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Atalanta and the Golden Apples, c1619. Artist: Hendrick van Balen
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Atalanta and the Golden Apples, c1619. Artist: Hendrick van Balen
Atalanta and the Golden Apples, c1619. Three golden apples were featured in Greek Mythology, in which a hunter named Atalanta raced against a suitor named Hippomenes who used the golden apples to distract her so that he sould win the race
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Media ID 14867726
© Art Media / Heritage-Images
Apple Apples Atalanta Balen Distracted Greed Hendrick Van Painted Wood Race Racing Running Suitor Baroque Era
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EDITORS COMMENTS
This print showcases the artwork "Atalanta and the Golden Apples" by Hendrick van Balen, created in approximately 1619. The painting depicts a significant moment from Greek Mythology where Atalanta, a skilled hunter, engages in a thrilling race against her suitor Hippomenes. In this race, Hippomenes cleverly uses three golden apples to distract Atalanta and gain an advantage. The image captures the essence of this legendary tale with its vibrant colors and intricate details. The artist's mastery is evident as he skillfully portrays the intensity of the race and the allure of the golden apples. The landscape surrounding them adds depth to the composition, transporting viewers into this mythical world. Van Balen's work reflects elements of Dutch Baroque art from the 17th century, known for its rich colors and dramatic lighting effects. This print serves as a testament to his talent and contribution to this artistic era. The concept behind this artwork delves into themes such as greed, competition, and distraction – timeless aspects that continue to resonate with audiences today. It reminds us how external factors can influence our focus during important moments in life. As we admire this remarkable piece captured through oil on painted wood technique, we are reminded of van Balen's legacy within art history. This print allows us to appreciate his craftsmanship while immersing ourselves in an ancient mythological narrative that continues to captivate our imagination centuries later.
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