Westernart Collection (page 6)

Thomas Fermor, 1st Earl of Pomfret and Henrietta Louisa, Countess of Pomfret, c
1216665 Thomas Fermor, 1st Earl of Pomfret and Henrietta Louisa, Countess of Pomfret, c.1750 (oil on canvas) by Bardwell, Thomas (1704-67); 216x124 cm; Ashmolean Museum, University of Oxford

Bust of Anne Lucy, Baroness Nugent, 1819-1820 (plaster)
1216661 Bust of Anne Lucy, Baroness Nugent, 1819-1820 (plaster) by Chantrey, Francis Legatt (1781-1841); 62.6x46 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Anne Lucy)

Bust of Sir Benjamin Hobhouse, Bt, MP (1757-1831), 1818 - 1819 (plaster)
1218073 Bust of Sir Benjamin Hobhouse, Bt, MP (1757-1831), 1818 - 1819 (plaster) by Chantrey, Francis Legatt (1781-1841); 68.4x42x24 cm; Ashmolean Museum, University of Oxford

The Castelbarco Tomb, Verona, Italy, May-August 1869 (watercolour
1218067 The Castelbarco Tomb, Verona, Italy, May-August 1869 (watercolour and bodycolour over graphite on paper) by Bunney, John Wharlton (1828-82); Ashmolean Museum, University of Oxford

Pencil Outline of a Part of the Fresco of "The Friends of Job"
1218062 Pencil Outline of a Part of the Fresco of " The Friends of Job" in the Camposanto, Pisa, attributed to Taddeo Gaddi, 14 - 16 May 1845 (graphite on wove paper) by Ruskin

The Baptistery, Florence: Study of the upper Part of the right-hand Compartment
1218053 The Baptistery, Florence: Study of the upper Part of the right-hand Compartment on the south-west FaAzade, 1 - 14 June 1872 (watercolour and bodycolour over graphite on wove paper) by Ruskin

View from the Palazzo Bembo to the Palazzo Grimani, Venice
1218045 View from the Palazzo Bembo to the Palazzo Grimani, Venice, May - June 1870 (graphite and watercolour on paper) by Ruskin, John (1819-1900); Ashmolean Museum, University of Oxford

The Court of the Ducal Palace, Venice, May 1841 (graphite, watercolour
1218043 The Court of the Ducal Palace, Venice, May 1841 (graphite, watercolour, bodycolour and pen and ink on pale grey wove paper) by Ruskin, John (1819-1900); Ashmolean Museum

Study for Detail of the Piazza delle Erbe, Verona, 19 May 1841
1218042 Study for Detail of the Piazza delle Erbe, Verona, 19 May 1841 (graphite with watercolour and bodycolour on grey paper) by Ruskin, John (1819-1900); Ashmolean Museum, University of Oxford

Distant View of Lowther Castle (Park Scene), 1809 (watercolour and graphite on wove paper
1218028 Distant View of Lowther Castle (Park Scene), 1809 (watercolour and graphite on wove paper) by Turner, Joseph Mallord William (1775-1851); 22.4x35.2 cm; Ashmolean Museum, University of Oxford

The Coastguards House, Ecclesbourne, 1918 (pen and grey ink
1218010 The CoastguardAs House, Ecclesbourne, 1918 (pen and grey ink and coloured crayons on textured paper) by Pissarro, Lucien (1863-1944); 19.2x27.7 cm; Ashmolean Museum, University of Oxford

Road near Eragny, 1886 (watercolour over graphite on white paper)
1218009 Road near Eragny, 1886 (watercolour over graphite on white paper) by Pissarro, Lucien (1863-1944); 12.5x19.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Panoramic View of Rome from Monte Mario, Castel S. Angelo in the Foreground
1217998 Panoramic View of Rome from Monte Mario, Castel S. Angelo in the Foreground (pen and brown ink and brown wash over black chalk) by Wyngaerde

Hampton Court Palace from the North (pen and brown ink and watercolour over faint
1217987 Hampton Court Palace from the North (pen and brown ink and watercolour over faint indications in black chalk) by Wyngaerde, Anthonis van den (fl.1510-72); 30x200 cm; Ashmolean Museum

Greenwich Palace and London from Greenwich Hill (pen and brown ink
1217985 Greenwich Palace and London from Greenwich Hill (pen and brown ink and watercolour over indications in black chalk) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum

View of the Chateau de Chantilly from the Orangerie (engraving)
1217982 View of the Chateau de Chantilly from the Orangerie (engraving) by Aveline, Francois-Antoine (1727-80); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Nonsense Alphabet - R, 1860 (pen and ink on blue paper backed with linen)
1217971 Nonsense Alphabet - R, 1860 (pen and ink on blue paper backed with linen) by Lear, Edward (1812-88); 31.7x20.5 cm; Ashmolean Museum, University of Oxford

George, 2nd Earl Harcourt, his wife Elizabeth, and brother William, 1780 (oil on canvas)
1217961 George, 2nd Earl Harcourt, his wife Elizabeth, and brother William, 1780 (oil on canvas) by Reynolds, Joshua (1723-92); 148x172 cm; Ashmolean Museum, University of Oxford

Bust portrait of Susan Bloxam, turned in profile to left, 1818 (black chalk
1217959 Bust portrait of Susan Bloxam, turned in profile to left, 1818 (black chalk, touched with red chalk, and lightly stumped on white card, discoloured brown) by Lawrence

Saint-Florent-le-Vieil, c. 1826-30 (watercolour and bodycolour with pen and black
1217946 Saint-Florent-le-Vieil, c. 1826-30 (watercolour and bodycolour with pen and black and brown ink on blue paper) by Turner, Joseph Mallord William (1775-1851); 14x19 cm; Ashmolean Museum

