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The Blenheim, Leaving the Star Hotel, Oxford, 1831 (1927). Artist: Frederick James Havell
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The Blenheim, Leaving the Star Hotel, Oxford, 1831 (1927). Artist: Frederick James Havell
The Blenheim, Leaving the Star Hotel, Oxford, 1831 (1927). Plate taken from Famous Sporting Prints IV: Coaching, published by The Studio Limited (London, 1927)
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Media ID 14945181
© The Print Collector / Heritage-Images
Coach Coaching Coachman Colour Print Departure Famous Sporting Prints Frederick James Frederick James Havell Havell Hotel Leaving Oxford Oxfordshire Pulling Stagecoach Horse Drawn Vehicle Print Collector8
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This photo print, titled "The Blenheim, Leaving the Star Hotel, Oxford, 1831 (1927)", takes us back in time to the bustling streets of 19th century England. Created by Frederick James Havell and George Havell, this piece is a part of the Famous Sporting Prints IV: Coaching collection published by The Studio Limited in London during the 1930s. In vivid color and intricate detail, we witness a horse-drawn stagecoach known as The Blenheim departing from the iconic Star Hotel in Oxfordshire. This image captures not only a moment but also an entire era defined by road transport and coaching. The coachman skillfully guides his team of horses as they pull this magnificent vehicle along its journey. The building itself stands tall behind them, representing both occupation and departure for those embarking on their travels. It serves as a reminder of how important hotels were during this time period when long-distance travel required frequent stops for rest and refreshment. This print transports us into a world where sport meets profession - where animals like horses play an integral role in transportation. It encapsulates the spirit of adventure that was so prevalent during the 19th century while showcasing Havell's mastery in capturing every minute detail with vibrant colors. "The Blenheim, Leaving the Star Hotel" is more than just a work of art; it is a window into history that allows us to appreciate both the craftsmanship involved in creating such prints and the significance of horse-drawn vehicles within our past
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