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Horseman, 1480-1481. Artist: Leonardo da Vinci
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Horseman, 1480-1481. Artist: Leonardo da Vinci
Horseman, 1480-1481. Study for The Adoration of the Kings, from the collection of Captain Colville, London, England; top right: Horseman, 1480-1481, Study for The Adoration of the Kings, from the collection of John Nicholas Brown, Rhode Island, U.S.A.; bottom: Horse, Lions Head, and Face of Man, c1504, Studies for The Battle of Anghiari, from the collection of the Royal Library, Windsor Castle, Windsor, England
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Media ID 14868070
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Adoration Of The Magi Aggression Da Vinci Horseman Horsemen Leonardo Leonardo Da Leonardo Da Vinci Leonardo De Vinci Lion Rearing Royal Library Savage Silverpoint Vinci
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EDITORS COMMENTS
This print showcases a masterpiece by the renowned artist Leonardo da Vinci. Titled "Horseman, 1480-1481" this artwork is a study for The Adoration of the Kings and belongs to the collections of Captain Colville in London, England, as well as John Nicholas Brown in Rhode Island, USA. The image depicts a horseman with an air of concept and aggression. Leonardo's meticulous attention to detail is evident in his portrayal of the horse's body and face, capturing its strength and grace. The lion's head adds an intriguing element to the composition, symbolizing power and ferocity. As one gazes at this artwork, it becomes apparent that it embodies the essence of Renaissance art. Leonardo's skillful sketching technique brings life to each stroke on paper using ink, pen, and silverpoint mediums. This piece not only reflects his mastery but also highlights his exploration of religious themes prevalent during that time. With its historical significance dating back to the 15th century New Testament narrative known as The Adoration of the Magi, this artwork holds deep religious connotations within its context. It serves as a testament to Leonardo da Vinci's genius as both an artist and thinker. Owning this remarkable print allows art enthusiasts worldwide to appreciate Leonardo da Vinci's contribution to Italian art history while admiring his ability to capture beauty through intricate sketches like never before seen during that era.
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