Westernart Collection (page 3)

Study for a Knight of Malta (red chalk on off-white paper)
1217726 Study for a Knight of Malta (red chalk on off-white paper) by Preti, Mattia (Il Calabrese) (1613-99); 39.1x25.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Landscape near Appeldoorn, 1680 (pen and brown ink)
1217722 Landscape near Appeldoorn, 1680 (pen and brown ink) by Huygens, Constantijn the Younger (1628-1697); 12.7x22.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch

View of Buildings in a walled Enclosure with Mountains in the Background
1217717 View of Buildings in a walled Enclosure with Mountains in the Background (graphite on white wove paper) by Daubigny, Charles Francois (1817-78); 18.3x33.1 cm; Ashmolean Museum

Landscape with an Obelisk, 1803 (point of the brush in brown ink
1217715 Landscape with an Obelisk, 1803 (point of the brush in brown ink and sepia on off-white paper) by Friedrich, Caspar David (1774-1840); 12.9x20.2 cm; Ashmolean Museum, University of Oxford

The Nativity of Christ (pen and brown ink washed in grey
1217708 The Nativity of Christ (pen and brown ink washed in grey and heightened with white bodycolour on blue-grey paper) by Parmigianino (Francesco Mazzola) (1503-40); 38.5x32 cm; Ashmolean Museum

Recto: Head of a Child (black, red, white, pink, and yellow chalks on bluish-grey paper)
1217705 Recto: Head of a Child (black, red, white, pink, and yellow chalks on bluish-grey paper) by Barocci or Baroccio, Federico Fiori (c.1535-1612); 19.9x17.9 cm; Ashmolean Museum

Portrait of a Musician, c. 1570-1590 (oil on canvas)
1217703 Portrait of a Musician, c. 1570-1590 (oil on canvas) by Italian School, (16th century); 75x56 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous)

Beggar Boy, about 1780 (black chalk and stump, heightened with white, on pale buff paper)
1217701 Beggar Boy, about 1780 (black chalk and stump, heightened with white, on pale buff paper) by Gainsborough, Thomas (1727-88); 24.9x19.4 cm; Ashmolean Museum, University of Oxford

L Ile Lacroix, a Rouen, 1883 (drypoint, etching, metal brush and open bite)
1217695 L Ile Lacroix, A Rouen, 1883 (drypoint, etching, metal brush and open bite) by Pissarro, Camille (1830-1903); 11.3x15.5 cm; Ashmolean Museum, University of Oxford

Study of the orchard of the artists house at Eragny-sur-Epte, c
1217682 Study of the orchard of the artists house at Eragny-sur-Epte, c. 1890 (watercolour over pencil) by Pissarro, Camille (1830-1903); 28.3x22.5 cm; Ashmolean Museum, University of Oxford

Setting sun and fog, Eragny (watercolour mixed with tempera on Japanese paper laid
1217681 Setting sun and fog, Eragny (watercolour mixed with tempera on Japanese paper laid on Japanese velum) by Pissarro, Camille (1830-1903); 35.1x54.4 cm; Ashmolean Museum, University of Oxford

Study of the orchard at Eragny-sur-Epte, seen from the artists house, c
1217678 Study of the orchard at Eragny-sur-Epte, seen from the artists house, c. 1886 - 1890 (watercolour over black chalk) by Pissarro, Camille (1830-1903); 21.8x28.1 cm; Ashmolean Museum

Compositional study of a milking scene at Eragny-sur-Epte
1217676 Compositional study of a milking scene at Eragny-sur-Epte, 1884 (watercolour over black chalk) by Pissarro, Camille (1830-1903); 15.7x19.6 cm; Ashmolean Museum, University of Oxford

Portrait of Madame Pissarro, 1882 (black chalk)
1217674 Portrait of Madame Pissarro, 1882 (black chalk) by Pissarro, Camille (1830-1903); 14.5x9.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Portrait of Ludovic-Rodo Pissarro (1878-1952), c. 1883 - 1884 (black chalk)
1217673 Portrait of Ludovic-Rodo Pissarro (1878-1952), c. 1883 - 1884 (black chalk) by Pissarro, Camille (1830-1903); 21.1x16.7 cm; Ashmolean Museum, University of Oxford

