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Byzantine weaving and embroidery, (1898). Creator: Unknown
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Byzantine weaving and embroidery, (1898). Creator: Unknown
Byzantine weaving and embroidery, (1898). Fig 1: Embroidered purple robe in the cathedral-treasure at Bamberg. Fig 2: Figured silk-stuff on the tunic of Henry II. in the National-Museum at Munich. Figs 3, 4 and 7: Embroidered borders from the Imperial Alb in the Imp. treasury at Vienna. Figs 5 and 6: Embroidered borders from the Imperial tunicle ibid. Fig 8: Embroidered borders on the German Emperors mantle in the Imperial treasury at Vienna. Fig 9: Embroidery on the German Emperors mantle ibid. Figs 10 and 11: Patterns painted on garments from tomb-stones in the church S. Lorenzo Fuori le mura at Rome...During this period an extensive trade was carried on in the most precious woven fabrics...in gorgeous embroidered materials and stuffs...Sicilian articles exhibiting clearly the influence of Arabian ornamentation, without denying Byzantine forms...the lion overpowering the camel seems intended to symbolize Christianity overruling Islam. Plate 33 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19778064
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B T Batsford Batsford Bt Batsford Byzantine Byzantine Empire Byzantium Camel Camels Chromolithograph Dolmetsch E Hochdanz Ecclesiastical Dress Embroidered Feline H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Hochd Hochdanz Imperial Lion Stylised Tiger Embroidery Flowered Interior Decoration Interior Design Weaving
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EDITORS COMMENTS
This print showcases the exquisite artistry of Byzantine weaving and embroidery from 1898. The creator remains unknown, but their talent is undeniable. The image presents a collection of various embroidered pieces, each with its own unique charm and historical significance. Figures 1 and 2 highlight two remarkable examples: an embroidered purple robe housed in the cathedral-treasure at Bamberg and figured silk-stuff adorning Henry II's tunic in the National-Museum at Munich. Figures 3,4, and 7 display intricately embroidered borders from the Imperial Alb found in Vienna's Imp. treasury, while figures 5 and 6 exhibit similar borders from the Imperial tunicle. Figure 8 showcases beautifully crafted embroidered borders on the German Emperor's mantle also located in Vienna's Imperial treasury. Figure 9 displays stunning embroidery on another section of this magnificent garment. The print further includes figures 10 and11 depicting patterns painted on garments discovered on tombstones within Rome's S. Lorenzo Fuori le mura church. These patterns reflect both Byzantine forms as well as Arabian ornamentation influences seen prominently in Sicilian articles during that era. Notably, one can observe a symbolic representation within these works - a lion overpowering a camel - signifying Christianity prevailing over Islam. This photograph offers us a glimpse into an era when trade flourished for luxurious woven fabrics adorned with opulent embroideries. It serves as a testament to the rich artistic heritage of Byzantium while showcasing its influence across different regions during that time period.
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