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Cimon seated against a column at right, suckling from Pero who is kneeling next to him
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Cimon seated against a column at right, suckling from Pero who is kneeling next to him
Cimon seated against a column at right, suckling from Pero who is kneeling next to him, 1544. After Barthel Beham
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Media ID 20574613
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Baehm Baehm Barthel Barthel Barthel Baehm Barthel Beham Beham Beham Barthel Beham Hans Sebald Beham Hans Sebold Beham Sebald Breast Feeding Breastfeeding Cimon Cimon And Pero Cymon Decameron Decamerone Family Life Father Fatherhood Hans Sebald Hans Sebald Beham Hans Sebold Hans Sebold Beham Old Master Prison Prison Cell Prisoner Sebald Sebald Beham Starvation Story Artistic Movement Biblical Germa Young Woman
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EDITORS COMMENTS
This photo print, titled "Cimon seated against a column at right, suckling from Pero who is kneeling next to him" takes us back to the 16th century. Created by Barthel Beham, a renowned artist of that era, this piece belongs to the artistic movement of the Renaissance. The image depicts a powerful biblical scene where Cimon, a prisoner in his prison cell, finds solace in an unexpected act of compassion. Seated against a column with desperation etched on his face, he turns to Pero for nourishment. Kneeling beside him is Pero herself, offering her breast as sustenance. This thought-provoking portrayal explores themes of family life and fatherhood within the context of religion and morality. It draws inspiration from Giovanni Boccaccio's Decameron tales which narrate stories about crime and punishment. Beham's masterful engraving technique brings depth and emotion to this historical moment. The stark contrast between light and shadow emphasizes the intensity of their connection amidst despair. Displayed at The Met museum today, this artwork serves as a reminder that even in times of hardship and imprisonment, acts of kindness can transcend boundaries. It invites viewers to reflect on our shared humanity while appreciating Beham's contribution to German heritage art during the Renaissance period.
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