Widow Collection (page 18)

Ruth Gleaning in the Field of Boaz, c1804. Ruth, Moabite widow, gleaning amongst the corn, attracts the attention of Boaz who marries her. Thus she becomes the great-grandmother of King David

Adelaide of Saxe-Coburg Meiningen (1792-1849), German-born Queen-consort of William IV, 1849
Adelaide of Saxe-Coburg Meiningen (1792-1849), German-born Queen-consort of William IV of Great Britain (1830-37). Engraving of Adelaide as a widow published 1849

Spain. 16th century. Revolt of the Comuneros (1520-1521). Ma
Spain. 16th century. Revolt of the Comuneros (1550-1521). Maria Pacheco (1496-1531). Spanish Noble woman of the House of Mendoza

Edwardian floral and feathered hats 1909
Head and shoulders of fashionable women wearing picture hats using floral and plumed designs. 1909

Sketch cover, Madame Simone Andre Puget, WW1
Front of The Sketch magazine featuring an artistic portrait of a war widow, Madame Simone Andre Puget, wife of the war poet who fell in a bayonet charge at Neuville St. Vst

Tatler front cover - Mrs Percy Wyndham widowed, WW1
The Hon. Mrs Percy Wyndham, formerly Diana Lister, daughter of Lord Ribblesdale. She married Percy Wyndham in 1913, the only son of the late George Wyndham and Countess Grosvenor

CONSTANZE WEBER MOZART (1763-1842). German soprano and wife of Austrian composer Wolfgang Amadeus Mozart. Oil, 1802, by Hans Hansen

Picture No. 11014566
Noble False Widow Spider - adult male standing on white background Allariz, Galicia, Spain (Steatoda nobilis) Date:

Luise Froebel
LUISE FROEBEL widow of educator Friedrich Froebel, whom she married in 1851 - he was 30 years older than her

Queen Hatshepsut
QUEEN HATSHEPSUT widow of Thutmose II, regent for and later co-ruler with her stepson Thutmose III - a patroness of the arts and of religion Date: reigned 1505-1482 BC

Portrait widow 1667 oil canvas 75 x 59. 3 cm lower left
Portrait of a widow, 1667, oil on canvas, 75 x 59.3 cm, lower left: AE. 53. /. N. MAES. 1667th, Nicolaes Maes, Dordrecht 1634-1693 Amsterdam

Catherine de Medici Queen France widow oil paper
Catherine de Medici, Queen of France, as a widow, oil on paper, mounted on wood, 37.5 x 26.5 cm, unsigned, Francois Clouet, (Kopie nach / copy after), Tours (?) um 1516-1572 Paris

Upper body hl. Widow c. 1410 mixed media fir wood
Upper body of a hl. Widow, c. 1410, mixed media on fir wood, 38 x 29.5 cm, unsigned. Hallmarked in the nimbus, left: santt, right: vidua, Suddeutscher Meister, 15. Jh

Prophet Elias leads widow Zarpath Son raised
The Prophet Elias leads the widow of Zarpath to her Son, who has been raised from the dead (1 Kings 17, 10-24), 1852, oil on canvas, 185.5 x 151 cm, signed and dated lower left: E. Stickelberger p

Portrait Maria Louisa Hessen-Kassel Maaike-Meu
Portrait of Maria Louisa from Hessen-Kassel, called Maaike-Meu. Widow of the Stadtholder of Friesland John Willem Friso, Prince of Orange-Nassau, Portrait of Maria Louisa of Hessen-Kassel

Elisabeth Stuart 1596-1662 Widow Frederick V
Elisabeth Stuart (1596-1662). Widow of Frederick V, Elector of the Palatinate, King of Bohemia, Portrait of Elisabeth Stuart (1596-1662), the winter queen. Widow of Frederick V, King of Bohemia

Portrait Johanna Maria ParvA Wife Hendrik AndrA Cornelis Tierens
Portrait of Johanna Maria Parve, Wife of Hendrik Andre Cornelis Tierens, Portrait of Johanna Maria Parve (1785-1861), widow of Hendrik Andre Cornelis Tierens. Half-length in oval, facing

widow young mother sitting sofa child lap left
The widow, The widow. A young mother sitting on a sofa with a child on her lap, on the left a girl leans against her, widow, mother and baby or young child, mother with daughter (s) (mother-love)

Egyptian Widow Interior Egyptian temple kneeling mourning widow
The Egyptian Widow, Interior of an Egyptian temple with a kneeling mourning widow. Priests sing and play harp by the body of the deceased, mourning the dead, widow, Lourens Alma Tadema, 1872, panel

Quirina Catharina des H. R Rijksbarones von Friesheim
Quirina Catharina des H.R. Rijksbarones von Friesheim (1764-1822), Portrait of Quirina Catharina, Countess of Friesheim (1764-1822), second wife of Johan Herman de Lange of Wijngaarden

