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Westernart Collection (page 8)

"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces

Background imageWesternart Collection: A Statuarys Yard, 19th century (w / c on paper)

A Statuarys Yard, 19th century (w / c on paper)
AMO117206 A Statuarys Yard, 19th century (w/c on paper) by Rowlandson, Thomas (1756-1827); 15x23.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageWesternart Collection: View of Heveningham Hall in Suffolk, the Seat of Sir Gerrard Vanneck

View of Heveningham Hall in Suffolk, the Seat of Sir Gerrard Vanneck
AMO112266 View of Heveningham Hall in Suffolk, the Seat of Sir Gerrard Vanneck, 18th century (pen & ink and w/c on paper) by Wilt, Thomas van der (1659-1733); 35.4x50.6 cm; Ashmolean Museum

Background imageWesternart Collection: Studies of Hands, 17th century (chalk on paper)

Studies of Hands, 17th century (chalk on paper)
AMO112254 Studies of Hands, 17th century (chalk on paper) by Lely, Peter (1618-80); 38.2x26.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageWesternart Collection: Study of a Violinist Seen from the Back, 19th century (charcoal heightened with white

Study of a Violinist Seen from the Back, 19th century (charcoal heightened with white
AMO110703 Study of a Violinist Seen from the Back, 19th century (charcoal heightened with white on paper) by Degas, Edgar (1834-1917); Ashmolean Museum, University of Oxford

Background imageWesternart Collection: Grotesque Studies (recto), 15th century (pen and bistre on paper)

Grotesque Studies (recto), 15th century (pen and bistre on paper)
AMO110230 Grotesque Studies (recto), 15th century (pen and bistre on paper) by Bosch, Hieronymus (c.1450-1516); 31.7x20.9 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: The Staircase, Strood Park, f26 from An Album of Interiors, 1843 (w / c on paper)

The Staircase, Strood Park, f26 from An Album of Interiors, 1843 (w / c on paper)
AMO110226 The Staircase, Strood Park, f26 from An Album of Interiors, 1843 (w/c on paper) by Bosanquet, Charlotte (fl.1843); 21.9x27.6 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: The Furies Departing from Athena, Apollo and Orestes, 18th century (pen & ink on paper)

The Furies Departing from Athena, Apollo and Orestes, 18th century (pen & ink on paper)
AMO110724 The Furies Departing from Athena, Apollo and Orestes, 18th century (pen & ink on paper) by Flaxman, John (1755-1826); 18x39.7 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: Portrait of John Aubrey, 1666 (black lead & chalk on paper)

Portrait of John Aubrey, 1666 (black lead & chalk on paper)
AMO110719 Portrait of John Aubrey, 1666 (black lead & chalk on paper) by Faithorne, William (1616-91); 19.6x14.5 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: John Aubrey (1626-97)

Background imageWesternart Collection: Portrait of George Moore, 19th century (pencil on paper)

Portrait of George Moore, 19th century (pencil on paper)
AMO110701 Portrait of George Moore, 19th century (pencil on paper) by Degas, Edgar (1834-1917) (attr. to); Ashmolean Museum, University of Oxford, UK; (add.info.: George Augustus Moore (1852-1933)

Background imageWesternart Collection: Still Life of Peaches and Figs, 19th century (w / c on paper)

Still Life of Peaches and Figs, 19th century (w / c on paper)
AMO110236 Still Life of Peaches and Figs, 19th century (w/c on paper) by Cezanne, Paul (1839-1906); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Background imageWesternart Collection: Portrait of Hugh Mackay, 17th century (brush and wash on paper)

Portrait of Hugh Mackay, 17th century (brush and wash on paper)
AMO110232 Portrait of Hugh Mackay, 17th century (brush and wash on paper) by Bullfinch, John (fl.1666) (after Zeeman/Seeman); 29x22.6 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: Lady with a Unicorn, c. 1480 (pen and dark brown ink)

Lady with a Unicorn, c. 1480 (pen and dark brown ink)
AMO127735 Lady with a Unicorn, c.1480 (pen and dark brown ink) by Vinci, Leonardo da (1452-1519); 95x75 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: The Apotheosis of Germanicus (oil on canvas)

