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How a Braggart was Drowned in a Well, Folio 33v from a Haft Paikar... ca. 1430

How a Braggart was Drowned in a Well, Folio 33v from a Haft Paikar... ca. 1430


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How a Braggart was Drowned in a Well, Folio 33v from a Haft Paikar... ca. 1430

How a Braggart was Drowned in a Well, Folio 33v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430

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Media ID 20138209

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Afghan Afghani Afghanistan Dead Desert Drowned Drowning Foolish Ganjavi Ganjavi Nezami Haft Paikar Indian Miniature Iran Iranian Miniature Nezami Nezami Ganjavi Nizami Persia Persian Perso Arabic Poem Script Seven Portraits Seven Princesses Stupid Stupidity Azhar Gold Colour Maulana Poetry


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> Animals > Mammals > Cricetidae > Golden Mouse

> Animals > Mammals > Muridae > Desert Mouse

> Arts > Still life artwork > Watercolor paintings > Fine art

> Arts > Still life artwork > Watercolor paintings > Portrait paintings

> Arts > Literature

> Arts > Watercolor paintings > Portrait watercolors > Fine art gallery

> Arts > Watercolor paintings > Portrait watercolors > Watercolor portrait artists

> Arts > Watercolor paintings

> Asia > Afghanistan > Related Images

> Asia > Iran > Related Images


EDITORS COMMENTS
This print titled "How a Braggart was Drowned in a Well, Folio 33v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430" takes us back to the vibrant world of 15th century Afghanistan. Created by renowned artist Maulana Azhar, this Indian miniature painting showcases the rich heritage and artistic brilliance of Perso-Arabic culture. In this exquisite artwork, we witness a foolish man meeting his demise as he is drowned in a well for his boastful ways. The intricate details and vivid colors bring to life the desert landscape where this unfortunate event unfolds. The golden hues symbolize both the foolishness and arrogance that led to his downfall. The painting not only reflects an important scene from Nizami Ganjavi's famous poem but also serves as a testament to the skill and craftsmanship of Persian artists during that era. Each stroke tells a story, capturing the essence of Persian literature and its deep connection with visual art. Preserved at The Metropolitan Museum of Art, this masterpiece invites viewers to delve into history while appreciating Maulana Azhar's talent in reviving ancient tales through watercolor brushstrokes. It stands as an embodiment of cultural exchange between Iran and India during those times - their shared love for poetry, script, and art intertwining beautifully on one canvas. As we gaze upon this mesmerizing piece, let it remind us that

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