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The April Fool, or The Follies of a Night... 1786
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The April Fool, or The Follies of a Night... 1786
The April Fool, or The Follies of a Night as performed at the Theatre Royal, C---- House, for the benefit of the Widow Wadman, 1786. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917403
© The Print Collector / Heritage-Images
Breeches Britches Carlton House Emily Morse Emily Morse Symonds Fitzherbert Folly Fool George Iv George Paston King George Iv King Of Great Britain Laurence Sterne Maria Anne Maria Anne Fitzherbert Mrs Fitzherbert Paston Pistol Prince Of Wales Prince Regent Prinnie Prinny Symonds Tongs Tristram Shandy April Fool Fire Irons
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The April Fool, or The Follies of a Night
EDITORS COMMENTS
is a captivating print that takes us back to the vibrant and whimsical world of 18th-century Britain. This image, captured by an unknown creator and featured in "Social Caricature in the Eighteenth Century" transports us to the Theatre Royal at C---- House in 1786. In this lively scene, we witness a group of elegantly dressed men and women engaging in a spirited dance. The women's flowing dresses twirl gracefully as they move across the floor, while the men don breeches and hats that reflect the fashion of their time. Amidst this mirthful atmosphere, we spot various objects symbolizing folly: fire irons transformed into weapons like tongs and pistols. The print alludes to literary works such as Tristram Shandy by Laurence Sterne, adding another layer of depth to its narrative. It also features notable figures from history like King George IV, Mrs Fitzherbert (Maria Anne Fitzherbert), and George Paston (pseudonym for Emily Morse Symonds), who contributed over two hundred illustrations to this collection. This snapshot captures not only the spirit of entertainment but also hints at social commentary on war and weaponry during that era. As we delve into this visual masterpiece, it becomes evident how art can transcend time, allowing us to appreciate both its aesthetic appeal and historical significance.
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