The Apotheosis of Germanicus (oil on canvas)
AMO437789 The Apotheosis of Germanicus (oil on canvas) by Rubens, Peter Paul (1577-1640); 100.7x78 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: Recto; Quack Doctor selling his Wares in the open Air (red chalk on paper)

Recto; Quack Doctor selling his Wares in the open Air (red chalk on paper)
AMO397742 Recto; Quack Doctor selling his Wares in the open Air (red chalk on paper) by Watteau, Jean Antoine (1684-1721); Ashmolean Museum, University of Oxford

Background imageWesternart Collection: Prioresss Tale Wardrobe, 1859 (painted pine & oak)

Prioresss Tale Wardrobe, 1859 (painted pine & oak)
AMO412387 Prioresss Tale Wardrobe, 1859 (painted pine & oak) by Burne-Jones, Edward Coley (1833-98); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageWesternart Collection: Beatrice and Dante in Gemini, amid Spheres of Flame, illustration to the

Beatrice and Dante in Gemini, amid Spheres of Flame, illustration to the
877949 Beatrice and Dante in Gemini, amid Spheres of Flame, illustration to the Divine Comedy, Paradiso, 1825-27 (w/c with pen & ink over graphite) by Blake

Background imageWesternart Collection: Study of the Head of Saint Paul, c. 1535 (terracotta)

Study of the Head of Saint Paul, c. 1535 (terracotta)
884218 Study of the Head of Saint Paul, c.1535 (terracotta) by Bandinelli, Baccio (1488-1560); height: 39.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Background imageWesternart Collection: Study of the artists mother with her maid (charcoal on paper)

Study of the artists mother with her maid (charcoal on paper)
495611 Study of the artists mother with her maid (charcoal on paper) by Pissarro, Camille (1830-1903); 28.4x21.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Background imageWesternart Collection: The Tower of London, c. 1544 (pen and ink on paper)

The Tower of London, c. 1544 (pen and ink on paper)
AMO150830 The Tower of London, c.1544 (pen and ink on paper) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Netherlandish, out of copyright

Background imageWesternart Collection: Studies of Palace of Oatlands and Hampton Court, c. 1544 (pen and ink on paper)

Studies of Palace of Oatlands and Hampton Court, c. 1544 (pen and ink on paper)
AMO150840 Studies of Palace of Oatlands and Hampton Court, c.1544 (pen and ink on paper) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum, University of Oxford

Background imageWesternart Collection: Durham House to Barnards Castle, from The Panorama of London, c

Durham House to Barnards Castle, from The Panorama of London, c
AMO150827 Durham House to Barnards Castle, from The Panorama of London, c.1544 (pen and ink and chalk on paper) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum, University of Oxford

Background imageWesternart Collection: St. Augustine of Hippo, 17th century (oil on panel)

St. Augustine of Hippo, 17th century (oil on panel)
AMO100599 St. Augustine of Hippo, 17th century (oil on panel) by Rubens, Peter Paul (1577-1640); 38x17 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: St)

Background imageWesternart Collection: Portrait Miniature of Prince Albert, 1842 (w / c on enamel on gold)

Portrait Miniature of Prince Albert, 1842 (w / c on enamel on gold)
AMO100369 Portrait Miniature of Prince Albert, 1842 (w/c on enamel on gold) by Bone, Henry Pierce (1779-1855); 4.9x3.8 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: Portrait of a Procurator of St. Mark (oil on canvas)

Portrait of a Procurator of St. Mark (oil on canvas)
AMO96905 Portrait of a Procurator of St. Mark (oil on canvas) by Bassano, Leandro da Ponte (1557-1622); 114x102 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Background imageWesternart Collection: View of Tivoli with Rome in the Distance, 17th century (oil on canvas)

View of Tivoli with Rome in the Distance, 17th century (oil on canvas)
AMO99129 View of Tivoli with Rome in the Distance, 17th century (oil on canvas) by Dughet, Gaspard Poussin (1615-75); 76x126 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Background imageWesternart Collection: Portrait of Jeanne Holding a Fan, 19th century (oil on canvas)

