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Without People Collection

In a world without people, nature's beauty takes center stage

Background imageWithout People Collection: Snowdrop, Galanthus nivalis. Handcoloured copperplate engraving after an illustration by James

Snowdrop, Galanthus nivalis. Handcoloured copperplate engraving after an illustration by James Sowerby from James
FLO4697248 Snowdrop, Galanthus nivalis. Handcoloured copperplate engraving after an illustration by James Sowerby from James Smith's English Botany, London, 1791

Background imageWithout People Collection: White flowers and green tea leaves, Thea bohea, Camellia sinensis

White flowers and green tea leaves, Thea bohea, Camellia sinensis
5856743 White flowers and green tea leaves, Thea bohea, Camellia sinensis by Sowerby, James (1757-1822); (add.info.: White flowers and green tea leaves, Thea bohea, Camellia sinensis)

Background imageWithout People Collection: Vast golden wheat field

Vast golden wheat field
Golden wheat field on farmland on a sunny day under a blue sky with a lone oak tree along a country road; Washington, United States of America

Background imageWithout People Collection: Harvest moon reflected in water

Harvest moon reflected in water
Glowing harvest moon rests on the horizon and reflects in tranquil water; South Shields, Tyne and Wear, England

Background imageWithout People Collection: Grizzly Bear and Mount Denali (McKinley), Denali National Park and Preserve, Alaska, USA

Grizzly Bear and Mount Denali (McKinley), Denali National Park and Preserve, Alaska, USA
Grizzly bear (Ursus arctos horribilis) taking a stroll on autumn coloured tundra with a view of Mount Denali (McKinley), Denali National Park and Preserve, Interior Alaska; Alaska

Background imageWithout People Collection: A view along Woolacombe Beach from Mortehoe, near Barnstaple, Devon

A view along Woolacombe Beach from Mortehoe, near Barnstaple, Devon, Great Britain; Southwest England, Great Britain, United Kingdom

Background imageWithout People Collection: Eurasian lynx in snow, Bavarian Forest National Park, Bavaria, Germany

Eurasian lynx in snow, Bavarian Forest National Park, Bavaria, Germany
Eurasian lynx (Lynx lynx) in a forest in winter, Bavarian Forest National Park; Bavaria, Germany

Background imageWithout People Collection: Daisy Nook, 1886 (watercolour on paper)

Daisy Nook, 1886 (watercolour on paper)
8615140 Daisy Nook, 1886 (watercolour on paper) by Jackson, Frederick William (1859-1918); 26.5x20.5 cm; Gallery Oldham, UK; (add.info.: By Fred Jackson (1859-1918)); Oldham Collection

Background imageWithout People Collection: Casino, Monte Carlo, c.1890-1900 (photochrom print)

Casino, Monte Carlo, c.1890-1900 (photochrom print)
8677944 Casino, Monte Carlo, c.1890-1900 (photochrom print) by Detroit Photographic Co. (fl.1898-1900); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Interior view of the casino at Monte Carlo)

Background imageWithout People Collection: Saftar Jung Tomb, Delhi, c. 1890s (platinum print)

Saftar Jung Tomb, Delhi, c. 1890s (platinum print)
XOS5884084 Saftar Jung Tomb, Delhi, c. 1890s (platinum print) by Plate, Ltd. Ceylon (fl.1900-20); 22.8x27.4 cm; Cleveland Museum of Art, OH, USA; (add.info.: By A. W. A)

Background imageWithout People Collection: Flowers, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)

Flowers, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu)
5859842 Flowers, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu), c.1814 (colour woodblock print (album sheet)) by Hokusai

Background imageWithout People Collection: Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot)

Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot)
XOS5885321 Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot) by Turkish School, (17th century); 172.1x104.1 cm; Cleveland Museum of Art, OH

Background imageWithout People Collection: Animal Studies: Two Silver Herons, 1898 (embossed lithograph)

Animal Studies: Two Silver Herons, 1898 (embossed lithograph)
XOS5884538 Animal Studies: Two Silver Herons, 1898 (embossed lithograph) by Hoytema, Theo van (1863-1917); 70.1x47.4 cm; Cleveland Museum of Art, OH, USA; (add.info.: Lithograph by Theo van Hoytema)

Background imageWithout People Collection: Skyphos, c.1100-800 BC (ceramic)

