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French Renaissance weaving, embroidery and book covers, (1898). Creator: Unknown
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French Renaissance weaving, embroidery and book covers, (1898). Creator: Unknown
French Renaissance weaving, embroidery and book covers, (1898). Fig 1: Silk weaving, late 17th century. Fig 2: Silk-weaving, mid 16th century. Fig 3: Embroidered carpet in the Musee du Louvre, 16th century. Figs 4 and 5: Corner-pieces of a book-cover made of red morocco (Henry III), [Henri III, 16th century?]. Fig 6: A book-cover from the beginning of the 17th century. Fig 7: The same from the close of the 16th century. Plate 64 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19780615
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B T Batsford Batsford Book Cover Bookbinding Bt Batsford Carpet Carpets Chromolithograph Dolmetsch E Hochdanz Foliage H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Hochd Hochdanz Louvre Palace Ornate Palais Du Louvre Soft Furnishing Stylised Embroidery Flowered Gold Colour Interior Decoration Interior Design Weaving
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EDITORS COMMENTS
This print showcases the exquisite artistry of French Renaissance weaving, embroidery, and book covers. Created in 1898 by an unknown artist, it offers a glimpse into the rich cultural heritage of France. The print features several stunning examples of craftsmanship from different time periods. Figures 1 and 2 depict silk weavings from the late 17th century and mid-16th century respectively. Their intricate patterns and vibrant colors demonstrate the mastery of textile art during these eras. Figure 3 showcases an embroidered carpet from the Musee du Louvre dating back to the 16th century, displaying meticulous attention to detail. Figures 4 and 5 highlight corner-pieces of a book-cover made of red morocco attributed to Henry III in the 16th century. The gold accents on these pieces add a touch of regal elegance to their design. Figures 6 and 7 present two different book-covers—one from the beginning of the 17th century and another from the close of the previous century—both showcasing ornate floral motifs that were popular during those times. This lithograph is taken from "The Historic Styles of Ornament" translated from German author H. Dolmetsch's work, providing valuable insights into historical decorative styles. With its striking combination of color, pattern, and golden foliage designs, this print serves as a testament to France's artistic legacy in weaving, embroidery, and bookbinding throughout various centuries.
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