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Collins Street East on a Sunday morning, Melbourne, Victoria, Australia, 1886. Artist: WJ Smedley
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Collins Street East on a Sunday morning, Melbourne, Victoria, Australia, 1886. Artist: WJ Smedley
Collins Street East on a Sunday morning, Melbourne, Victoria, Australia, 1886. Wood engraving from Picturesque Atlas of Australasia, Vol I, by Andrew Garran, illustrated under the supervision of Frederic B Schell, (Picturesque Atlas Publishing Co, 1886)
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Media ID 14909022
© The Print Collector / Heritage-Images
Andrew Andrew Garran Australasia Australia Australian Busy Collins Street Frederic B Frederic B Schell Garran Melbourne Pavement Pedestrian Rambling Schell Sidewalk Smedley Spire Strolling Victoria Print Collector2 Wood Engraving
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EDITORS COMMENTS
This print takes us back to the bustling streets of Melbourne, Victoria in 1886. Titled "Collins Street East on a Sunday morning" it showcases the vibrant energy of this Australian city during the 19th century. The wood engraving, skillfully created by WJ Smedley for the Picturesque Atlas of Australasia, beautifully captures the essence of this era. As we gaze upon this image, our eyes are drawn to the magnificent spires of a church dominating the skyline. This architectural marvel stands tall amidst a sea of busy pedestrians strolling along Collins Street. The concept of religion is subtly woven into this scene as people make their way towards or past the grand building. The monochrome aesthetic adds a timeless quality to this snapshot from history. Every detail, from the intricately designed buildings lining both sides of the road to individuals rambling along on foot, tells its own story about life in late 19th-century Australia. Through this print's lens, we catch a glimpse into an era long gone but not forgotten – where horse-drawn carriages shared space with pedestrians and churches stood as beacons within communities. It serves as a reminder that even amidst progress and change over time, certain aspects such as faith and community remain constants in shaping our society. This remarkable piece by Andrew Garran under Frederic B Schell's supervision preserves an important chapter in Melbourne's heritage for generations to come.
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