Compositional study of the market at Pontoise, 1881 (black chalk and grey washes)
1217672 Compositional study of the market at Pontoise, 1881 (black chalk and grey washes) by Pissarro, Camille (1830-1903); 30.4x19.3 cm; Ashmolean Museum, University of Oxford

Study of trees, with a slight study of a barge, 1859 (pen
1217661 Study of trees, with a slight study of a barge, 1859 (pen and dark ink over graphite on grey-blue paper) by Pissarro, Camille (1830-1903); 31.1x48.3 cm; Ashmolean Museum

Eragny Church, 1886 (oil on canvas)
1217650 Eragny Church, 1886 (oil on canvas) by Pissarro, Lucien (1863-1944); 53.2x72.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Landscape with a ruined Castle, and Cattle by a Pool (black chalk and watercolour
1217635 Landscape with a ruined Castle, and Cattle by a Pool (black chalk and watercolour, heightend with white, on pale buff paper) by Gainsborough, Thomas (1727-88); 21.8x31.8 cm; Ashmolean Museum

Arrangement of Flowers in a Vase, with Insects, 1594 (Watercolour with gold on vellum)
1217633 Arrangement of Flowers in a Vase, with Insects, 1594 (Watercolour with gold on vellum) by Hoefnagel, Joris (1542-1600); 16.1x12 cm; Ashmolean Museum, University of Oxford

Two Peasants digging with Pickaxes, c. 1844 - 1846 (pen
1217631 Two Peasants digging with Pickaxes, c. 1844 - 1846 (pen and brown ink on slightly discoloured white paper) by Millet, Jean-Francois (1814-75); 22.8x30.6 cm; Ashmolean Museum

Man ploughing and another sowing, 1849 - 1852 (black crayon on wove paper)
1217630 Man ploughing and another sowing, 1849 - 1852 (black crayon on wove paper) by Millet, Jean-Francois (1814-75); 14.5x21.2 cm; Ashmolean Museum, University of Oxford

The Emblem of the City of Bologna, 1625 - 1629 (pen and brown ink with brown wash
1217628 The Emblem of the City of Bologna, 1625 - 1629 (pen and brown ink with brown wash on white paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 26.8x40.5 cm; Ashmolean Museum

By the Cradle (pen and India ink over graphite)
1217622 By the Cradle (pen and India ink over graphite) by Hughes, Arthur (1832-1915); 11x13.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Extensive Landscape with Cottage and Cattle (black chalk, grey and yellow wash)
1217620 Extensive Landscape with Cottage and Cattle (black chalk, grey and yellow wash) by Cuyp, Aelbert (1620-91); 10.8x21.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch

The Holy Family with the young St John the Baptist (oil on panel)
1217619 The Holy Family with the young St John the Baptist (oil on panel) by Schedoni, Bartolomeo (c.1570-1615); 23x21 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Design for Polluxs Costume in Helene de Sparte
1217611 Design for Polluxs Costume in HelAne de Sparte (graphite and watercolour with gold paint on off-white paper) by Bakst, Leon (1866-1924); 28x20.8 cm; Ashmolean Museum, University of Oxford

Still Life: An Interior, 1931 (pastel on paper)
1217607 Still Life: An Interior, 1931 (pastel on paper) by Somov, Konstantin Andreevic (1869-1939); 41.1x36.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Russian

Landscape with grey Clouds, 1897 (watercolour and bodycolour over traces of graphite
1217606 Landscape with grey Clouds, 1897 (watercolour and bodycolour over traces of graphite on buff paper) by Somov, Konstantin Andreevic (1869-1939); 43x28.7 cm; Ashmolean Museum

Self-portrait in a Mirror, 1928 (Pastel on paper)
1217596 Self-portrait in a Mirror, 1928 (Pastel on paper) by Somov, Konstantin Andreevic (1869-1939); 37.2x26.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Russian

Portrait of Isadora Duncan dancing (brush and Indian ink over traces of graphite
1217595 Portrait of Isadora Duncan dancing (brush and Indian ink over traces of graphite, corrected in white bodycolour on fine-textured off-white paper) by Bakst

