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Christ Drives the Money-Changers from the Temple, 1626. Artist: Rembrandt Harmensz van Rijn
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Christ Drives the Money-Changers from the Temple, 1626. Artist: Rembrandt Harmensz van Rijn
Christ Drives the Money-Changers from the Temple, 1626. From the Pushkin Museum of Fine Art, Moscow
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Media ID 14866564
© Art Media / Heritage-Images
Adult Afraid Aged Aggravated Alarm Anger Angry Anxiety Apprehension Bible Scene Cella Desperation Dread Energy Expelling Expulsion Faith Fear Fleeing Foreboding Fright Frighten Frightened Frightening Front View Fury Head Shoulders Holy Hopeless Human Human Being Illustration And Painting Indoor Jewish Judaism Longevity Medium Group Of People Mid 17th Century Money Money Changer Motioning Only Men Person Rage Reacting Reaction Rembrandt Harmensz Van Rijn Rembrandt Harmenszoon Van Rijn Rembrant Van Rijn Savior Scared Seriousness Shrine Signaling Solemn Spiritualism Spirituality Tabernacle Togetherness Waist Up Western European Whipping Baroque Era Biblical Trepidation
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EDITORS COMMENTS
In this photo print, we are transported back to the 17th century as Rembrandt's masterful brushstrokes bring to life the biblical scene of "Christ Drives the Money-Changers from the Temple". The painting, housed in Moscow's Pushkin Museum of Fine Art, captures a moment filled with concept and fear. The artist skillfully portrays Christ's righteous anger as he confronts the money-changers who have turned his Father's house into a den of finance. With intense energy and solemnity, Christ expels these merchants from the temple, whipping them away with desperation. His face reflects both determination and foreboding as he takes action against their greed. Surrounded by a group of only men, including Jewish figures reacting with apprehension and trepidation, this painting highlights themes of faith and spirituality within Christianity. The vibrant colors draw our attention to every detail - from each individual fleeing in fear to Christ himself commanding authority over this sacred space. Rembrandt's work exemplifies the Baroque style through its dramatic composition and emotional intensity. Through his art media techniques, he creates an atmosphere that evokes a sense of awe and reverence for this pivotal Bible scene. As we gaze upon this remarkable piece, we can't help but feel drawn into its narrative - witnessing not only an artistic masterpiece but also experiencing a profound connection to centuries-old religious traditions.
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