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PHYSIOGNOMY, 1648. Forehead of an unstable man
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PHYSIOGNOMY, 1648. Forehead of an unstable man
PHYSIOGNOMY, 1648.
Forehead of an unstable man. Woodcut, 1648, from Philippus Phinellas Metoposcopia
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12407800
1648 Face Forehead Metoposcopia Physiognomy Philippus
EDITORS COMMENTS
This print from Granger Art on Demand takes us back to the Renaissance era, specifically to the year 1648. Titled "PHYSIOGNOMY, 1648. Forehead of an unstable man" it showcases a woodcut depicting the forehead of a man believed to be mentally unstable. The intricate details and skillful craftsmanship evident in this artwork are truly remarkable. The concept of physiognomy, which was popular during the Renaissance period, aimed to understand one's character or personality traits by analyzing their facial features. This particular woodcut focuses solely on the forehead, emphasizing its significance in determining mental stability. The lines and contours etched into this piece reveal a sense of restlessness and unpredictability within the subject's mind. It is as if his thoughts are constantly shifting and his emotions fluctuating uncontrollably. The artist expertly captures these nuances through delicate strokes that bring life to every crease and wrinkle on his forehead. As we gaze upon this thought-provoking image, we cannot help but ponder how people perceived mental health during that time period. Were individuals judged solely based on their physical appearance? How did society react towards those deemed mentally unstable? This print serves as both an artistic masterpiece and a historical artifact, offering us insight into centuries-old beliefs surrounding physiognomy while also reminding us of our ever-evolving understanding of mental health today.
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