Teapot and Stand, Cream Jug, Sugar Bowl, 1794-1795 (silver)
1217593 Teapot and Stand, Cream Jug, Sugar Bowl, 1794-1795 (silver) by Plummer, Michael and Scofield, John; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

A set of sixteen tiles arranged in pairs to form eight illustrations of the
1217588 A set of sixteen tiles arranged in pairs to form eight illustrations of the Briar Rose tale, 1862 - 1865 (ceramic) by Burne-Jones, Edward Coley (1833-98); 131.6x40.7 cm; Ashmolean Museum

Frog Purse (mixed media)
1217569 Frog Purse (mixed media) by English School, (17th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous, English undefined: 6 x 8 x 2 cm x 2 cm silk and metal threads)

Cup: Abraham and Melchizedek, c. 1600 (coloured enamels with metal foils and gilding)
1217563 Cup: Abraham and Melchizedek, c. 1600 (coloured enamels with metal foils and gilding) by Court, Suzanne de (fl.c.1600); Ashmolean Museum, University of Oxford

Inkstand in form of a Crab, c. 1560 (bronze)
1217559 Inkstand in form of a Crab, c. 1560 (bronze) by Italian School, (16th century); 15.5x12.8 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Rizzio)

Gilt-brass cased clock-watch with alarm, sundials and lunar volvelle in the form of a
1217557 Gilt-brass cased clock-watch with alarm, sundials and lunar volvelle in the form of a book, c. 1580 (gilt-brass) by Kock, Hans (d)

The Ford, 1865 (etching)
1217554 The Ford, 1865 (etching) by Daubigny, Charles Francois (1817-78); 30.5x37.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Study of a landscape with a ploughed field, Eragny-sur-Epte, c
1217549 Study of a landscape with a ploughed field, Eragny-sur-Epte, c. 1886 - 1890 (watercolour over pencil) by Pissarro, Camille (1830-1903); 20.9x27.6 cm; Ashmolean Museum, University of Oxford

Harlech Castle, 1857 (watercolour on paper)
1217547 Harlech Castle, 1857 (watercolour on paper) by Hunt, Alfred William (1830-96); 24.6x32.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Red Barn at Whitchurch, 1868 (watercolour on paper)
1217543 Red Barn at Whitchurch, 1868 (watercolour on paper) by Boyce, George Price (1826-97); 20.4x28.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Chester Castle, c. 1805 (watercolour over graphite, with pen and ink and scratching out)
1217535 Chester Castle, c. 1805 (watercolour over graphite, with pen and ink and scratching out) by Turner, Joseph Mallord William (1775-1851); 15.3x21.6 cm; Ashmolean Museum, University of Oxford

The Fou-yen of Canton (watercolour over graphite on paper)
1217529 The Fou-yen of Canton (watercolour over graphite on paper) by Alexander, William (1767-1816); 20.9x16.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Study for the "Proclamation of Don Carlos"(watercolour
1217526 Study for the " Proclamation of Don Carlos" (watercolour and bodycolour over graphite) by Lewis, John Frederick (1804-76); 60.2x28.5 cm; Ashmolean Museum, University of Oxford

Charles Augustus Howell, 1882 (coloured chalk on pale blue paper)
1217520 Charles Augustus Howell, 1882 (coloured chalk on pale blue paper) by Sandys, Anthony Frederick Augustus (1829-1904); 91x65 cm; Ashmolean Museum, University of Oxford

Gravel Pit on Shotover Hill, near Oxford, c. 1818 (oil on millboard)
1217519 Gravel Pit on Shotover Hill, near Oxford, c. 1818 (oil on millboard) by Turner, William (Turner of Oxford) (1789-1862); 27x40 cm; Ashmolean Museum, University of Oxford

View of Marston, near Oxford (oil on millboard)
1217518 View of Marston, near Oxford (oil on millboard) by Turner, William (Turner of Oxford) (1789-1862); 27x40 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Miss Eliza Ann Ogilvy, 1866 (oil on canvas)
1217509 Miss Eliza Ann Ogilvy, 1866 (oil on canvas) by Watts, George Frederic (1817-1904); 61x52 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

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"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.