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Three Beauties of Yoshiwara (Seiro san bijin), Japan, 1793. Creator: Kitagawa Utamaro

Three Beauties of Yoshiwara (Seiro san bijin), Japan, 1793. Creator: Kitagawa Utamaro


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Three Beauties of Yoshiwara (Seiro san bijin), Japan, 1793. Creator: Kitagawa Utamaro

Three Beauties of Yoshiwara (Seiro san bijin), Japan, 1793

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Media ID 24375530

© Heritage Art/Heritage Images

Glove Gloves Hats Head Dresses Headdresses Kitagawa Utamaro Red Light District Utamaro Kitagawa Veil Veiled Veils Yoshiwara Colour Woodblock Print Head Dress Oban


FEATURES IN THESE COLLECTIONS

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > K > Utamaro Kitagawa

> Arts > Artists > U > Kitagawa Utamaro

> Asia > Japan > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Oban


EDITORS COMMENTS
This vibrant woodblock print, titled "Three Beauties of Yoshiwara (Seiro san bijin)" captures the essence of 18th-century Japan during the Edo period. Created by the renowned artist Kitagawa Utamaro in 1793, this masterpiece showcases his exceptional talent and attention to detail. The print features three elegant women adorned in exquisite traditional clothing. Their colorful kimonos beautifully contrast against a backdrop that hints at the bustling atmosphere of Yoshiwara, Tokyo's famous red-light district during that time. Each woman wears a unique headdress and veil, adding an air of mystery and allure to their already captivating presence. The delicate gloves they hold suggest refinement and grace, while their hats further emphasize their status as fashionable trendsetters. Utamaro's skillful use of color brings life to every aspect of this artwork. From the rich hues adorning the garments to the subtle tones used for shading and highlighting facial features, each element is meticulously crafted. As we gaze upon this historical piece from centuries ago, we are transported back in time to witness these three beauties who were celebrated icons within Japanese society. This woodblock print serves as a testament to Utamaro's artistic prowess and offers us a glimpse into both the cultural heritage and aesthetic sensibilities of Japan during this era.

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