Mrs J Schmidt-Keiser widow painter Willem Hendrik Schmidt
Mrs A J Schmidt-Keiser, widow of the painter Willem Hendrik Schmidt (1809-49), the teacher of Jacob Spoel, with her brother J N Keiser and her ten-year-old son, Portrait of Mrs A.J

Four scenes legend St Elizabeth Hungary Saint Elisabeth
Four scenes from the legend of St Elizabeth of Hungary, Four scenes from the legend of Saint Elisabeth of Hungary. Scenes of a farewell or meeting at a gate, a feast with musicians

Elijah carries child raised back widow Sarefat
Elijah carries the child raised back to the widow of Sarefat, Elijah carries the child raised back to the widow of Sarefat. The widow is kneeling before Elijah and the child

Elia takes care deceased son widow Sarefat lying
Elia takes care of the deceased son of the widow of Sarefat. The deceased son of the widow of Sarefat is lying in bed. The widow is standing by the sick bed and looks reproachfully at Elijah

Burning corpse Brahmin widow plunges flames Marked upper right
Burning the corpse of a Brahmin where the widow plunges into the flames, Marked upper right: III. Partie Pag. 255, body-burning, cremation, widow, Jan Luyken, 1689, paper, etching

Elijah widow Zarephath; Elijah angel
Elijah and widow of Zarephath; Elijah and angel

Elijah Receiving Bread Widow Zarephath Giovanni Lanfranco
Elijah Receiving Bread from the Widow of Zarephath; Giovanni Lanfranco (Italian, 1582 - 1647); 1621 - 1624; Oil on canvas; 203.2 × 243.8 cm (80 × 96 in.)

Raising Son Widow Naim recto Madonna Child Saints
Raising of the Son of the Widow of Naim (recto) Madonna and Child with Saints (verso); Giovanni Battista Naldini (Italian, about 1537 - 1591); Italy; about 1570 - 1580; Pen and iron gall ink

Elijah Revives Son Widow Zarephath Julius Schnorr
Elijah Revives the Son of the Widow of Zarephath; Julius Schnorr von Carolsfeld (German, 1794 - 1872); Germany; 1842; Black ink; 21.7 x 26.1 cm (8 9, 16 x 10 1, 4 in.)

Elijah Widow Zarephath 1525 North Netherlands
Elijah and the Widow of Zarephath, c. 1525. North Netherlands, 16th century. Pot-metal and white glass, and silver stain; overall: 70.6 x 50.2 cm (27 13/16 x 19 3/4 in.)

A Hindu Widow Committing Sati, Jumping Into The Flames To Join The Remains Of Her Husband. From A 19Th Century Engraving

Motherless. A Widowed Father Comforts His Motherless Child. After A Painting By Sir Luke Fildes. From King AlbertAśS Book, Published 1915

AllAśS Well That Ends Well. Act V. Scene Iii. Rousillon The CountAśS Palace. King, Countess Lafeu, Bertram, Helena, Diana, Lords, Attendants And Widow

Schooling Hawaiian Sargeant (Abudefduf Abdominalis) Off The Kona Coast; Island Of Hawaii, Hawaii, United States Of America

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"Widow: A Tapestry of Strength, Resilience, and Legacy" In the annals of history, the word "widow" resonates with tales of remarkable women who defied expectations and forged their own destinies. From Mary, Queen of Scots, whose widowhood became a symbol of defiance against political turmoil, to St. Augustine's mother St. Monica, whose unwavering faith guided her son towards greatness in 4th-century Africa. The image shifts to an oil painting from 1855 depicting a female figure donning a hobble skirt - an emblematic representation of widows' fashion during that era. The Tatler front cover showcases Mrs La Touche Congreve cradling her baby daughter; a poignant reminder that even in times of loss, love endures. Madeleine Force Astor emerges next as she navigated life as the second wife and widow of John Jacob Astor IV during the early 20th century. Her story intertwines with Lily Elsie's enchanting presence on stage – both women embodying strength amidst adversity. Queen Victoria graces our narrative too; her widowhood immortalized through Rev's pen and pencil drawings capturing London Pictures. And let us not forget Franz Lehar's haunting melodies echoing through time – his composition serving as solace for many grieving souls. Yet it is Dorothea Lange's iconic photograph "Migrant Mother" that encapsulates the indomitable spirit within every widow - resilience etched upon faces weathered by hardship during America's Great Depression. Returning to history’s embrace once more, we witness Elizabeth Woodville meeting King Edward IV for the first time – their union transcending societal norms while shaping England’s future. Finally, we find ourselves standing on Chancery Lane Underground Station platform alongside countless widows throughout generations who have faced life head-on despite unimaginable loss – each step forward becoming part of their legacy.