Museum, University of Oxford

Study of a male nude posed against a wall, seen in profile
493519 Study of a male nude posed against a wall, seen in profile, facing right (charcoal with white heightening on blue paper) by Pissarro, Camille (1830-1903); 46.8x29.5 cm; Ashmolean Museum

Design for stained glass in Lyndhurst Church: An Angel Harpist
1217852 Design for stained glass in Lyndhurst Church: An Angel Harpist, 1862 (brown and blue washes over graphite) by Burne-Jones, Edward Coley (1833-98); 54x54 cm; Ashmolean Museum

Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723)
AMO138791 Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723) by Sickert, Walter Richard (1860-1942); Ashmolean Museum, University of Oxford

Combe Martin, Devonshire, c. 1824 (watercolour over graphite with pen and black ink)
1217269 Combe Martin, Devonshire, c.1824 (watercolour over graphite with pen and black ink) by Turner, Joseph Mallord William (1775-1851); 14.6x23.2 cm; Ashmolean Museum, University of Oxford

Medal awarded to Elias Ashmole - showing Laureate bust of Friedrich Wilhelm of Pomerania, Elector of Brandenburg
AMO367635 Medal awarded to Elias Ashmole - showing Laureate bust of Friedrich Wilhelm of Pomerania, Elector of Brandenburg, right, wearing cuirass, 17th century (gold); Ashmolean Museum

Red-figure Apulian Bell-crater the rehearsal for the Judgement of Paris: Hermes with Aphrodite, Athena and Hera
AMO278895 Red-figure Apulian Bell-crater the rehearsal for the Judgement of Paris: Hermes with Aphrodite, Athena and Hera, c.375-350 BC (ceramic); 37 cm; Ashmolean Museum, University of Oxford

Decoration awarded to Elias Ashmole, 17th century (gold)
AMO367639 Decoration awarded to Elias Ashmole, 17th century (gold); Ashmolean Museum, University of Oxford, UK; (add.info.: Elias Ashmole (1617-92) celebrated English antiquary, politician

Decoration awarded to Elias Ashmole, 17th century (gold)
AMO367641 Decoration awarded to Elias Ashmole, 17th century (gold); Ashmolean Museum, University of Oxford, UK; (add.info.: Elias Ashmole (1617-92) celebrated English antiquary, politician

Medal awarded to Elias Ashmole - showing City view of Strahlsund; in foreground, ships; above city
AMO367636 Medal awarded to Elias Ashmole - showing City view of Strahlsund; in foreground, ships; above city, eagle holding wreath, 17th century (gold); Ashmolean Museum, University of Oxford

Medal awarded to Elias Ashmole - showing Lion seated, left, holding shield, 17th century (gold)
AMO367634 Medal awarded to Elias Ashmole - showing Lion seated, left, holding shield, 17th century (gold); Ashmolean Museum, University of Oxford

Medal awarded to Elias Ashmole - showing Bust of Karl Ludwig of Bavaria, Elector of Palatine, 17th century (gold)
AMO367633 Medal awarded to Elias Ashmole - showing Bust of Karl Ludwig of Bavaria, Elector of Palatine, 17th century (gold); Ashmolean Museum, University of Oxford

Decoration awarded to Elias Ashmole, 17th century (gold)
AMO367640 Decoration awarded to Elias Ashmole, 17th century (gold); Ashmolean Museum, University of Oxford, UK; (add.info.: Elias Ashmole (1617-92) celebrated English antiquary, politician

Jug, 1630 (earthenware, tin-glazed, delftware)
1217954 Jug, 1630 (earthenware, tin-glazed, delftware) by Unknown Artist, (17th century); Ashmolean Museum, University of Oxford, UK; (add.info.: height: 28 cm Southwark)

Head of a Man, circa 17th century (brush drawing in bistre)
1217304 Head of a Man, circa 17th century (brush drawing in bistre) by Unknown Artist, (17th century); 17.5x1837.1x25.4 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Icon of Elijah fed by a Crow, 15th-16th century (oil on panel)
1217859 Icon of Elijah fed by a Crow, 15th-16th century (oil on panel) by Russian School (15th century); 25.5x21 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous)

Fool's Cap World Map, c.1590 (hand-coloured engraving on off-white paper, with inscriptions in iron gall ink)
1217928 Fool's Cap World Map, c.1590 (hand-coloured engraving on off-white paper, with inscriptions in iron gall ink) by Unknown Artist, (16th century); 49.7x38.8 cm; Ashmolean Museum

St Catherine, c. 1520 (limewood)
1217580 St Catherine, c. 1520 (limewood) by Unknown Artist, (16th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Master of the Oertel Madonna)

