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Widow Collection (page 3)

"Widow: A Tapestry of Strength, Resilience, and Legacy" In the annals of history

Background imageWidow Collection: 'Grief' - painted by Schlessenger, 1857. Creator: Schlessenger. 'Grief' - painted by Schlessenger

"Grief" - painted by Schlessenger, 1857. Creator: Schlessenger. "Grief" - painted by Schlessenger
"Grief" - painted by Schlessenger, 1857. There's good in tears, or they had not been sent By Him who is all good

Background imageWidow Collection: L'hiver au pays du charbon; L'Iiustration du 11 janvier 1919, 1919. Creator: Lucien Jonas

L'hiver au pays du charbon; L'Iiustration du 11 janvier 1919, 1919. Creator: Lucien Jonas
L'hiver au pays du charbon; L'Iiustration du 11 janvier 1919, 1919. From "L'Album de la Guerre 1914-1919, Volume 2" [L'Illustration, Paris, 1924]

Background imageWidow Collection: La part de la douleur; au soir du 'jour de Gloire': le pelerinage pieux des peres... 1919

La part de la douleur; au soir du "jour de Gloire": le pelerinage pieux des peres... 1919. Creator: J Simont
La part de la douleur; au soir du "jour de Gloire": le pelerinage pieux des peres et des meres, des veuves et des orphelins apportant des fleurs sur les degres du cenotaphe eleve a la

Background imageWidow Collection: Portrait of Sara de Haan, Widow of the Amsterdam Underwriter Cornelis Hartsen, 1820-1832

Portrait of Sara de Haan, Widow of the Amsterdam Underwriter Cornelis Hartsen, 1820-1832. Creator: Jan Willem Pieneman
Portrait of Sara de Haan, Widow of the Amsterdam Underwriter Cornelis Hartsen, 1820-1832

Background imageWidow Collection: Portrait of a Woman, c.1650. Creator: Jan van Bijlert

Portrait of a Woman, c.1650. Creator: Jan van Bijlert
Portrait of a Woman, c.1650

Background imageWidow Collection: Jeanette Antoinette Pietermaat (1818-1870), wife of Pieter Mijer, 1876. Creator: Jan Hendrik Neuman

Jeanette Antoinette Pietermaat (1818-1870), wife of Pieter Mijer, 1876. Creator: Jan Hendrik Neuman
Jeanette Antoinette Pietermaat (1818-1870), wife of Pieter Mijer, (Governor-General of the Dutch East Indies), 1876

Background imageWidow Collection: The widow, 1850-1906. Creator: Alfred Stevens

The widow, 1850-1906. Creator: Alfred Stevens
The widow, 1850-1906

Background imageWidow Collection: The Widow of a Painter, 1870. Creator: Kate Bisschop-Swift

The Widow of a Painter, 1870. Creator: Kate Bisschop-Swift
The Widow of a Painter, 1870

Background imageWidow Collection: Widow of Bagge the brandy distiller, 1760-1802. Creator: Jens Juel

Widow of Bagge the brandy distiller, 1760-1802. Creator: Jens Juel
Widow of Bagge the brandy distiller, 1760-1802

Background imageWidow Collection: Brechje Hooft (1640-1721). Widow of Harmen van de Poll, c.1700-c.1729. Creator: Arnold Boonen

Brechje Hooft (1640-1721). Widow of Harmen van de Poll, c.1700-c.1729. Creator: Arnold Boonen
Brechje Hooft (1640-1721). Widow of Harmen van de Poll, c.1700-c.1729. Attributed to Arnold Boonen

Background imageWidow Collection: The Egyptian Widow, 1872. Creator: Sir Lawrence Alma-Tadema

The Egyptian Widow, 1872. Creator: Sir Lawrence Alma-Tadema
The Egyptian Widow, 1872

Background imageWidow Collection: The Prophet Elijah with the Widow of Zarephath and her Son, 1650-1672. Creator: Abraham Van Dyck

The Prophet Elijah with the Widow of Zarephath and her Son, 1650-1672. Creator: Abraham Van Dyck
The Prophet Elijah with the Widow of Zarephath and her Son, 1650-1672. Earlier ascribed to Barent Fabritius (1624-1673), Carel Fabritius (1622-1654) and Nicolaes Maes (1634-1693)