Portrait of Jeanne Holding a Fan, 19th century (oil on canvas)
AMO99125 Portrait of Jeanne Holding a Fan, 19th century (oil on canvas) by Pissarro, Camille (1830-1903); 55x46 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Background imageWesternart Collection: The Angel Annunciant, 14th century (tempera on panel)

The Angel Annunciant, 14th century (tempera on panel)
AMO99107 The Angel Annunciant, 14th century (tempera on panel) by Orcagna, Andrea di Cione (fl.1343 d.1368) (studio of); diameter: 6.5 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: The Return of the Dove to the Ark, 1851 (oil on canvas)

The Return of the Dove to the Ark, 1851 (oil on canvas)
AMO99101 The Return of the Dove to the Ark, 1851 (oil on canvas) by Millais, John Everett (1829-96); 87.6x54.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageWesternart Collection: Acme and Septimius, c. 1868 (oil on canvas)

Acme and Septimius, c. 1868 (oil on canvas)
AMO98787 Acme and Septimius, c.1868 (oil on canvas) by Leighton, Frederic (1830-96); 99x99 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: In Early Spring: A Study in March (oil on canvas)

In Early Spring: A Study in March (oil on canvas)
AMO98777 In Early Spring: A Study in March (oil on canvas) by Inchbold, John William (1830-88); 53x35 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageWesternart Collection: Cuillin Ridge, Skye from Sligechan, 19th century oil on canvas)

Cuillin Ridge, Skye from Sligechan, 19th century oil on canvas)
AMO98776 Cuillin Ridge, Skye from Sligechan, 19th century oil on canvas) by Inchbold, John William (1830-88); 51x69 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageWesternart Collection: Winter Scene, 19th century (oil on canvas)

Winter Scene, 19th century (oil on canvas)
AMO98756 Winter Scene, 19th century (oil on canvas) by Courbet, Gustave (1819-77); 32x40 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Background imageWesternart Collection: Still Life of Kitchen Utensils, 18th century (oil on canvas)

Still Life of Kitchen Utensils, 18th century (oil on canvas)
AMO98742 Still Life of Kitchen Utensils, 18th century (oil on canvas) by Chardin, Jean-Baptiste Simeon (1699-1779); 32x39 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Background imageWesternart Collection: Portrait of Don Giovanni de Medici (1475-1521) (oil on canvas)

Portrait of Don Giovanni de Medici (1475-1521) (oil on canvas)
AMO98732 Portrait of Don Giovanni de Medici (1475-1521) (oil on canvas) by Bronzino, Agnolo di Cosimo (1503-72); 66x53 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: Scene at a Bullfight: Spanish Entertainment, 18th century (oil on canvas)

Scene at a Bullfight: Spanish Entertainment, 18th century (oil on canvas)
AMO98727 Scene at a Bullfight: Spanish Entertainment, 18th century (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828)(follower of); 45x57 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: The Garden of the Tuileries in Rainy Weather, 1899 (oil on canvas)

The Garden of the Tuileries in Rainy Weather, 1899 (oil on canvas)
AMO99123 The Garden of the Tuileries in Rainy Weather, 1899 (oil on canvas) by Pissarro, Camille (1830-1903); 65x92 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Background imageWesternart Collection: Madame Pissarro Sewing, 19th century (oil on panel)

Madame Pissarro Sewing, 19th century (oil on panel)
AMO99119 Madame Pissarro Sewing, 19th century (oil on panel) by Pissarro, Camille (1830-1903); 16x11 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Background imageWesternart Collection: Antwerp from the Further Bank of the Scheldt, 17th century (oil on canvas)

Antwerp from the Further Bank of the Scheldt, 17th century (oil on canvas)
AMO99102 Antwerp from the Further Bank of the Scheldt, 17th century (oil on canvas) by Minderhout, Hendrik van (1632-96); 121x201 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: The Meeting of Joachim and Anna at the Golden Gate, 15th century (oil on panel)

