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Fragment of a frieze from the church of San Martino ai Monti, Rome, Italy, (1928)
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Fragment of a frieze from the church of San Martino ai Monti, Rome, Italy, (1928)
Fragment of a frieze from the church of San Martino ai Monti, Rome, Italy, (1928). About 850...time of Leo IV. (847-855). The bird frieze was carried under the roof of the basilica. Its value is in its rareness; it is the only one in Rome of
which a fragment is preserved. After Joseph Wilpert. Plate XLIX, fig 108, from " An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. [Ernst Wasmuth Ltd. Berlin, 1928]
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Media ID 19667283
© The Print Collector/Heritage Images
9th Century Archaeological Bossert Bossert Hellmut Theodor Bossert Helmuth Bossert Helmuth Theodor Dove Encyclopaedia Of Colour Decoration Ernst Ernst Wasmuth Ltd Ernst Wasmuth Verlag Fresco Frieze Hellmut Theodor Hellmut Theodor Bossert Helmuth Helmuth Bossert Helmuth Theodor Helmuth Theodor Bossert Josef Josef Wilpert Joseph Wilpert Mural Walls Wasmuth Ltd Wasmuth Ltd Ernst Wasmuth Verlag Wasmuth Verlag Ernst Wilpert Wilpert Josef Wilpert Joseph Interior Decoration Interior Design
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EDITORS COMMENTS
This print showcases a fragment of a frieze from the church of San Martino ai Monti in Rome, Italy. Dating back to the 9th century during the time of Leo IV, this exquisite bird frieze was originally placed under the basilica's roof. Its true value lies in its rarity, as it is the sole surviving piece of its kind in Rome. The image is taken from Joseph Wilpert's renowned book "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. Published by Ernst Wasmuth Ltd. Berlin in 1928, this lithograph captures every intricate detail and vibrant color present on this ancient artwork. Within this single snapshot, we are transported into a world where art meets religion and history intertwines with beauty. The delicate design and patterned fresco evoke a sense of awe and admiration for medieval craftsmanship. As we gaze upon this mesmerizing scene, we can't help but appreciate how art has transcended time and continues to captivate us even after centuries have passed. This print serves as a testament to our enduring fascination with archaeological sites like San Martino ai Monti and their ability to connect us with our past. It reminds us that within these fragments lie stories waiting to be discovered, offering glimpses into an era long gone but forever preserved through artistry and devotion.
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