Ewer, 1520 (silver-gilt, with enamel additions)
1217968 Ewer, 1520 (silver-gilt, with enamel additions) by Unknown Artist, (16th century); Ashmolean Museum, University of Oxford, UK; (add.info.: height: max 43.5 cm Lisbon)

Icon of St Nicholas, 15th-16th century (oil on panel)
1217858 Icon of St Nicholas, 15th-16th century (oil on panel) by Russian School (15th century); 63.5x45 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous)

An Angel (pen and brown ink with brown wash on off-white paper)
1217556 An Angel (pen and brown ink with brown wash on off-white paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 25.7x20.1 cm; Ashmolean Museum, University of Oxford

Kit Violin by Henry Jay (school of), c. 1760 (wood)
1217905 Kit Violin by Henry Jay (school of), c.1760 (wood) by Jay, Henry (fl.1740-70) (school of); Ashmolean Museum, University of Oxford, UK; (add.info.: length: 23 cm ); eAshmolean Museum; British

Judith feasted by Holofernes (oil on canvas)
1216852 Judith feasted by Holofernes (oil on canvas) by Veronese, (Paolo Caliari) (1528-88) (circle of); 27x57 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Paolo Caliari)

A Tournament, Florentine School, 1430-50 (oil on panel)
AMO96920 A Tournament, Florentine School, 1430-50 (oil on panel) by Italian School, (15th century); 44x164 cm; Ashmolean Museum, University of Oxford, UK

The Triumph of Love, 1545 (engraving)
1217339 The Triumph of Love, 1545 (engraving) by Bonasone, Giulio (c.1498-c.1580); 29x41 cm; Ashmolean Museum, University of Oxford

Studies for a Deposition (pen and brown ink on buff paper)
1216711 Studies for a Deposition (pen and brown ink on buff paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 21.8x30.7 cm; Ashmolean Museum, University of Oxford

Judith about to kill Holofernes (oil on canvas)
1216853 Judith about to kill Holofernes (oil on canvas) by Veronese, (Paolo Caliari) (1528-88) (circle of); 27x57 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Paolo Caliari)

The Death of Adonis (pen and brown ink on off-white paper)
1216717 The Death of Adonis (pen and brown ink on off-white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 26.5x33 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

The Stages of Cruelty, 1890 (watercolour and bodycolour with pen and black ink)
1216889 The Stages of Cruelty, 1890 (watercolour and bodycolour with pen and black ink) by Brown, Ford Madox (1821-93); 35.5x29.4 cm; Ashmolean Museum, University of Oxford

The Flagellation (engraving)
1217312 The Flagellation (engraving) by Schongauer, Martin (1440-91); 16.2x11.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

The Lamentation (pen and brown ink on white paper)
1216710 The Lamentation (pen and brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 17.9x20.6 cm; Ashmolean Museum, University of Oxford

The Proctor Basin and the Proctor Ewer, 1592-93 (silver-gilt)
1217938 The Proctor Basin and the Proctor Ewer, 1592-93 (silver-gilt) by English School, (16th century); Ashmolean Museum, University of Oxford

Bathers in the Sun, 1930 (watercolour and bodycolour on paper)
1217605 Bathers in the Sun, 1930 (watercolour and bodycolour on paper) by Somov, Konstantin Andreevic (1869-1939); 16.1x12.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Battle of Nude Men, c. 1470 - 1475 (engraving)
1217305 Battle of Nude Men, c. 1470 - 1475 (engraving) by Pollaiuolo, Antonio (1432/3-98); 40x62.1 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

The Death of Meleager (pen & ink with gouache on paper)
AMO418075 The Death of Meleager (pen & ink with gouache on paper) by Lippi, Filippino (c.1457-1504); 22.6x23 cm; Ashmolean Museum, University of Oxford

The Wood on the Hill, 1912 (ink, chalk & w / c on paper)
497304 The Wood on the Hill, 1912 (ink, chalk & w/c on paper) by Nash, Paul (1889-1946); Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Recto: The Ruined Arch at Kew (red, black and white chalk on blue paper)
1217823 Recto: The Ruined Arch at Kew (red, black and white chalk on blue paper) by Wilson, Richard (1713/14-82); 24.8x33.4 cm; Ashmolean Museum, University of Oxford

Inkstand: Pan listening to Echo, 1530-1540 (bronze, silver)
1217380 Inkstand: Pan listening to Echo, 1530-1540 (bronze, silver) by Riccio, Andrea (or Briosco, Andrea) (1470-1532); Ashmolean Museum, University of Oxford

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"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.