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A French Family, 1790. Artist: Samuel Alken

A French Family, 1790. Artist: Samuel Alken


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A French Family, 1790. Artist: Samuel Alken

A French Family, 1790. An anti-French view of our continental cousins: a dog wearing clothes, a man with an effete hairstyle, a child showing her legs. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917474

© The Print Collector / Heritage-Images

Alken Emily Morse Emily Morse Symonds Feather Feathers Fiddler George Paston Ostrich Feather Ostrich Feathers Paston Rowlandson Samuel Samuel Alken Samuel Alken Senior Senior Symonds Thomas Rowlandson Violinist Barefoot Effete


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> Arts > Artists > D > George Dance

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A French Family, 1790

EDITORS COMMENTS
is a captivating print that offers a satirical glimpse into the social customs of our continental cousins during the 18th century. Created by Samuel Alken, this artwork showcases an anti-French perspective through exaggerated caricatures. The scene unfolds with a dog wearing clothes, symbolizing the perceived frivolity and extravagance of French society. A man with an effete hairstyle further emphasizes the portrayal of elegance taken to excess. In contrast to these flamboyant figures, a child playfully reveals her legs, challenging societal norms and adding a touch of innocence to the composition. The presence of a musician playing the fiddle adds liveliness to the image as he accompanies dancers in their energetic movements. The artist's attention to detail is evident in every element captured within this illustration from "Social Caricature in the Eighteenth Century". Ostrich feathers adorn both men and women's attire, highlighting fashion trends prevalent during that era. Through clever satire and wit, Alken invites viewers on an amusing journey into French culture. This remarkable print serves as one among over two hundred illustrations compiled by George Paston (pseudonym for Emily Morse Symonds) in her book published in London in 1905. Alongside Thomas Rowlandson's contributions, it provides valuable insight into historical perspectives on France while showcasing artistic talent from notable creators like Samuel Alken Senior.

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