Westernart Collection (page 5)

Party of Revellers (graphite with red chalk on off-white paper, edged with black ink)
1217296 Party of Revellers (graphite with red chalk on off-white paper, edged with black ink) by Cochin, Charles Nicolas II (1715-90); 24.6x33.3 cm; Ashmolean Museum, University of Oxford

Francois de Cleves (black, red and yellow chalks on paper)
1217292 FranAzois de Cleves (black, red and yellow chalks on paper) by Clouet, Jean (c.1485-1541) (follower of); 28.7x19.8 cm; Ashmolean Museum, University of Oxford

Blois, c. 1830 (watercolour with bodycolour and pen and brown and black ink on blue paper
1217285 Blois, c. 1830 (watercolour with bodycolour and pen and brown and black ink on blue paper) by Turner, Joseph Mallord William (1775-1851); 13.5x18.3 cm; Ashmolean Museum, University of Oxford

The Canal of the Loire and Cher, near Tours, c. 1830 (watercolour with bodycolour
1217280 The Canal of the Loire and Cher, near Tours, c. 1830 (watercolour with bodycolour and pen and brown ink) by Turner, Joseph Mallord William (1775-1851); 12.2x18.1 cm; Ashmolean Museum

Nantes, 1826 - 1830 (watercolour with bodycolour and pen and black and brown ink)
1217277 Nantes, 1826 - 1830 (watercolour with bodycolour and pen and black and brown ink) by Turner, Joseph Mallord William (1775-1851); 18.5x13.4 cm; Ashmolean Museum, University of Oxford

Bust of Thomas Phillips, RA (1770-1845), 1821 (plaster)
1217265 Bust of Thomas Phillips, RA (1770-1845), 1821 (plaster) by Chantrey, Francis Legatt (1781-1841); 63.1x34x28 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

View from the Mountains above Phonia, 1849 (pen and brown ink with graphite on off-white
1216913 View from the Mountains above Phonia, 1849 (pen and brown ink with graphite on off-white paper) by Lear, Edward (1812-88); 23.9x51.1 cm; Ashmolean Museum, University of Oxford

St Julians Bay, Malta, 1866 (pen and brown ink with graphite
1216910 St Julians Bay, Malta, 1866 (pen and brown ink with graphite and watercolours on off-white paper) by Lear, Edward (1812-88); 20x44.2 cm; Ashmolean Museum, University of Oxford

Two embracing figures (graphite on white wove paper)
1216904 Two embracing figures (graphite on white wove paper) by Rodin, Auguste (1840-1917); 32.3x23.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Moorland View, c. 1800 (grey washes on paper)
1216903 Moorland View, c.1800 (grey washes on paper) by Girtin, Thomas (1775-1802); 11.6x18.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

The Ruins of the Chapel in the Savoy Palace, London, c. 1795-96
1216902 The Ruins of the Chapel in the Savoy Palace, London, c.1795-96 (watercolour with some brown ink, over indications in graphite) by Girtin, Thomas (1775-1802); 22.8x28.8 cm; Ashmolean Museum

St Pauls Cathedral, c. 1790 (blue and grey washes over graphite)
1216901 St Pauls Cathedral, c.1790 (blue and grey washes over graphite) by Girtin, Thomas (1775-1802); 14.6x13.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Wooded landscape with a peasant boy asleep in a cart (watercolour
1216896 Wooded landscape with a peasant boy asleep in a cart (watercolour and bodycolour over faint indications in graphite on brown paper) by Gainsborough

Costume Design (watercolour over graphite on white paper)
1216890 Costume Design (watercolour over graphite on white paper) by Ricketts, Charles (1866-1931); 35.7x27.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Over the Hills of Kurdistan: Flying above Kirkuk, 1919 (oil on canvas)
1216873 Over the Hills of Kurdistan: Flying above Kirkuk, 1919 (oil on canvas) by Carline, Sydney (1888-1929); 38x45 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Eurydice floating among flames, 1872-75 (graphite on paper)
1216855 Eurydice floating among flames, 1872-75 (graphite on paper) by Burne-Jones, Edward Coley (1833-98); 22.8x22.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Ferry Hinksey, near Oxford, 15 June 1789 (watercolour over graphite, on paper)
1216845 Ferry Hinksey, near Oxford, 15 June 1789 (watercolour over graphite, on paper) by Malchair, John Baptist (1731-1812); 21.9x33.9 cm; Ashmolean Museum, University of Oxford

