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George II, King of England, 1721-1724, (1913). Artist: Jacob Christoph Le Blon
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George II, King of England, 1721-1724, (1913). Artist: Jacob Christoph Le Blon
George II, King of England, 1721-1724, (1913). George II, King of Great Britain and Ireland. George IIs (1693-1760) reign began in 1727. After Godfrey Kneller (1646-1723). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]
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Media ID 14996812
© The Print Collector
Cloak Duke Of Brunswick Luneburg Ermine George Ii George Ii Augustus Godfrey Godfrey Kneller Gottfried Kneller Hanover Heinemann His Majesty King George Ii King Of Britain And Ireland Kneller Le Blond Sir Godfrey Sir Godfrey Kneller William Heinemann William Heinemann Ltd Wmheinemann Baroque Era Blon Le Blon Oval Shaped
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George II, King of England, 1721-1724 - A Majestic Portrait from the Baroque Era
EDITORS COMMENTS
. This stunning print captures the regal presence of George II, King of England and Ireland during his reign from 1721 to 1724. Painted by Jacob Christoph Le Blon in 1913, this artwork pays homage to Sir Godfrey Kneller's original masterpiece. The image showcases a distinguished Caucasian man with a direct gaze and an air of authority. Dressed in opulent red fur clothes adorned with an ermine cloak, George II exudes power and elegance. His majestic wig adds to his grandeur as he stands against a white background in an oval-shaped frame. This portrait exemplifies the artistic style prevalent during the baroque era. As one of Britain's most influential monarchs, George II played a significant role in shaping the country's history. Hailing from Hanover as Duke of Brunswick-Luneburg before ascending to the throne, he brought German influences into British culture. The fine details captured in this print highlight both historical significance and artistic mastery. Preserved through time, it serves as a reminder of Britain's rich heritage and royal lineage. This portrayal invites viewers to delve into the splendorous world of eighteenth-century British monarchy while appreciating Le Blon's skillful interpretation. Displayed within these frames is not just a photograph but also an embodiment of centuries past—a testament to the enduring legacy left behind by kings like George II.
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