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Fore-warned, Fore-armed, 1741. Artist: E Gravelot

Fore-warned, Fore-armed, 1741. Artist: E Gravelot


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Fore-warned, Fore-armed, 1741. Artist: E Gravelot

Fore-warned, Fore-armed, 1741. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917430

© The Print Collector / Heritage-Images

Classical Emily Morse Emily Morse Symonds George Paston Gravelot Paston Satyr Symonds Torch Wing Winged Winged Figure Wings


Fore-warned, Fore-armed, 1741

EDITORS COMMENTS
is a captivating print that takes us back to the elegant world of eighteenth-century Britain. Created by artist E Gravelot and featured in "Social Caricature in the Eighteenth Century" this illustration showcases over two hundred intricate details skillfully brought to life by George Paston (pseudonym of Emily Morse Symonds) in her book published in London, 1905. In this classical scene, we find ourselves amidst a mythical setting where both male and female figures coexist harmoniously. A winged angel gracefully hovers above an ancient temple while holding a torch symbolizing enlightenment. On the other side stands a satyr from Greek mythology, representing mischief and revelry. These contrasting characters embody different aspects of human nature. The central focus is on a poised woman who personifies strength and wisdom as she confidently holds her shield aloft. The title "Fore-warned, Fore-armed" suggests that knowledge is power; being aware of potential dangers allows one to be prepared for any adversity that may come their way. This monochrome masterpiece beautifully captures the essence of the eighteenth century with its attention to detail and meticulous shading techniques. It serves as a reminder that even centuries later, art continues to inspire contemplation about our place within society and our ability to navigate life's challenges armed with knowledge. As we gaze upon this remarkable print by E Gravelot through the lens of George Paston's

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