Wounds Collection

Portraits of Officers and Newspaper Correspondents killed in the Recent Battles in the Soudan (engraving)
1044820 Portraits of Officers and Newspaper Correspondents killed in the Recent Battles in the Soudan (engraving) by English School

Saint Teresa of Avila
SAINT TERESA OF AVILA (upper left) she narrates her vision to her confessor; (lower left) she dies; (right) an angel wounds her heart with divine fire

The Death of Ellen Bright at Wombwells Menagerie, 1850
Engraving showing Ellen Bright (1832-1850), a Lion Queen animal trainer, being attacked by a tiger during the course of a performance at Wombwells Menagerie, Chatham, January 1850

WW1 / 1915 / AIR / COURTRAI
Rhodes-Moorhouse bombs the railway at Courtrai, wins the Victoria Cross but dies of his wounds. Date: 26 April 1915

Death of Richard I
Richard I, dying of his wounds during a minor engagement in France, pardons Bertrand, the archer who shot him

The first of the wounded during WWI, seen here at the French port of Le Havre
3502690 The first of the wounded during WWI, seen here at the French port of Le Havre, being invalided for wounds back to Britain, from The Pageant of the Century

Descent from the Cross, between circa 1520 and circa 1527. Creators: Ugo da Carpi, Raphael
Descent from the Cross, between circa 1520 and circa 1527

The Incredulity of Thomas, c.1622. Creator: Hendrick ter Brugghen
The Incredulity of Thomas, c.1622

St Sebastian Nursed by Irene and her Helpers, 1630-1638. Creator: Jacques Blanchard
St Sebastian Nursed by Irene and her Helpers, 1630-1638

The Incredulity of St Thomas, c.1626-c.1630. Creator: Wouter Crabeth II
The Incredulity of St Thomas, c.1626-c.1630. Other Title(s): Doubting Thomas

The Entombment, 1504. Creator: Albrecht Durer
The Entombment, 1504

Christ Appearing to Saint Thomas, 1460/1480. Creator: Master of the Borders with the Four Fathers of the Church
Christ Appearing to Saint Thomas, 1460/1480

The Man of Sorrows and Mater Dolorosa, 1512. Creator: Wolf Traut
The Man of Sorrows and Mater Dolorosa, 1512

Christ in the Wine Press, 16th century. Creator: Unknown
Christ in the Wine Press, 16th century

Saint Sebastian, 1500/10. Creator: Nicoletto da Modena
Saint Sebastian, 1500/10

The Man of Sorrows, c.1475. Creator: Unknown
The Man of Sorrows, c.1475

Christ in the House of His Parents - painted by J. E. Millais, 1850. Creator: Unknown
Christ in the House of His Parents - painted by J. E. Millais, 1850. Exhibition at the Royal Academy in London. The child Jesus shows the stigmata, presaging his crucifixion:..a picture painted

The Mutilation of Uranus by Saturn (fresco)
1072843 The Mutilation of Uranus by Saturn (fresco) by Vasari, Giorgio (1511-74); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo eRaffaello Bencini; Italian, out of copyright

He bound up his wounds, pouring in oil and wine, c1830s. Creator: GH Adcock
He bound up his wounds, pouring in oil and wine, c1830s. Biblical scene, from Luke 10: 34: And went to him, and bound up his wounds, pouring in oil and wine, and set him on his own beast

Diomedes, assisted by Minerva, wounds Mars by Tegeo
Rafael Tegeo (1798-1856). Spanish painter. Diomedes, assisted by Minerva, wounds Mars, 1831. Museum of Fine Arts. Murcia. Murcia Region. Spain. Date: 2019

The Savior showing his sores. Gothic. Chapel of The Savior
Gothic image of the Savior showing his sores. It dates from the 14th century and was Integrated in the 1532 polychrome stone altarpiece, work of Juan de Alava

Il Precursore, 1927-28, (oil on canvas)
868156 Il Precursore, 1927-28, (oil on canvas) by Sartorio, Giulio Aristide (1860-1932); 200x103 cm; Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Wept o'er his wounds, or tales of sorrow done, shouldered his crutch, and showed how fields were won (colour litho)
955963 Wept o'er his wounds, or tales of sorrow done, shouldered his crutch, and showed how fields were won (colour litho) by Hankey

Pieta, 1520-25 (oil on panel)
3362048 Pieta, 1520-25 (oil on panel) by Cranach, Lucas the Elder (1472-1553) or Hans (d.1537); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Saint Sebastian healed by Saint Irene (oil on canvas)
868078 Saint Sebastian healed by Saint Irene (oil on canvas) by Bigot, Trophime (c.1595-p.1650); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

The Penitent St Francis, c. 1585 (oil on canvas)
1108929 The Penitent St Francis, c.1585 (oil on canvas) by Carracci, Annibale (1560-1609); Musei Capitolini, Rome, Italy; (add.info.: by Annibale Carracci); Photo © Stefano Baldini

Resurrection of Christ, c. 1485-1500 (oil on panel)
5916322 Resurrection of Christ, c. 1485-1500 (oil on panel) by Master of the Amsterdam Death of the Virgin (fl.1500); 53.5x65 cm; Rijksmuseum, Amsterdam

Man of Sorrows (oil on panel)
490113 Man of Sorrows (oil on panel) by Flemish School, (15th century); Groeningemuseum, Bruges, Belgium; (add.info.: See also 490111. ); © Art in Flanders

St. Francis Receiving the Stigmata, 1633 (oil on canvas)
LAF470873 St. Francis Receiving the Stigmata, 1633 (oil on canvas) by Rubens, Peter Paul (1577-1640); 265.5x193 cm; Museum voor Schone Kunsten, Ghent, Belgium; (add.info.: St)