The Meeting of Joachim and Anna at the Golden Gate, 15th century (oil on panel)
AMO98788 The Meeting of Joachim and Anna at the Golden Gate, 15th century (oil on panel) by Lippi, Fra Filippo (c.1406-69); 20x48 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: Study of Clouds (oil on paper)

Study of Clouds (oil on paper)
AMO98750 Study of Clouds (oil on paper) by Constable, John (1776-1837); 48x59 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageWesternart Collection: An Acrobat and Wrestlers Performing, 15th century (tempera on panel)

An Acrobat and Wrestlers Performing, 15th century (tempera on panel)
AMO98724 An Acrobat and Wrestlers Performing, 15th century (tempera on panel) by Apollonio di Giovanni di Tommaso, (1415/17-65); 38x60 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: Reverie, 1868 (coloured chalk on paper)

Reverie, 1868 (coloured chalk on paper)
AMO101430 Reverie, 1868 (coloured chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82); 87x71.2 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: model is Jane Morris (1839-1914)

Background imageWesternart Collection: Fantasy in a Egyptian Harem, 1865 (w / c on paper)

Fantasy in a Egyptian Harem, 1865 (w / c on paper)
AMO101415 Fantasy in a Egyptian Harem, 1865 (w/c on paper) by Dadd, Richard (1817-86); 25.7x17.9 cm; Ashmolean Museum, University of Oxford

Background imageWesternart Collection: Windmill on a Hill, 19th century (w / c on paper)

Windmill on a Hill, 19th century (w / c on paper)
AMO101412 Windmill on a Hill, 19th century (w/c on paper) by Cotman, John Sell (1782-1842); 20.9x29.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageWesternart Collection: A Ruined House, 19th century (w / c on paper)

A Ruined House, 19th century (w / c on paper)
AMO101411 A Ruined House, 19th century (w/c on paper) by Cotman, John Sell (1782-1842); 32.7x26.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageWesternart Collection: The Valley of the Stour, 19th century (w / c on paper)

The Valley of the Stour, 19th century (w / c on paper)
AMO101409 The Valley of the Stour, 19th century (w/c on paper) by Constable, John (1776-1837); 34x51.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageWesternart Collection: Head of a Woman, 1890 (pencil on paper)

Head of a Woman, 1890 (pencil on paper)
AMO101403 Head of a Woman, 1890 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 22.7x20.1 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright



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"Exploring the Timeless Beauty of Western Art" Immerse yourself in the captivating world of Western art through a diverse collection of masterpieces. From the delicate strokes of red chalk on paper in "Ideal Head, c. 1518-20" to the vibrant oil on canvas capturing introspection in "Convent Thoughts, 1850-51, " each artwork tells a unique story. Step into a realm where everyday objects come alive with astonishing realism. Marvel at the meticulous details captured in "Still Life of Asparagus, 1699, " as oil on paper laid on panel brings forth an exquisite portrayal. Witness nature's grandeur unfold before your eyes with "Study of Gneiss Rock, Glenfinlas, 1853-54, " depicted using pen, wash & gouache on paper. Delve into intricate studies showcasing both precision and creativity. Admire the delicate watercolor strokes combined with pencil detailing in "Velvet Crab, 1870-1. " Be enchanted by the whimsical charm emanating from "Design for a fan: The pea stakers, 1890, " created with gouache over black chalk on coarse brown paper. Experience human form immortalized through various mediums and perspectives. Observe grace and strength intertwined as you explore "Study of a male nude posed against a wall seen in profile. " Let your gaze be drawn towards divine beauty embodied by an angelic harpist within "Design for stained glass in Lyndhurst Church. " Travel back through time as historical landscapes unfold their secrets. Transport yourself to Chepstow Monmouthshire circa late eighteenth century with its enchanting allure brought to life through watercolor touched with pen techniques. Discover hidden depths within portraiture as emotions are etched onto canvases. Uncover Elizabeth Woodville's regal presence captured flawlessly amidst rich hues and textures in her portrait dating back to c. 1500.