Having said that, this poor invalid gives us a curtsy, and goes hobbling off from S

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Having said that, this poor invalid gives us a curtsy, and goes hobbling off from S

Having said that, this poor invalid gives us a curtsy, and goes hobbling off from Scenes from the Private and Public Life of Animals, ca. 1837-47

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Media ID 23864927

© Heritage Art/Heritage Images

A B L Amputation Amputee Andrew Best Leloir Anthropomorphic Anthropomorphism Artificial Leg Balzac Honore De Honore Balssa Best Andrew L Disabilities Disability Disabled Gerard Jean Ignace Isidore Grandville Grandville Jj Granville J J Honore Balssa Honore De Balzac J J Grandville J J Granville Jean Ignace Isidore Gerard Jj Grandville Jj Granville L Andrew Best Leloir Andrew Best Wooden Leg Wood Engraving

FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Honore de Balzac

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

EDITORS COMMENTS
In this 19th-century print titled "Having said that, this poor invalid gives us a curtsy, and goes hobbling off" we are transported into the intriguing world of anthropomorphism. Created by Andrew Best Leloir as part of the collection "Scenes from the Private and Public Life of Animals" between 1837-47, this artwork showcases the artist's remarkable ability to blend human characteristics with animal subjects. The scene unfolds with a disabled bird donning an artificial wooden leg, symbolizing resilience in the face of adversity. The delicate details in its clothing and hat evoke a sense of dignity despite its physical limitations. Through this portrayal, Leloir invites us to reflect on our own perceptions of disability and how animals can teach us valuable lessons about acceptance and adaptability. The black-and-white wood engraving technique adds depth to each stroke, emphasizing both the beauty and fragility inherent in nature. As we gaze upon this image at The Metropolitan Museum of Art, we are reminded not only of the artistic mastery behind it but also its historical significance within French culture during that era. This thought-provoking piece transcends time as it explores themes such as medicine, science, fashion, and societal attitudes towards disabilities. It serves as a testament to Leloir's talent for capturing emotion through his artistry while shedding light on important aspects of human existence. As viewers engage with "Having said that" they are encouraged to contemplate their own perspectives on diversity and empathy towards those facing

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