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China and Russia (Nankin, Oroshiya), 1860. Creator: Utagawa Hiroshige II

China and Russia (Nankin, Oroshiya), 1860. Creator: Utagawa Hiroshige II


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China and Russia (Nankin, Oroshiya), 1860. Creator: Utagawa Hiroshige II

China and Russia (Nankin, Oroshiya), 1860

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Media ID 24371843

© Heritage Art/Heritage Images

Bicorne Blossom Europeans Fur Coat Hand Held Hiroshige Ii Hiroshige Ii Utagawa Ink Stone Inkstone Kisai Rissho Koshibei Morita Chimpei Paintbrush Rissho Ryusho Shigenobu Suzuki Chimpei Utagawa Chimpei Utagawa Hiroshige Ii West Western Westerner Westerners Yokohama Yokohama E Colour Woodblock Print Hiroshige Utagawa Oban Utagawa Hiroshige


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Western Mouse

> Arts > Artists > H > Utagawa Hiroshige

> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > U > Hiroshige Utagawa

> Asia > Japan > Related Images

> Asia > Japan > Yokohama

> Europe > Russia > Paintings

> Europe > Russia > Posters

> Europe > Russia > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Oban


China and Russia (Nankin, Oroshiya), 1860 - A Glimpse into the Edo Period

EDITORS COMMENTS
. This print by Utagawa Hiroshige II transports us back to the vibrant world of 19th-century Japan. Titled "China and Russia (Nankin, Oroshiya)" it captures a fascinating encounter between East and West during the Tokugawa period. The scene unfolds in Yokohama, a bustling port city that served as a gateway for international trade. Amidst blooming cherry blossoms, we witness two European men strolling through this exotic landscape. Dressed in their distinctive fur coats and bicorne hats, they stand out against the traditional attire of Japanese locals. Hiroshige's masterful use of color woodblock printing brings every detail to life – from the delicate flowers adorning kimono-clad figures to the intricate inkstone held by one gentleman. The artist's signature style combines meticulous attention to nature with a touch of whimsy. As we admire this artwork at the Art Institute of Chicago, we are reminded of its significance within Asian arts. Hiroshige II was part of an artistic school that celebrated ukiyo-e prints as both fine art and commercial products. With "China and Russia (Nankin, Oroshiya)". Utagawa Hiroshige II invites us on a visual journey bridging continents and cultures. It serves as a testament to his enduring legacy as one of Japan's most

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