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Colonnade de l eglise de la Madeleine, 1842 / 50, printed 1965
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Colonnade de l eglise de la Madeleine, 1842 / 50, printed 1965
Colonnade de l eglise de la Madeleine, 1842/50, printed 1965. [Colonnade of La Madeleine church]. Gelatin silver print, no. 21 from the portfolio " Bayard: xxv calotypes, 1842-1850" (1965); edition 14/50
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Media ID 23873001
© Heritage Art/Heritage Images
1965 Alter And Xc9 Bayard Hippolyte Bayard Hyppolyte Bayard Xxv Calotypes 1842 1850 And Colonnade Colonnades Edition 14 50 Eglise De La Madeleine Gelatin Silver Print Glise De La Madeleine Hippolyte Bayard Hyppolyte Bayard L And Xe9 La Madeleine Leglise De La Madeleine Leglise Sainte Marie Madeleine Paris Ile De France France
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EDITORS COMMENTS
This black and white gelatin silver print, titled "Colonnade de l eglise de la Madeleine, 1842 / 50" transports viewers back to the enchanting streets of Paris in the 19th century. The photograph was taken by renowned French photographer Hippolyte Bayard and printed in 1965 as part of his portfolio "Bayard: xxv calotypes, 1842-1850". The image showcases the majestic colonnade of La Madeleine church, an architectural masterpiece that stands proudly against the backdrop of a bustling cityscape. The intricate details and grandeur of this religious structure are beautifully captured in Bayard's lens. As we gaze upon this historic scene, we are reminded of the rich cultural heritage embedded within every corner of France. This photograph serves as a testament to both Bayard's artistic prowess and his dedication to preserving moments frozen in time. Displayed prominently at the Art Institute Chicago, this gelatin silver print is one among only fifty editions ever produced. Its monochromatic aesthetic adds depth and character to its subject matter while evoking a sense of nostalgia for a bygone era. Whether you're an art enthusiast or simply captivated by history, this remarkable piece offers a glimpse into Parisian life during the mid-19th century. It invites us to marvel at the beauty found within our architectural past while appreciating Bayard's contribution to photography as an art form.
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