Background imageWidow Collection: Portrait of an Old Lady, Possibly Elisabeth Bas, c.1640-c.1645. Creator: Ferdinand Bol

Portrait of an Old Lady, Possibly Elisabeth Bas, c.1640-c.1645. Creator: Ferdinand Bol
Portrait of an Old Lady, Possibly Elisabeth Bas, c.1640-c.1645. Other Title(s): Portrait of an Old Lady, possibly Elisabeth Jacobsdr Bas (1571-1649), Elisabeth Jacobsdr Bas (1571-1649)

Background imageWidow Collection: Portrait of Maria Louisa van Hessen-Kassel, called Maaike-Meu, c.1720-c.1756

Portrait of Maria Louisa van Hessen-Kassel, called Maaike-Meu, c.1720-c.1756. Creator: Johann Philipp Behr
Portrait of Maria Louisa van Hessen-Kassel, called Maaike-Meu. Widow of the Stadtholder of Friesland John Willem Friso, Prince of Orange-Nassau, c.1720-c.1756

Background imageWidow Collection: Allegory on the Memory of Frederik Hendrik (1584-1647), Prince of Orange, with the Portrait

Allegory on the Memory of Frederik Hendrik (1584-1647), Prince of Orange, with the Portrait of his Widow Amalia van Solms, 1654

Background imageWidow Collection: Mrs Lindam, née Goos, widow of supercargo [?] Lindam in the East Indies, 1839

Mrs Lindam, née Goos, widow of supercargo [?] Lindam in the East Indies, 1839. Creator: Johan Vilhelm Gertner
Mrs Lindam, nee Goos, widow of supercargo [?] Lindam in the East Indies, 1839

Background imageWidow Collection: Mrs A.J. Zubli-Maschhaupt, 1887. Creator: Pieter de Josselin de Jong

Mrs A.J. Zubli-Maschhaupt, 1887. Creator: Pieter de Josselin de Jong
Mrs A.J. Zubli-Maschhaupt, 1887. Portrait of Geertruijda Zubli-Maschhaupt

Background imageWidow Collection: Pyrrhus and Andromache before Hector's Tomb, 1807-1811. Creator: Johan Ludvig Gebhard Lund

Pyrrhus and Andromache before Hector's Tomb, 1807-1811. Creator: Johan Ludvig Gebhard Lund
Pyrrhus and Andromache before Hector's Tomb, 1807-1811. Andromache grieves for her husband as the city of Thebe Hypoplakia is burned by the Greeks

Background imageWidow Collection: Andromache in Despair at the Sight of Hector's Body, 1803-1804. Creator: Johan Ludvig Gebhard Lund

Andromache in Despair at the Sight of Hector's Body, 1803-1804. Creator: Johan Ludvig Gebhard Lund
Andromache in Despair at the Sight of Hector's Body, 1803-1804. Andromache collapses at the news of her husband's death

Background imageWidow Collection: The Mourning Widow, c.1860-c.1865. Creator: Diederik Franciscus Jamin

The Mourning Widow, c.1860-c.1865. Creator: Diederik Franciscus Jamin
The Mourning Widow, c.1860-c.1865

Background imageWidow Collection: Mary Stuart, Princess of Orange, as Widow of William II, 1652. Creator: Bartholomeus van der Helst

Mary Stuart, Princess of Orange, as Widow of William II, 1652. Creator: Bartholomeus van der Helst
Mary Stuart, Princess of Orange, as Widow of William II, 1652. Other Title(s): Portrait of Princess Mary Stuart (1631-1660), Widow of Willem II, Prince of Orange

Background imageWidow Collection: Alone in the World, 1878. Creator: Jozef Israels

Alone in the World, 1878. Creator: Jozef Israels
Alone in the World, 1878. Woman weeping next to dead body

Background imageWidow Collection: Churchyard at Flong, 1904. Creator: Laurits Andersen Ring

Churchyard at Flong, 1904. Creator: Laurits Andersen Ring
Churchyard at Flong, 1904

Background imageWidow Collection: Travel views of Europe, between 1904 and 1938. Creator: Arnold Genthe

Travel views of Europe, between 1904 and 1938. Creator: Arnold Genthe
Travel views of Europe, between 1904 and 1938

Background imageWidow Collection: Her Majesty the Widow 4, Syracuse, NY, 1936. Creator: Unknown

