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Top of the First Pyramid of Gizah, 1801. Artist: Thomas Milton

Top of the First Pyramid of Gizah, 1801. Artist: Thomas Milton


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Top of the First Pyramid of Gizah, 1801. Artist: Thomas Milton

Top of the First Pyramid of Gizah, 1801. Plate 4 from Views in Egypt, engraved by Thomas Milton (1743-1827) published by Robert Bowyer. Found in the Stapleton Collection, UK

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Media ID 14872212

© Artmedia / Heritage-Images

Arabia Arabian Group Of People High Horizon Luigi Luigi Mayer Mayer Milton Pyramid Pyramids Pyramids Of Giza Pyramids Of Gizeh Staff Thomas Milton Aquatint Metaphor On Top Of The World Print Collector3 Traditional Dress


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> Historic > Egyptian pyramids and tombs


EDITORS COMMENTS
This print captures the awe-inspiring view from the top of the First Pyramid of Gizah in 1801. The artist, Thomas Milton, skillfully engraved this image as part of his collection "Views in Egypt" which was published by Robert Bowyer. This particular plate, Plate 4, showcases a group of men dressed in traditional costumes standing on top of the pyramid against a vast horizon. The photograph transports us back to the 19th century and offers a glimpse into Egyptian culture and heritage. The men's attire reflects their country's rich history and traditions, adding depth to the composition. With their staffs held high against the sky, they symbolize strength and power. Metaphorically speaking, being "on top of things" or "on top of the world" takes on a literal meaning here as these individuals stand atop one of mankind's greatest architectural achievements - the pyramids. Their elevated position grants them an unparalleled perspective that is both humbling and inspiring. The aquatint technique used by Milton adds texture to this stunning artwork while maintaining its intricate details. Preserved within the Stapleton Collection in UK, this print serves as a testament to human ingenuity and artistic excellence. As we gaze upon this remarkable piece from Luigi Mayer's collection (print collector3), we are reminded not only of Egypt's historical significance but also our own capacity for greatness when we reach new heights both literally and metaphorically.

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