Skyphos, c.1100-800 BC (ceramic)
1068511 Skyphos, c.1100-800 BC (ceramic) by Greek School; 8.6518923038x16.8275336551x0 cm; Dallas Museum of Art, Texas, USA; (add.info.: Greek, Early Geometric period); Gift of Mr. and Mrs. Henry X

Background imageWithout People Collection: Stirrup-Spout Vessel: Shrine Scene, 150-300 AD (ceramic)

Stirrup-Spout Vessel: Shrine Scene, 150-300 AD (ceramic)
1068448 Stirrup-Spout Vessel: Shrine Scene, 150-300 AD (ceramic) by Moche; 16.04x11.59x18.73 cm; Dallas Museum of Art, Texas, USA; (add.info.: Moche culture); The Nora and John Wise Collection

Background imageWithout People Collection: Spouted Vessel with Tubular Handle: Macaw Effigy, 300-100 BC (ceramic)

Spouted Vessel with Tubular Handle: Macaw Effigy, 300-100 BC (ceramic)
1068487 Spouted Vessel with Tubular Handle: Macaw Effigy, 300-100 BC (ceramic) by Pre-Columbian; 14.92x9.21x22.7 cm; Dallas Museum of Art, Texas

Background imageWithout People Collection: Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint)

Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint)
1068455 Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint) by Incan; 19.69 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageWithout People Collection: Old Oldham Church, 1924 (oil on canvas)

Old Oldham Church, 1924 (oil on canvas)
8615148 Old Oldham Church, 1924 (oil on canvas) by Jackson, Frederick William (1859-1918); 38.5x46 cm; Gallery Oldham, UK; (add.info.: By Frederick J. Stubbs (1878-1932)); Oldham Collection

Background imageWithout People Collection: Still Life with Fruit, 1873 (oil on fabric)

Still Life with Fruit, 1873 (oil on fabric)
XOS5885364 Still Life with Fruit, 1873 (oil on fabric) by Preyer, Emilie (1849-1930); 35x46.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Emilie Preyer)

Background imageWithout People Collection: Oil Lamp, 1880 (copper )

Oil Lamp, 1880 (copper )
XOS5884609 Oil Lamp, 1880 (copper ) by Gorham Manufacturing Company; 6.7x12.4 cm; Cleveland Museum of Art, OH, USA; (add.info.: Gorham Manufacturing Company (American, founded 1831))

Background imageWithout People Collection: Theatre of Ostrava (formerly Mahr Ostrau) in Czechoslovakia end of 19th century beg of 20th

Theatre of Ostrava (formerly Mahr Ostrau) in Czechoslovakia end of 19th century beg of 20th century (postcard)
3793911 Theatre of Ostrava (formerly Mahr Ostrau) in Czechoslovakia end of 19th century beg of 20th century (postcard); (add.info.: Ostrava (formerly Mahr)

Background imageWithout People Collection: Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint)

Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint)
1068462 Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint) by Incan; 14.76x6.67x13.34 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageWithout People Collection: Vessel, Dbl-Sp Str-Hdl (Deity Figure), 200 (ceramic)

Vessel, Dbl-Sp Str-Hdl (Deity Figure), 200 (ceramic)
1068452 Vessel, Dbl-Sp Str-Hdl (Deity Figure), 200 (ceramic) by Nazca Culture; 20.4800609601xx cm; Dallas Museum of Art, Texas

Background imageWithout People Collection: Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber)

Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber)
1068377 Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber) by South American School; 190.5x154.94x cm; Dallas Museum of Art, Texas

Background imageWithout People Collection: Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint)

Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint)
1068356 Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint) by Incan; 20.8x16.67x18.49 cm; Dallas Museum of Art, Texas

Background imageWithout People Collection: Secession Building in Jugendtstil style, Vienna, Austria (photo)

Secession Building in Jugendtstil style, Vienna, Austria (photo)
UIG5416214 Secession Building in Jugendtstil style, Vienna, Austria (photo) by Olbrich, Joseph Maria (1867-1908); (add.info.: Exhibition hall built in 1897 for the artists of the Secession)

Background imageWithout People Collection: Hall of Mirrors in versailles, 1910 (photo)

Hall of Mirrors in versailles, 1910 (photo)
2910429 Hall of Mirrors in versailles, 1910 (photo) by Le Brun, Charles (1619-90) & Le Vau, Louis (1612-70); (add.info.: Hall of Mirrors, Versailles, France 1910.); Universal History Archive/UIG

Background imageWithout People Collection: Vase, c.1910 (enamel, silver mounts, plique-a-jour, cloisonne)

