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REVELATION OF ST. JOHN. (Apocalypse) The Sea Monster and the Beast with the lambs horns

REVELATION OF ST. JOHN. (Apocalypse) The Sea Monster and the Beast with the lambs horns


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REVELATION OF ST. JOHN. (Apocalypse) The Sea Monster and the Beast with the lambs horns

REVELATION OF ST. JOHN.
(Apocalypse) The Sea Monster and the Beast with the lambs horns (Revelation 13, 1-13; 14, 14-17). Woodcut, 1498, by Albrecht Durer

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12345583

1498 Albrecht Apocalypse Apostle Beast Deity Doomsday Durer Evangelical Evil Horn Lamb Saint Satan Sea Monster Sheep


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EDITORS COMMENTS
This woodcut print by Albrecht Durer, titled "Revelation of St. John: The Sea Monster and the Beast with the Lamb's Horns" takes us on a visual journey into the depths of biblical prophecy. Created in 1498 during the late Renaissance period, this piece showcases Durer's exceptional skill as a German artist. The image depicts scenes from the Book of Revelation, specifically chapters 13 and 14. In vivid detail, we witness a fearsome sea monster rising from turbulent waters while an imposing beast with lamb's horns stands nearby. These powerful symbols represent evil forces unleashed upon humanity during doomsday or the apocalypse. Durer masterfully captures both terror and awe in his woodcut technique, emphasizing intricate lines and contrasting light and shadow to convey dramatic intensity. The viewer is drawn into this evangelical narrative through their portrayal of Saint John, one of Jesus' apostles who received divine revelations about future events. As we contemplate this artwork, we are reminded of the eternal struggle between good and evil that has fascinated humankind for centuries. It serves as a reminder that even amidst chaos and darkness, there is hope symbolized by lambs representing innocence or purity. This print invites us to reflect on our own beliefs about spirituality, morality, and salvation while marveling at Durer's artistic genius in capturing such profound religious themes within a single composition.

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