Her Majesty the Widow 4, Syracuse, NY, 1936. Creator: Unknown
Her Majesty the Widow 4, Syracuse, NY, 1936. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935

Background imageWidow Collection: Her Majesty the Widow 3, Syracuse, NY, 1936. Creator: Unknown

Her Majesty the Widow 3, Syracuse, NY, 1936. Creator: Unknown
Her Majesty the Widow 3, Syracuse, NY, 1936. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935

Background imageWidow Collection: Her Majesty the Widow 2, Syracuse, NY, 1936. Creator: Unknown

Her Majesty the Widow 2, Syracuse, NY, 1936. Creator: Unknown
Her Majesty the Widow 2, Syracuse, NY, 1936. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935

Background imageWidow Collection: Her Majesty the Widow 1, Syracuse, NY, 1936. Creator: Unknown

Her Majesty the Widow 1, Syracuse, NY, 1936. Creator: Unknown
Her Majesty the Widow 1, Syracuse, NY, 1936. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935

Background imageWidow Collection: Her Majesty the Widow, Syracuse, NY, 1936. Creator: Unknown

Her Majesty the Widow, Syracuse, NY, 1936. Creator: Unknown
Her Majesty the Widow, Syracuse, NY, 1936. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers

Background imageWidow Collection: The Merry Widow, Pasadena, CA, [193-]. Creator: Unknown

The Merry Widow, Pasadena, CA, [193-]. Creator: Unknown
The Merry Widow, Pasadena, CA, [193-]. "The Merry Widow"...Pasadena Civic Auditorium...Federal Music Project - Works Progress Administration - Sponsored by United Service Clubs of

Background imageWidow Collection: La veuve du maître de chapelle, 1859. Creator: Alexandre Cabanel

La veuve du maître de chapelle, 1859. Creator: Alexandre Cabanel
La veuve du maitre de chapelle, 1859. The widow of the chapel master

Background imageWidow Collection: Second Day, Second Story: Rinaldo d'Asti and the Widow, c. 1757. Creator: Hubert Francois Gravelot

Second Day, Second Story: Rinaldo d'Asti and the Widow, c. 1757. Creator: Hubert Francois Gravelot
Second Day, Second Story: Rinaldo d'Asti and the Widow, c. 1757

Background imageWidow Collection: The Prophet Elijah with the Widow of Zarephath, 1604. Creator: Jan Saenredam

The Prophet Elijah with the Widow of Zarephath, 1604. Creator: Jan Saenredam
The Prophet Elijah with the Widow of Zarephath, 1604

Background imageWidow Collection: The Merry Widow, Long Beach, CA, [193-]. Creator: Unknown

The Merry Widow, Long Beach, CA, [193-]. Creator: Unknown
The Merry Widow, Long Beach, CA, [193-]. "The Merry Widow"...Municipal Auditorium Long Beach - Sponsored by Arthur L

Background imageWidow Collection: ''Alone' after Walter Langley, R.I. 'Borne on the swift though silent wings of time Old age comes o

'"Alone" after Walter Langley, R.I. "Borne on the swift though silent wings of time Old age comes on apace", 1890. From "The Graphic

Background imageWidow Collection: Portrait de la Reine Marie-Amélie en deuil, c1857. Creator: Workshop of Ary Scheffer

Portrait de la Reine Marie-Amélie en deuil, c1857. Creator: Workshop of Ary Scheffer
Portrait de la Reine Marie-Amelie en deuil, c1857

Background imageWidow Collection: A Soldier's Widow, 1815/1820. Creator: Thomas Rowlandson

A Soldier's Widow, 1815/1820. Creator: Thomas Rowlandson
A Soldier's Widow, 1815/1820

Background imageWidow Collection: Piety - Love - Sorrow, 1854. Creator: Unknown

Piety - Love - Sorrow, 1854. Creator: Unknown
Piety - Love - Sorrow, 1854. Pressing with reverend foot the hallowed sod, Thou tread'st the earth even as the sages trod, In the old favoured days, who walked with God

Background imageWidow Collection: Reunion of the Barre family in an interior, 1772. Creator: Marius-Pierre Lemazurier

Reunion of the Barre family in an interior, 1772. Creator: Marius-Pierre Lemazurier
Reunion of the Barre family in an interior, 1772

Background imageWidow Collection: 'Lady de Soysa, widow of the late CH de Soysa, 1891. Creator: Unknown