Vase, c.1910 (enamel, silver mounts, plique-a-jour, cloisonne)
1070753 Vase, c.1910 (enamel, silver mounts, plique-a-jour, cloisonne) by Japanese School, (20th century); 24.4475xx cm; Dallas Museum of Art, Texas

Background imageWithout People Collection: Map of Manhattan, 1895 (print)

Map of Manhattan, 1895 (print)
8610705 Map of Manhattan, 1895 (print); New York Public Library, USA; (add.info.: Published by Sanborn Map Company. Map bounded by W. 4th St. Greene St. W. Houston St. Hancock St. Minetta St)

Background imageWithout People Collection: Secession Building in Jugendtstil style, Vienna, Austria (photo)

Secession Building in Jugendtstil style, Vienna, Austria (photo)
UIG5416215 Secession Building in Jugendtstil style, Vienna, Austria (photo) by Olbrich, Joseph Maria (1867-1908); (add.info.: Exhibition hall built in 1897 for the artists of the Secession)

Background imageWithout People Collection: Chew Valley, Greenfield, 1897 (oil on canvas)

Chew Valley, Greenfield, 1897 (oil on canvas)
8615154 Chew Valley, Greenfield, 1897 (oil on canvas) by Wimpenny, George (1857-1939); 29x19 cm; Gallery Oldham, UK; (add.info.: By George Wimpenny (1857-1939)); Oldham Collection

Background imageWithout People Collection: Summer Garden, undated (oil on canvas)

Summer Garden, undated (oil on canvas)
8615146 Summer Garden, undated (oil on canvas) by Wimpenny, George (1857-1939); 34x24 cm; Gallery Oldham, UK; (add.info.: By George Wimpenny (1857-1939)); Oldham Collection

Background imageWithout People Collection: Still-Life with Monkey Mask, 1824 (colour woodblock print with metallic pigments; surimono)

Still-Life with Monkey Mask, 1824 (colour woodblock print with metallic pigments; surimono shikishiban)
5859826 Still-Life with Monkey Mask, 1824 (colour woodblock print with metallic pigments; surimono shikishiban) by Hokkei

Background imageWithout People Collection: Pedestal Kero with musicians, 1630-1780 (wood, lacquer-like paint)

Pedestal Kero with musicians, 1630-1780 (wood, lacquer-like paint)
1068463 Pedestal Kero with musicians, 1630-1780 (wood, lacquer-like paint) by Incan; 17.78x10.64x21.43 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageWithout People Collection: Kero with agricultural ceremony scene, mid 17th-late 18th century (wood, copper & paint)

Kero with agricultural ceremony scene, mid 17th-late 18th century (wood, copper & paint)
1068461 Kero with agricultural ceremony scene, mid 17th-late 18th century (wood, copper & paint) by Incan; 20.64 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageWithout People Collection: Kero with Formal Style Scene, mid 17th century (wood, lacquer-like paint)

Kero with Formal Style Scene, mid 17th century (wood, lacquer-like paint)
1068460 Kero with Formal Style Scene, mid 17th century (wood, lacquer-like paint) by Incan; 19.05 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageWithout People Collection: Kero: Feline Head, late 17th-early 18th century (wood, laquer-like paint & metal)

Kero: Feline Head, late 17th-early 18th century (wood, laquer-like paint & metal)
1068357 Kero: Feline Head, late 17th-early 18th century (wood, laquer-like paint & metal) by Incan; 23.81x19.21x20.95 cm; Dallas Museum of Art, Texas

Background imageWithout People Collection: A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris, c

A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris, c
XOS5884340 A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris, c. 1850 (w/c with scratch-away, heightened with white) by Turner

Background imageWithout People Collection: The Sphinx, c. 1853 (salted paper print from waxed paper negative)

The Sphinx, c. 1853 (salted paper print from waxed paper negative)
XOS5884172 The Sphinx, c. 1853 (salted paper print from waxed paper negative) by Greene, John Beasley (1832-56); 23.2x29.6 cm; Cleveland Museum of Art, OH

Background imageWithout People Collection: Maternal Solicitude, 1873 (oil on wood)

Maternal Solicitude, 1873 (oil on wood)
XOS5885365 Maternal Solicitude, 1873 (oil on wood) by Tait, Arthur Fitzwilliam (1819-1905); 49.5x61 cm; Cleveland Museum of Art, OH