Ecce Homo, first half of the 16th century (oil on panel)
471233 Ecce Homo, first half of the 16th century (oil on panel) by Netherlandish School (16th century); 40x33 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Man of Sorrows with Madonna and Saint Catherine of Alexandria (tempera on panel)
471180 Man of Sorrows with Madonna and Saint Catherine of Alexandria (tempera on panel) by Master of St. Veronica (fl.1395-1415); 41x24 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Mater Dolorose and Man of Sorrows (oil on panel)
490111 Mater Dolorose and Man of Sorrows (oil on panel) by Flemish School, (15th century); Groeningemuseum, Bruges, Belgium; © Art in Flanders

Christ Showing his Wounds, 1921 (oil on canvas)
471282 Christ Showing his Wounds, 1921 (oil on canvas) by Woestyne, Gustave van de (1881-1947); 161x137 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Epitaph of Nikols Rockox and his wife Adriana Perez, 1513-15 (oil on panel)
471121 Epitaph of Nikols Rockox and his wife Adriana Perez, 1513-15 (oil on panel) by Rubens, Peter Paul (1577-1640); 146x233 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

The Man of Sorrows, 1532 (oil on panel)
LAF470868 The Man of Sorrows, 1532 (oil on panel) by Heemskerck, Maerten van (1498-1574); 84.2x72.5 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

The Sacred Monogram and the Wounds of Christ, 15th century. 15th century. Creator: Anon
The Sacred Monogram and the Wounds of Christ, 15th century

The wounds of the sea
João Coelho

Battered husband (colour litho)
3641744 Battered husband (colour litho) by English School, (20th century); Private Collection; (add.info.: Battered husband. Postcard, early 20th century.); © Look and Learn

The Incredulity of Saint Thomas, c. 1620 (oil on canvas)
IND380374 The Incredulity of Saint Thomas, c.1620 (oil on canvas) by Honthorst, Gerrit van (1590-1656); Prado, Madrid, Spain; Index Fototeca

The Descent from the Cross (tempera on gold panel)
897658 The Descent from the Cross (tempera on gold panel) by Martini, Simone (1284-1344); 24.5x15.5 cm; Musees Royaux des Beaux-Arts de Belgique, Brussels

Pieta, Parisian or Burgundian School (oil on panel)
899154 Pieta, Parisian or Burgundian School (oil on panel) by French School, (15th century); diam: 23 cm; Louvre, Paris, France; (add.info)

Lamentation over dead Christ, c. 1460-64 (oil on panel)
5310822 Lamentation over dead Christ, c. 1460-64 (oil on panel) by Weyden, Rogier van der (1399-1464); 80.6x130.1 cm; Mauritshuis, The Hague

Lamentation, c. 1540-45 (oil on oak panel)
BAL53554 Lamentation, c.1540-45 (oil on oak panel) by Heemskerck, Maerten van (1498-1574); 78.5x67.5 cm; Museum of Fine Arts (Szepmuveszeti) Budapest

Buffalo stricken by arrows (oil on canvas)
PNP245665 Buffalo stricken by arrows (oil on canvas) by Catlin, George (1796-1872); Private Collection; Peter Newark Western Americana; American, out of copyright

The Dead Christ, c. 1510 (oil on panel)
BAL53488 The Dead Christ, c.1510 (oil on panel) by Basaiti, Marco (1470-1530); 87x69.8 cm; Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary

The Deposition (oil on canvas)
XIR182412 The Deposition (oil on canvas) by German School, (17th century); Church of Notre-Dame-de-Bonne-Nouvelle, Paris, France

The Dead Christ (oil on canvas)
NUL122592 The Dead Christ (oil on canvas) by Carracci, Annibale (1560-1609); Staatsgalerie, Stuttgart, Germany; Italian, out of copyright

Napoleon on the Battle Field of Eylau, 9th February 1807, 1808 (oil on canvas) (detail of 18910)
XIR282083 Napoleon on the Battle Field of Eylau, 9th February 1807, 1808 (oil on canvas) (detail of 18910) by Gros, Baron Antoine Jean (1771-1835); 521X784 cm; Louvre, Paris

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"Wounds: A Tapestry of Pain, Resilience, and Redemption" In the depths of history's canvas, they have left an indelible mark on humanity. From the tragic tale of "The Death of Ellen Bright at Wombwells Menagerie, 1850, " where innocence was shattered amidst a menagerie's chaos; to the ethereal spirituality embodied by Saint Teresa of Avila, whose wounds became symbols of divine connection. Even in portraits like "A portrait of John Cornwell (8th January 1900-2nd June 1915), " we witness the haunting scars borne by those who sacrificed their youth in the trenches during WW1. The aerial battlegrounds over Courtrai in 1915 witnessed brave souls soaring through skies tainted with blood and tears. Throughout time, even legendary figures were not immune to wounds. Richard I met his fate on foreign soil as his lionheart succumbed to fatal blows. Diomedes' clash with Mars under Minerva's guidance showcased how even gods could be wounded. Yet it is within vulnerability that true strength emerges. Gothic art reveals The Savior showing his sores, reminding us that salvation lies not in perfection but in embracing our own brokenness. Il Precursore's evocative brushstrokes capture both physical and emotional wounds that shape our existence. "Wept o'er his wounds or tales of sorrow done" echoes through generations as we bear witness to stories etched upon crutches and battlefields alike - reminders that fields were won through pain endured. In Saturn's mutilation of Uranus depicted on frescoed walls, we confront the darker side where inflicted harm becomes a weapon wielded against kin. Elizabeth Brownrigg stands as a chilling testament to human cruelty while Pieta portrays Mary cradling her son Jesus after crucifixion – an image immortalizing maternal anguish over profound spiritual wounding. Within these diverse narratives, wounds become more than mere physical scars.