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THOMAS NAST CARTOON, 1879. Stranger Things Have Happened

THOMAS NAST CARTOON, 1879. Stranger Things Have Happened


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THOMAS NAST CARTOON, 1879. Stranger Things Have Happened

THOMAS NAST CARTOON, 1879.
Stranger Things Have Happened. Senator Thomas Bayard attempts to prevent the Democratic Party from hurtling into the chasm of financial chaos. American cartoon, 1879, by Thomas Nast, the first in which the Republican elephant and the Democratic donkey appeared together as the symbols of the two major political parties

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Media ID 12322342

1879 Bayard Chaos Cliff Democratic Party Edge Elephant Finance Nast Policy Political Action Pulling Republican Party Rock Senator Struggle Stump Symbol Tail Top Hat White House Chasm


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EDITORS COMMENTS
In this iconic 1879 Thomas Nast cartoon titled "Stranger Things Have Happened" we witness a gripping political struggle on the edge of financial chaos. The print captures Senator Thomas Bayard, resolute and determined, attempting to prevent the Democratic Party from hurtling into an abyss. Nast's artistic brilliance shines through as he introduces two enduring symbols of American politics for the first time: the Republican elephant and the Democratic donkey. These powerful creatures stand together at the precipice, representing their respective parties' policies and actions. The scene is set atop a rocky cliff, with both men pulling against each other in a fierce tug-of-war. Bayard, dressed immaculately in his top hat and tailcoat, symbolizes stability and order as he strives to keep his party from plunging into financial ruin. The tension is palpable as these political giants grapple with one another amidst swirling uncertainty. Will they find common ground or be consumed by chaos? Only time will tell. This image serves as a reminder that even in times of great turmoil, unexpected alliances can form and stranger things have indeed happened in American politics. As we gaze upon this historical artifact, it prompts us to reflect on our own present-day challenges while appreciating how far we've come since Nast's era of political commentary through artistry.

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