Background imageWithout People Collection: Autumn in the Catskills, 1873 (oil on canvas)

Autumn in the Catskills, 1873 (oil on canvas)
XOS5885360 Autumn in the Catskills, 1873 (oil on canvas) by McEntee, Jervis (1828-91); 61x51.4 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Jervis McEntee)

Background imageWithout People Collection: Autumn, a Wood Path, 1876 (oil on canvas)

Autumn, a Wood Path, 1876 (oil on canvas)
XOS5885341 Autumn, a Wood Path, 1876 (oil on canvas) by Gifford, Sanford Robinson (1823-80); 38x31.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Sanford Robinson Gifford)

Background imageWithout People Collection: Snuff Box, 1800-1815 (striated agate in gold and enamel mounts)

Snuff Box, 1800-1815 (striated agate in gold and enamel mounts)
XOS5884100 Snuff Box, 1800-1815 (striated agate in gold and enamel mounts) by Russian School (19th century); Cleveland Museum of Art, OH, USA; (add.info.: Russia, early 19th century)

Background imageWithout People Collection: Pedestal Kero, 1630-1780 (wood, lacquer-like paint)

Pedestal Kero, 1630-1780 (wood, lacquer-like paint)
1068464 Pedestal Kero, 1630-1780 (wood, lacquer-like paint) by Incan; 10 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageWithout People Collection: Kero with fautastic birds adn dragon motifs, mid 17th-late 18th century (wood, lacquer-like paint)

Kero with fautastic birds adn dragon motifs, mid 17th-late 18th century (wood, lacquer-like paint)
1068459 Kero with fautastic birds adn dragon motifs, mid 17th-late 18th century (wood, lacquer-like paint) by Incan; 16.67 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageWithout People Collection: Kero with palm trees and flowers, mid 17th-late 18th century (wood, lacquer-like paint)

Kero with palm trees and flowers, mid 17th-late 18th century (wood, lacquer-like paint)
1068456 Kero with palm trees and flowers, mid 17th-late 18th century (wood, lacquer-like paint) by Incan; 17.31 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageWithout People Collection: Kero, late 16th-mid 18th century (wood, metal & paint)

Kero, late 16th-mid 18th century (wood, metal & paint)
1068454 Kero, late 16th-mid 18th century (wood, metal & paint) by Incan; 15.4 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageWithout People Collection: Kero with geometric design, 1435-1600 (ceramic, slips)

Kero with geometric design, 1435-1600 (ceramic, slips)
1068453 Kero with geometric design, 1435-1600 (ceramic, slips) by Incan; 11.27 cm; Dallas Museum of Art, Texas, USA; (add.info.: Late Horizon, Inca period); The Nora and John Wise Collection



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In a world without people, nature's beauty takes center stage. The harvest moon casts its enchanting glow upon the still waters, creating a mesmerizing reflection that seems to hold secrets of the universe. In Denali National Park and Preserve, Alaska, Mount Denali proudly stands tall as a grizzly bear roams freely beneath its majestic peak. The tranquility is further enhanced by delicate white flowers and green tea leaves gently swaying in the breeze, reminding us of the simple pleasures found in Camellia sinensis. Across the Atlantic Ocean, Woolacombe Beach stretches out before us like an untouched paradise. From Mortehoe near Barnstaple in Devon, Great Britain, we witness this breathtaking view where land meets sea in perfect harmony. As we venture into Bavarian Forest National Park in Germany during winter's embrace, an elusive Eurasian lynx gracefully treads through pristine snow-covered landscapes. Stepping away from natural wonders and into human creations reveals artifacts that tell stories of cultures past. An Africanist curule stool crafted with beech wood transports us back to the 1920s when craftsmanship was revered for its elegance and functionality. A gold ring adorned with a cameo whispers tales from ancient civilizations dating back to the 3rd century B. C. , showcasing timeless beauty created by skilled hands. As we delve deeper into history's mysteries, an initiation crown adorned with skulls captivates our imagination with its intricate design made of gilt paint and leather from centuries ago. Moving on to artistry captured on paper brings forth vivid imagery - a rabbit basking under a full moon evokes whimsy while Kingfisher birds dance amidst vibrant irises painted delicately using color woodcut techniques. The wild side is not forgotten as we encounter a roaring tiger immortalized through another stunning color woodcut piece; it reminds us of both their power and vulnerability within our shared ecosystem. Finally, abstract-futurist composition invites us to explore the boundaries of creativity, as a c.