Calabria, 1847 (pen and brown ink over pencil on very discoloured buff paper)
1217935 Calabria, 1847 (pen and brown ink over pencil on very discoloured buff paper) by Lear, Edward (1812-88); 28.7x45.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Tile with the Arms of Leon and Castile, 1525 (earthenware)
1217933 Tile with the Arms of Leon and Castile, 1525 (earthenware) by Spanish School, (16th century); 15.7x15.7 cm; Ashmolean Museum, University of Oxford

November Morning, Epping, 1895 (oil on canvas)
1217921 November Morning, Epping, 1895 (oil on canvas) by Pissarro, Lucien (1863-1944); 45x55 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

The Church of Ramsau, 1832 (oil on paper)
1217915 The Church of Ramsau, 1832 (oil on paper) by Bendz, Wilhelm Ferdinand (1804-1832); 28.9x24.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Danish, out of copyright

Shipping off the Kent Coast (pen and grey ink and watercolours on paper)
1217912 Shipping off the Kent Coast (pen and grey ink and watercolours on paper) by Bonington, Richard Parkes (1802-28); 15.8x23.5 cm; Ashmolean Museum, University of Oxford

Portrait Bust of John Ruskin, 1881 (marble)
1217908 Portrait Bust of John Ruskin, 1881 (marble) by Boehm, Joseph Edgar (1834-90); 63x46 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; British, out of copyright

Queen Marie de Medicis, c. 1600 (bronze)
1217907 Queen Marie de Medicis, c.1600 (bronze) by Prieur, Barthelemy (1540-1611); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Lunette for Music (pen and black ink with blue gouache)
1217906 Lunette for Music (pen and black ink with blue gouache) by Millais, John Everett (1829-96); 15.4x27.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Violin (wood)
1217904 Violin (wood) by Pamphilon, Edward (fl.1670-90); Ashmolean Museum, University of Oxford, UK; (add.info.: length: 34.8 cm); eAshmolean Museum; British, out of copyright

Bust of Edward Salter aged six, 1748 (terracotta)
1217900 Bust of Edward Salter aged six, 1748 (terracotta) by Rysbrack, John Michael (c.1684-1770); Ashmolean Museum, University of Oxford

Bust of Sir John Charles Robinson (plaster bust, bronzed)
1217895 Bust of Sir John Charles Robinson (plaster bust, bronzed) by Marochetti, Carlo (1805-67) (after); height: 38.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Winter Landscape, 1645 (oil on panel)
1217892 Winter Landscape, 1645 (oil on panel) by Neer, Aert van der (1603-77); 56x71 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch, out of copyright

Landscape with a Path through a Forest and a classical Temple
1217886 Landscape with a Path through a Forest and a classical Temple (soft graphite and white chalk on blue paper) by Malchair, John Baptist (1731-1812); 41.3x32.3 cm; Ashmolean Museum

Study of a Young Woman Bathing Her Legs (coloured chalks with pastel on paper)
493252 Study of a Young Woman Bathing Her Legs (coloured chalks with pastel on paper) by Pissarro, Camille (1830-1903); 53.1x39.1 cm; Ashmolean Museum, University of Oxford

Study of Two Female Harvesters, 1882 (black chalk on pink paper with white)
493251 Study of Two Female Harvesters, 1882 (black chalk on pink paper with white) by Pissarro, Camille (1830-1903); 42.8x63.8 cm; Ashmolean Museum, University of Oxford

A Physician with a Urine Sample (oil on canvas)
1163624 A Physician with a Urine Sample (oil on canvas) by Bigot, Trophime (c.1595-p.1650); Ashmolean Museum, University of Oxford, UK; (add.info.: Candlelight Master); eAshmolean Museum; French

Sketch with a figure and a dog (charcoal on paper)
AMO281197 Sketch with a figure and a dog (charcoal on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

The Triumph of Galatea, 16th century (red chalk on paper)
AMO271499 The Triumph of Galatea, 16th century (red chalk on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); Ashmolean Museum, University of Oxford

Architectural Studies, c. 1560 (black chalk on paper)
AMO276543 Architectural Studies, c.1560 (black chalk on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Studies of Male Nude, after 1501-2 (pen & ink on paper)
AMO276532 Studies of Male Nude, after 1501-2 (pen & ink on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Christ bidding farewell to his Mother after the Resurrection, c
AMO276531 Christ bidding farewell to his Mother after the Resurrection, c.1560 (black chalk on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford

Study of a Window with a semi-circular gable, c. 1546 (black chalk & wash on paper)
AMO276528 Study of a Window with a semi-circular gable, c.1546 (black chalk & wash on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford

Figure Studies, c. 1511 (black chalk on paper)
AMO276517 Figure Studies, c.1511 (black chalk on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Study of a group of Figures, c. 1511 (black chalk on paper)
AMO276515 Study of a group of Figures, c.1511 (black chalk on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Study of a human leg, 16th century (pen & ink on paper)
AMO276506 Study of a human leg, 16th century (pen & ink on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Study of the Assisting Figure of the Libyan Sibyl, c. 1512 (red chalk & pen on paper)
AMO276505 Study of the Assisting Figure of the Libyan Sibyl, c.1512 (red chalk & pen on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford

Study of a seated young Man, with head studies, c. 1502 (pen & ink on paper)
AMO276502 Study of a seated young Man, with head studies, c.1502 (pen & ink on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Head of a Youth, seen from below (red & black chalk on paper)
AMO254095 Head of a Youth, seen from below (red & black chalk on paper) by Fosse, Charles de la (1636-1716); 22.8x20.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

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"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.