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The Garotters Friend, 1862. Artist: John Tenniel

The Garotters Friend, 1862. Artist: John Tenniel


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The Garotters Friend, 1862. Artist: John Tenniel

The Garotters Friend, 1862. Let Go, Bill, Can t Yer - Its Our Kind Non-Interfering Friend, Sir George Grey! London at this time was subjected to a rash of garrotting attacks. Usually working in pairs, one ruffian would grab the unsuspecting victim around the neck from behind leaving the other ruffian free to empty the victims pockets. The attacks did in fact become more serious, and at least one person died. The current Home Secretary, Sir George Grey was opposed to captured garrotters being flogged and, in this cartoon, two members of the garrotting fraternity are depicted as halting an attack when they realise it is their friend, Sir George, whom they have in a stranglehold. However, in the following Session, an Act was passed to punish these criminals by flogging. From Punch, or the London Charivari, November 29, 1862

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Media ID 14830592

© The Print Collector / Heritage-Images

Attacking Criminal Garrotte Heritage Image Partnership Home Secretary John Tenniel Pickpocket Sir John Tenniel Stealing Tenniel Victim Aristocracy Aristocrat Garrotting George Grey Mugger Sir George Grey


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The Garotters Friend, 1862

EDITORS COMMENTS
is a captivating print that showcases the artistic brilliance of John Tenniel. This thought-provoking piece transports us back to London in the 19th century, during a time plagued by garrotting attacks. The image depicts two criminals engaged in their nefarious act, attempting to strangle an unsuspecting victim from behind. However, what makes this cartoon truly intriguing is the unexpected twist it presents. As the attackers realize that their intended target is none other than Sir George Grey, the Home Secretary himself, they release him from their grip. Sir George had been known for his opposition to flogging captured garrotters and this satirical portrayal highlights his non-interfering stance on punishment. The composition skillfully captures the tension between crime and politics while shedding light on societal issues of that era. It serves as a reminder of how vulnerable people were to these pickpocketing muggers who roamed London's streets. Through its monochromatic black and white style, this engraving evokes a sense of nostalgia and historical significance. The attention to detail in Tenniel's work brings each character to life with remarkable precision. "The Garotters Friend" offers viewers an opportunity to reflect on both past and present notions of law enforcement and criminal justice systems. It stands as a testament to John Tenniel's talent as an artist and his ability to convey complex social commentary through visual storytelling.

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