View from the Wardens Lodgings, New College, 20 November 1786
1216843 View from the Wardens Lodgings, New College, 20 November 1786 (watercolour over graphite, on paper) by Malchair, John Baptist (1731-1812); 29.9x44.8 cm; Ashmolean Museum

A November Rainbow, Dolwyddelan Valley, November 11 1866, 1 p. m
1216835 A November Rainbow, Dolwyddelan Valley, November 11 1866, 1 p.m. 1866, 1866 (watercolour on paper) by Hunt, Alfred William (1830-96); 50.3x75.5 cm; Ashmolean Museum, University of Oxford

Italia Redenta, 1917 (lithograph)
1216831 Italia Redenta, 1917 (lithograph) by Ricketts, Charles (1866-1931); 68.3x42.680.5x51.2 cm; Ashmolean Museum, University of Oxford

The Death of the Virgin, 1639 (etching and drypoint)
1216792 The Death of the Virgin, 1639 (etching and drypoint) by Rembrandt Harmensz. van Rijn (1606-69); 40.7x31 cm; Ashmolean Museum, University of Oxford

View from Pugins House near Salisbury (oil on millboard, mounted as a drawing)
1216790 View from Pugins House near Salisbury (oil on millboard, mounted as a drawing) by Read, David Charles (1790-1851); 28.3x47.3 cm; Ashmolean Museum, University of Oxford

A Satyr pressing Grapes with a Tiger and Leopard, c. 1618 (oil on panel)
1216782 A Satyr pressing Grapes with a Tiger and Leopard, c.1618 (oil on panel) by Rubens, Peter Paul (1577-1640); 33.4x24.2 cm; Ashmolean Museum, University of Oxford

Venice: The Dogana and S. Maria della Salute from the Molo di Terranova
1216777 Venice: The Dogana and S. Maria della Salute from the Molo di Terranova (pen and brown ink over black chalk) by Canaletto

The Infant Christ and other Studies (pen and dark-brown ink over preliminary indications
1216774 The Infant Christ and other Studies (pen and dark-brown ink over preliminary indications in leadpoint, on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Landscape with two Trees, c. 1638 (black chalk with pen and brown ink
1216770 Landscape with two Trees, c.1638 (black chalk with pen and brown ink and brown wash on off-white paper) by Claude Lorrain (Claude Gellee) (1600-82); 21.6x31.2 cm; Ashmolean Museum

The Artists Studio, 1659 (pen and two shades of brown ink, grey-brown wash
1216763 The Artists Studio, 1659 (pen and two shades of brown ink, grey-brown wash, a few corrections in white) by Rembrandt Harmensz

Ruins with a Sibyl and other Figures, c. 1720 (oil on canvas)
1216756 Ruins with a Sibyl and other Figures, c.1720 (oil on canvas) by Pannini or Panini, Giovanni Paolo (1691/2-1765); 64x49 cm; Ashmolean Museum, University of Oxford

A View of Worcester College, 1803-04 (w / c over graphite on off-white paper)
1216749 A View of Worcester College, 1803-04 (w/c over graphite on off-white paper) by Turner, Joseph Mallord William (1775-1851); 32x44.3 cm; Ashmolean Museum, University of Oxford

St Catherine of Alexandria, c. 1443-1468 (tempera and gilding on panel)
1216744 St Catherine of Alexandria, c.1443-1468 (tempera and gilding on panel) by Franceschi, Francesco de (fl.1445-56); 92x35.5 cm; Ashmolean Museum, University of Oxford

The Parnassus, copy after Raphael (pen and brown ink over black chalk on white paper)
1216736 The Parnassus, copy after Raphael (pen and brown ink over black chalk on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); 292x458 cm; Ashmolean Museum

Study for the Drapery of a Man in Back View (black and white chalks with brownish-black
1216722 Study for the Drapery of a Man in Back View (black and white chalks with brownish-black chalk, partly stumped, on pale buff paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Study for the Figure of Melpomene (pen and brown ink on off-white paper)
1216719 Study for the Figure of Melpomene (pen and brown ink on off-white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 33x21.9 cm; Ashmolean Museum, University of Oxford

