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Faults on Both Sides, 1861, (1911). Artist: Thomas Faed
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Faults on Both Sides, 1861, (1911). Artist: Thomas Faed
Faults on Both Sides, 1861, (1911). Painting held at the Tate, London. From Bibbys Annual 1911. [J. Bibby & Sons, Liverpool, 1911]
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Media ID 14991821
© The Print Collector
Annual Bibby Bibbys Annual Difficult Difficulty Faed Ignoring J Bibby Sons Joseph Bibby Relationship Side By Side Tate Gallery Tate London Thomas Faed Metaphor
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EDITORS COMMENTS
This print titled "Faults on Both Sides, 1861" by Thomas Faed evokes a sense of complexity and introspection. The painting, housed at the Tate in London, showcases an intimate scene between a man and a woman seated side by side in an interior setting. Their body language suggests a deep connection yet also hints at underlying difficulties within their relationship. The artist skillfully captures the essence of love's complexities through his use of color and metaphorical imagery. The couple is engrossed in their own worlds, seemingly ignoring each other while immersed in literature. This concept highlights the challenges that can arise even within the closest relationships. Set against the backdrop of a 19th-century gallery, this artwork transports us to another era where emotions were often suppressed or hidden beneath societal expectations. Faed's portrayal invites viewers to reflect upon their own relationships and consider how misunderstandings and faults exist on both sides. As we gaze upon this oil-on-canvas portrait from Bibbys Annual 1911, we are reminded that love is not always straightforward but rather requires patience, understanding, and acceptance of one another's flaws. Through Faed's masterful brushstrokes and Joseph Bibby's preservation efforts as depicted by The Print Collector29, this timeless piece continues to resonate with audiences today at Tate London Art Centre.
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