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SHELLS, 1776. Page from Thomas Jeffersons copy of Elements of Conchology, by Emanuel Mendes da Costa, 1776. Shells are identified as follows: 1)The Furbelow 2)Grimace 3)The Tiara or Papal Crown 4)Crane 5)Thorny Woodcock 6)Joppa Whelk 7)Needle 8)Tun 9)Melon Tun 10)Helmet
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SHELLS, 1776. Page from Thomas Jeffersons copy of Elements of Conchology, by Emanuel Mendes da Costa, 1776. Shells are identified as follows: 1)The Furbelow 2)Grimace 3)The Tiara or Papal Crown 4)Crane 5)Thorny Woodcock 6)Joppa Whelk 7)Needle 8)Tun 9)Melon Tun 10)Helmet
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 7563631
1776 Conch Element Emanuel Jefferson Oceanography Page Science Shell Conchology Costa Mend Mendes
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EDITORS COMMENTS
This print showcases a page from Thomas Jefferson's personal copy of "Elements of Conchology" by Emanuel Mendes da Costa, dating back to 1776. The intricate engravings depict various shells, each identified with fascinating names that add an air of whimsy and intrigue to the image. From left to right, we are introduced to an array of unique shells: 1) The Furbelow, adorned with delicate frills; 2) Grimace, evoking a mysterious expression; 3) The Tiara or Papal Crown, reminiscent of regal headwear; 4) Crane, resembling the elegant bird in its form; 5) Thorny Woodcock, boasting spiky protrusions; 6) Joppa Whelk, named after its place of origin; 7) Needle, slender and sharp like its namesake tool; 8) Tun and Melon Tun - two shell varieties akin to barrels used for storage purposes; and finally, the majestic Helmet. This remarkable engraving not only captures the beauty and diversity found within our oceans but also offers insight into early scientific exploration during America's founding era. It is a testament to Thomas Jefferson's intellectual curiosity as he delved into fields beyond politics. The Granger Collection has preserved this historical gem as part of their Carousel Collection—an invaluable resource for those passionate about late science and oceanography. This print serves as a reminder that art can be both visually stunning and intellectually
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