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Celtic illuminated manuscripts, (1898). Creator: Unknown
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Celtic illuminated manuscripts, (1898). Creator: Unknown
Celtic illuminated manuscripts, (1898). The lettering at top left is from the Lindisfarne Gospels, probably produced c715-720 AD in the monastery at Lindisfarne, Northumberland, and now in the British Library, London. Figs 1-5: 7th century. Figs 6 and 7: 8th century. Figs 9-11: 10th century. Fig 12: 11th century...For Celtic interlacing work, either filling up the spare surfaces of the letters or bordering the separate pages, the limbs or bodies of snakes, birds, dogs and fantastical animals were employed...Occasionally the human figure occurs, whereas the vegetable ornament is wholly wanting. Its introduction first dates from the 9th century, and after weak commencements (compare Fig. 8) it spreads more and more, next the ribbon ornament, under the influence of the Romanesque style. Plate 30 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19778028
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10th Century 11th Century 7th Century 8th Century Alphabet B T Batsford Batsford Bt Batsford Celtic Chromolithograph Dolmetsch E Hochdanz Eleventh Century H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Hochd Hochdanz Illuminated Manuscript Ireland Irish Knot Design Lindisfarne Gospels Stylised Tenth Century Flowered Graphic Design
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EDITORS COMMENTS
This print showcases a collection of Celtic illuminated manuscripts, dating back to various centuries. The intricate lettering at the top left corner is derived from the Lindisfarne Gospels, believed to have been produced between 715 and 720 AD in the Lindisfarne monastery in Northumberland. These precious manuscripts are now housed in the British Library in London. The artwork featured on these pages exemplifies the distinctive Celtic interlacing work that embellished both letters and borders. Snakes, birds, dogs, and fantastical creatures were skillfully incorporated into this decorative style. While human figures are occasionally depicted, floral motifs take precedence over vegetal ornamentation. The evolution of Celtic art can be observed through these manuscript pages. Starting from weak beginnings in the 9th century (as seen in Figure 8), it gradually expands under Romanesque influences along with ribbon ornaments. This plate is taken from "The Historic Styles of Ornament" translated from German by H. Dolmetsch and published by B. T. Batford of London in 1898. This mesmerizing lithograph offers a glimpse into the rich heritage of England's religious arts during different periods spanning several centuries. It celebrates not only their artistic prowess but also their profound influence on literature, design, and Christian symbolism throughout Britain and Ireland.
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