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The Congress of Wartburg, 15th century (1849). Artist: A Bisson

The Congress of Wartburg, 15th century (1849). Artist: A Bisson


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The Congress of Wartburg, 15th century (1849). Artist: A Bisson

The Congress of Wartburg, 15th century (1849). A 19th century version based on an original manuscript illustration in the Minnesoenger, held by the Bibliotheque Nationale, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

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Media ID 14936634

© The Print Collector / Heritage-Images

A Bisson A Rivaud Bisson Congress Cottard Courtier Ferdinand Ferdinand Sere Lacroix Paul Paul Lacroix Rivaud Sere Waving


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EDITORS COMMENTS
The Congress of Wartburg, 15th century (1849) captures a momentous gathering in history. This photo print, created by artist A Bisson, is based on an original manuscript illustration found in the Minnesoenger held by the Bibliotheque Nationale in Paris. The image depicts a scene from the 15th century Congress of Wartburg, set in Germany. In this engraving, we see a courtier-filled hall with monarchs seated at its center. The king and queen hold their crowns while waving to the gathered people who have come to witness this important event. The royal figures exude power and authority as they preside over discussions that will shape the destiny of their German country. The print's monochrome aesthetic adds depth and timelessness to this historical moment. Created in the 19th century by Bisson, it beautifully captures both the grandeur of royalty and the intricate details of medieval attire. This image transports us back to a pivotal period where sovereigns convened for political negotiations and decision-making processes. It serves as a reminder of how diplomacy played out during one of Europe's most transformative eras. The Congress of Wartburg engraving is part of Le Moyen Age et la Renaissance series authored by Paul Lacroix, Ferdinand Sere, and A Rivaud - Volume III published in Paris in 1849. As an artifact preserved through time, it allows us to appreciate not only its artistic value but

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