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Harlequin and Death, 1918. Artist: Somov, Konstantin Andreyevich (1869-1939)

Harlequin and Death, 1918. Artist: Somov, Konstantin Andreyevich (1869-1939)


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Harlequin and Death, 1918. Artist: Somov, Konstantin Andreyevich (1869-1939)

Harlequin and Death, 1918. From a private collection

Heritage Images features heritage image collections

Media ID 15010330

© Fine Art Images

Abundance Affluence Buffoon Cornucopia Death Symbols Depts Eternity Fool Futility Harlequin Ink And Pen On Paper Jester Joker Jokester Konstantin Andreyevich 1869 1939 Life And Death Luxuriancy Memento Mori Money Opulence Prankster Prosperity Requiem Riche Riches Richness Sinful Somov Sorrow Stinginess Transience Vain Vanitas Vanity Wealth Wealthiness Wit Cracker Allegory And Literature Gouache Poetry Symbolism


Harlequin and Death, 1918 - A Captivating Dance of Wealth and Mortality

EDITORS COMMENTS
. In this print by Konstantin Andreyevich Somov, we are transported to a world where the realms of life and death intertwine. The artist's masterful use of watercolour, gouache, ink, and pen on paper brings to life the eternal struggle between wealth and mortality. At the center of the composition stands Harlequin, a symbol of prosperity and abundance. Dressed in vibrant colors with a mischievous grin upon his face, he represents all that is joyful in life. Yet lurking behind him is Death itself - an ominous figure draped in darkness with skeletal features reminding us of our inevitable fate. Somov's artwork serves as a poignant reminder that riches are fleeting; vanity and foolishness can lead one astray from what truly matters. The cornucopia overflowing with opulence contrasts sharply with the symbolism of sorrow surrounding it – a requiem for those who chase material wealth without considering their own transience. Through this allegory rooted in mythology and literature, Somov invites us to reflect on our own mortality while questioning society's obsession with accumulation. It serves as both a memento mori urging us not to squander our precious time on Earth chasing empty riches but also as a critique against stinginess and greed. This fine art piece from Somov's private collection offers profound insight into human nature – its desires for affluence juxtaposed against the ephem

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