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Baben. Hyppolyte, Antoine. 49 ans, ne a St Sermain (Aveyron). Serrurier

Baben. Hyppolyte, Antoine. 49 ans, ne a St Sermain (Aveyron). Serrurier


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Baben. Hyppolyte, Antoine. 49 ans, ne a St Sermain (Aveyron). Serrurier

Baben. Hyppolyte, Antoine. 49 ans, ne a St Sermain (Aveyron). Serrurier. Anarchiste. 9/3/94. 1894

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Media ID 20138474

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Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Locksmith Mug Shot Mugshot Mustache Physical Anthropology Albumen Print Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Aveyron

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This 19th-century albumen print by Alphonse Bertillon showcases the enigmatic figure of Baben Hyppolyte Antoine, a 49-year-old locksmith from St Sermain (Aveyron). The photograph, taken on September 3rd, 1894, is a striking example of Bertillon's pioneering work in anthropometry and criminal identification. In this arresting black and white portrait, Baben exudes an air of defiance with his anarchistic beliefs proudly displayed. His thick moustache and facial hair add to his rugged appearance, while his piercing gaze hints at a man who has seen both sides of the law. As one delves deeper into the image, it becomes apparent that this mugshot is not just an ordinary police record but rather a testament to the intersection between science and politics during this era. Bertillon's meticulous attention to detail is evident in every aspect of this photograph. From capturing Baben's occupation as a locksmith to documenting his physical features for identification purposes, it exemplifies how photography was employed as a tool for criminal investigation and societal control. Preserved within the Metropolitan Museum of Art's collection, this remarkable piece serves as both historical documentation and artistic expression. It invites viewers to contemplate not only the life of Baben Hyppolyte Antoine but also broader themes such as crime, identity politics, and social order prevalent during that time period. As we gaze upon this thought-provoking image today, we are reminded once again that art has

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