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Ben Venue from Loch Achray, 1840, (1935). Artist: Anthony Vandyke Copley Fielding

Ben Venue from Loch Achray, 1840, (1935). Artist: Anthony Vandyke Copley Fielding


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Ben Venue from Loch Achray, 1840, (1935). Artist: Anthony Vandyke Copley Fielding

Ben Venue from Loch Achray, 1840, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd. London & Derby, 1935]

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Media ID 14988795

© The Print Collector

Anthony Vandyke Copley Anthony Vandyke Copley Fielding C Reginald Grundy Catalogue Catalogue Of Pictures Cecil Reginald Cecil Reginald Grundy Copley Fielding Fielding Frederick John Frederick John Nettlefold Frederick John Nettleford Frederick Nettlefold Grundy Loch Mist Mountain Range Nettleford Trossachs Ben Venue Loch Achray Scots


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> Arts > Artists > F > Anthony Vandyke Copley Fielding

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> Europe > United Kingdom > Scotland > Lakes


EDITORS COMMENTS
This print titled "Ben Venue from Loch Achray, 1840" by Anthony Vandyke Copley Fielding transports us back to the picturesque landscapes of Scotland in the 19th century. The image showcases the breathtaking beauty of nature as it captures a serene moment on Loch Achray. The mist gently hovers over the tranquil waters, creating an ethereal atmosphere that adds to the allure of this scene. In the foreground, we see a group of people aboard boats, enjoying their journey through this idyllic setting. Their presence provides a sense of scale and highlights the vastness of Ben Venue, which stands majestically in the background. Fielding's masterful use of color brings this artwork to life, with vibrant hues depicting every detail - from the lush greenery surrounding the lake to the rocky peaks that dominate its horizon. This piece truly encapsulates both the grandeur and tranquility found in Scotland's countryside. Originally featured in Frederick John Nettleford's collection and documented in Cecil Reginald Grundy's catalogue, this print serves as a testament to its historical significance within British art history. It is a visual representation not only of Scotland's natural beauty but also of Fielding's talent as an artist. As we gaze upon this remarkable print today, we are reminded of how transport can connect us with nature and allow us to appreciate its wonders firsthand.

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