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G. Gascoigne, (c1535-1577), 1830. Creator: Unknown
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G. Gascoigne, (c1535-1577), 1830. Creator: Unknown
G. Gascoigne, (c1535-1577), 1830. George Gascoigne (c1535-1577) English poet, soldier and courtier, educated at Trinity College, Cambridge and Middle Temple, disinherited by his father for debts. Considered an important poet of the early Elizabethan era and the first poet to deify Queen Elizabeth I. From " Biographical Illustrations", by Alfred Howard. [Thomas Tegg, R. Griffin and Co. J. Cumming, London, Glasgow and Dublin, 1830]
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Media ID 19300885
© The Print Collector/Heritage Images
Alfred Alfred Howard Biographical Illustrations Cambridge University Charles Griffin Company Richard Griffin And Courtier Debt Elizabeth I Elizabeth I Of England Elizabeth I Queen Of England Elizabeth Tudor Elizabethan Griffin Griffin And Company Griffin Richard Howard Howard Alfred Inn Of Court Middle Temple Queen Bess Queen Elizabeth Queen Elizabeth I Of England R Griffin And Co Richard Richard Griffin And Richard Griffin And Company T Tegg And Son T Tegg Son Tegg Tegg And Son Tegg Son Tegg Son T Tegg Thomas Thomas Tegg Trinity College University University Of Cambridge Armour Gascoigne Titled Troubled
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EDITORS COMMENTS
This print showcases G. Gascoigne, a prominent figure from the 16th century. The creator of this remarkable portrait remains unknown, adding an air of mystery to the image. Gascoigne was an English poet, soldier, and courtier who lived from c1535-1577. He received his education at Trinity College, Cambridge and Middle Temple but faced unfortunate circumstances as he was disinherited by his father due to debts. Considered one of the most significant poets of the early Elizabethan era, Gascoigne holds a unique place in history as he was the first poet to deify Queen Elizabeth I through his works. This particular print is taken from "Biographical Illustrations" by Alfred Howard and published in 1830 by Thomas Tegg, R. Griffin and Co. , J. Cumming in London, Glasgow, and Dublin. The portrait captures Gascoigne's distinguished appearance with his bearded face adorned in armor—a symbol of both military prowess and nobility during that time period. It offers a glimpse into the life of this influential man who contributed greatly to British literature while also serving as a courtier for Queen Elizabeth I. This striking image serves as a testament to Gascoigne's enduring legacy within English poetry and provides viewers with a fascinating window into 16th-century England's cultural milieu.
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