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Equestrian statue of King Philip le Bel, 1575 (1849)
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Equestrian statue of King Philip le Bel, 1575 (1849)
Statue of King Philip le Bel, 1575 (1849). Wooden equestrian statue placed in Notre Dame Cathedral, Paris, 1328, destroyed in 1772. Philip IV (1268-1314), called the Fair (Very pleasing to the eye) or the Handsome (French: le Bel), reigned as King of France from 1285 until his death. A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
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Media ID 14936822
© The Print Collector / Heritage-Images
A Rivaud Equestrian Ferdinand Ferdinand Sere Helmet King Of France Lacroix Mounted Notre Dame Notre Dame De Paris Paul Paul Lacroix Philip Iv Philip The Fair Rivaud Sere Armour King Philip Iv Philippe Le Bel
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EDITORS COMMENTS
This print captures the majestic Equestrian statue of King Philip le Bel, a remarkable piece of art that once graced Notre Dame Cathedral in Paris. Originally created in 1328, this wooden equestrian statue was unfortunately destroyed in 1772. However, this particular print is a 19th-century version based on an original 16th-century wood engraving. King Philip IV, also known as Philip the Fair or Philip the Handsome, ruled as King of France from 1285 until his death in 1314. This regal statue depicts him mounted on a horse, dressed in armor and wearing a helmet. It symbolizes his power and authority during a time when warfare played a significant role in European history. The image showcases not only the artistic craftsmanship but also provides insight into religious and royal symbolism prevalent during that era. As it stands within Notre Dame Cathedral, it represents the intersection between religion and monarchy—a testament to Christianity's influence over French society at the time. With its monochrome aesthetic, this print evokes nostalgia for both the sixteenth century when the original statue was crafted and for nineteenth-century viewers who admired its beauty through this reproduction. The intricate details captured by Paul Lacroix, Ferdinand Sere, and A Rivaud allow us to appreciate this historical artifact even centuries after its destruction.
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