'Lady de Soysa, widow of the late CH de Soysa, 1891. Creator: Unknown
'Lady de Soysa, widow of the late CH de Soysa, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

Background imageWidow Collection: Her Majesty The Queen, c1897. Creator: Unknown

Her Majesty The Queen, c1897. Creator: Unknown
Her Majesty The Queen, c1897. Portrait of Queen Victoria in later years, wearing coronet and lace veil, engraving after a photograph

Background imageWidow Collection: Marie-Antoinette (1755-1793) at the temple, c1793. Creator: Unknown

Marie-Antoinette (1755-1793) at the temple, c1793. Creator: Unknown
Marie-Antoinette (1755-1793) at the temple, c1793

Background imageWidow Collection: Portrait of Queen Marie-Amelie in mourning, 1857. Creator: Ary Scheffer

Portrait of Queen Marie-Amelie in mourning, 1857. Creator: Ary Scheffer
Portrait of Queen Marie-Amelie in mourning, 1857

Background imageWidow Collection: Portrait of Marie-Antoinette at the temple, c1793. Creator: Anne Flore Millet

Portrait of Marie-Antoinette at the temple, c1793. Creator: Anne Flore Millet
Portrait of Marie-Antoinette at the temple, c1793

Background imageWidow Collection: The Asahiya Widow, from the series “Renowned Beauties Likened to the Six Immortal... c. 1795/96

The Asahiya Widow, from the series “Renowned Beauties Likened to the Six Immortal... c. 1795/96
The Asahiya Widow, from the series "Renowned Beauties Likened to the Six Immortal Poets" ("Komei bijin rokkasen"), Japan, c. 1795/96

Background imageWidow Collection: Profile portrait of the widow Ristin Menlös b. Pantsi, 44 years old, Tuorpon Sami village, 1868

Profile portrait of the widow Ristin Menlös b. Pantsi, 44 years old, Tuorpon Sami village, 1868
Profile portrait of the widow Ristin Menlos b. Pantsi, 44 years old, Tuorpon Sami village, 1868. From Lotten von Duben's photo album with motifs from the ethnological expedition to Lapland led by

Background imageWidow Collection: A Yurok widow, c1923. Creator: Edward Sheriff Curtis

A Yurok widow, c1923. Creator: Edward Sheriff Curtis
A Yurok widow, c1923. Yurok woman, head-and-shoulders portrait, facing front

Background imageWidow Collection: The International Exhibition: 'The Auction - Last Day of the Sale', by G.B. O'Neil, 1862. Creator: E

The International Exhibition: "The Auction - Last Day of the Sale", by G.B. O'Neil, 1862. Creator: E
The International Exhibition: "The Auction - Last Day of the Sale", by G.B. O'Neil, 1862. Auction after a clergyman's death....the aged partner and his comely daughter



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"Widow: A Tapestry of Strength, Resilience, and Legacy" In the annals of history, the word "widow" resonates with tales of remarkable women who defied expectations and forged their own destinies. From Mary, Queen of Scots, whose widowhood became a symbol of defiance against political turmoil, to St. Augustine's mother St. Monica, whose unwavering faith guided her son towards greatness in 4th-century Africa. The image shifts to an oil painting from 1855 depicting a female figure donning a hobble skirt - an emblematic representation of widows' fashion during that era. The Tatler front cover showcases Mrs La Touche Congreve cradling her baby daughter; a poignant reminder that even in times of loss, love endures. Madeleine Force Astor emerges next as she navigated life as the second wife and widow of John Jacob Astor IV during the early 20th century. Her story intertwines with Lily Elsie's enchanting presence on stage – both women embodying strength amidst adversity. Queen Victoria graces our narrative too; her widowhood immortalized through Rev's pen and pencil drawings capturing London Pictures. And let us not forget Franz Lehar's haunting melodies echoing through time – his composition serving as solace for many grieving souls. Yet it is Dorothea Lange's iconic photograph "Migrant Mother" that encapsulates the indomitable spirit within every widow - resilience etched upon faces weathered by hardship during America's Great Depression. Returning to history’s embrace once more, we witness Elizabeth Woodville meeting King Edward IV for the first time – their union transcending societal norms while shaping England’s future. Finally, we find ourselves standing on Chancery Lane Underground Station platform alongside countless widows throughout generations who have faced life head-on despite unimaginable loss – each step forward becoming part of their legacy.