Various Studies, chiefly for the Borghese-Beckford St Catherine
1216715 Various Studies, chiefly for the Borghese-Beckford St Catherine (pen and brown ink on off-white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 27.9x16.9 cm; Ashmolean Museum

Kneeling Figure of a Youth, c. 1503 (silverpoint on a white preparation)
1216699 Kneeling Figure of a Youth, c.1503 (silverpoint on a white preparation) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 26.3x18.4 cm; Ashmolean Museum, University of Oxford

Study of a Recumbent Male Figure, recto (black chalk on off-white paper)
1216687 Study of a Recumbent Male Figure, recto (black chalk on off-white paper) by Buonarroti, Michelangelo (1475-1564); 258x332 cm; Ashmolean Museum, University of Oxford

A Horseman charging and other Studies (pen and brown ink with
1216685 A Horseman charging and other Studies (pen and brown ink with and over black chalk on off-white paper) by Buonarroti, Michelangelo (1475-1564); 19x25.8 cm; Ashmolean Museum

Various Figure Studies (pen and brown ink on off-white paper)
1216684 Various Figure Studies (pen and brown ink on off-white paper) by Buonarroti, Michelangelo (1475-1564); 25.7x17.5 cm; Ashmolean Museum, University of Oxford

A Study for a Figure in an Adoration of the Magi (black chalk)
1216678 A Study for a Figure in an Adoration of the Magi (black chalk) by Perugino, Pietro (c.1445-1523); 29.8x18.6 cm; Ashmolean Museum, University of Oxford

Studies for Tobias and the Angel (silverpoint, heightened with white bodycolour (oxidized
1216675 Studies for Tobias and the Angel (silverpoint, heightened with white bodycolour (oxidized) on a pale cream paper) by Perugino, Pietro (c.1445-1523); 238x183 cm; Ashmolean Museum

Thomas Fermor, 1st Earl of Pomfret and Henrietta Louisa, Countess of Pomfret, c
1216665 Thomas Fermor, 1st Earl of Pomfret and Henrietta Louisa, Countess of Pomfret, c.1750 (oil on canvas) by Bardwell, Thomas (1704-67); 216x124 cm; Ashmolean Museum, University of Oxford

Bust of Anne Lucy, Baroness Nugent, 1819-1820 (plaster)
1216661 Bust of Anne Lucy, Baroness Nugent, 1819-1820 (plaster) by Chantrey, Francis Legatt (1781-1841); 62.6x46 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Anne Lucy)

Bust of Sir Benjamin Hobhouse, Bt, MP (1757-1831), 1818 - 1819 (plaster)
1218073 Bust of Sir Benjamin Hobhouse, Bt, MP (1757-1831), 1818 - 1819 (plaster) by Chantrey, Francis Legatt (1781-1841); 68.4x42x24 cm; Ashmolean Museum, University of Oxford

The Castelbarco Tomb, Verona, Italy, May-August 1869 (watercolour
1218067 The Castelbarco Tomb, Verona, Italy, May-August 1869 (watercolour and bodycolour over graphite on paper) by Bunney, John Wharlton (1828-82); Ashmolean Museum, University of Oxford

Pencil Outline of a Part of the Fresco of "The Friends of Job"
1218062 Pencil Outline of a Part of the Fresco of " The Friends of Job" in the Camposanto, Pisa, attributed to Taddeo Gaddi, 14 - 16 May 1845 (graphite on wove paper) by Ruskin

The Baptistery, Florence: Study of the upper Part of the right-hand Compartment
1218053 The Baptistery, Florence: Study of the upper Part of the right-hand Compartment on the south-west FaAzade, 1 - 14 June 1872 (watercolour and bodycolour over graphite on wove paper) by Ruskin

View from the Palazzo Bembo to the Palazzo Grimani, Venice
1218045 View from the Palazzo Bembo to the Palazzo Grimani, Venice, May - June 1870 (graphite and watercolour on paper) by Ruskin, John (1819-1900); Ashmolean Museum, University of Oxford

The Court of the Ducal Palace, Venice, May 1841 (graphite, watercolour
1218043 The Court of the Ducal Palace, Venice, May 1841 (graphite, watercolour, bodycolour and pen and ink on pale grey wove paper) by Ruskin, John (1819-1900); Ashmolean Museum

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"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.